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12 de fevereiro de 2023 às 17:28 15 views

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𝖢𝗈𝗆𝗈 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗌𝗈𝗅𝗈, 𝖢𝗁𝗈 𝖾𝗌𝗍𝖾𝗏𝖾 𝖾𝗇𝗏𝗈𝗅𝗏𝗂𝖽𝗈 𝖾𝗆 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗋 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗌𝗎𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝗋 𝖺 𝗆𝖺𝗂𝗈𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝖾 𝗌𝗎𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌. 𝖭𝗈𝗌 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈𝗌 𝖾𝗌𝗍𝖺́𝗀𝗂𝗈𝗌 𝖽𝖾 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺, 𝗈 𝖾𝗌𝗍𝗂𝗅𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝖽𝖾 𝖢𝗁𝗈 𝗀𝗋𝖺𝗏𝗂𝗍𝗈𝗎 𝖾𝗆 𝖽𝗂𝗋𝖾𝖼̧𝖺̃𝗈 𝖺𝗈 𝗁𝗂𝗉 𝗁𝗈𝗉 𝖼𝗈𝗋𝖾𝖺𝗇𝗈 , 𝖼𝗈𝗆 𝗌𝖾𝗎𝗌 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝗌𝗈𝖻 𝗈 𝗇𝗈𝗆𝖾 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝗈 𝖫𝗎𝗂𝗓𝗒 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝖺𝗇𝖽𝗈 𝗉𝗈𝗉 𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖾𝗅𝖾𝗍𝗋𝗈̂𝗇𝗂𝖼𝖺. 𝖭𝗈 𝖾𝗇𝗍𝖺𝗇𝗍𝗈, 𝖺 𝗆𝗎𝖽𝖺𝗇𝖼̧𝖺 𝖽𝖾 𝗌𝖾𝗎 𝗇𝗈𝗆𝖾 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝗈 𝖼𝗈𝗆𝗈 𝗌𝗈𝗅𝗂𝗌𝗍𝖺 𝗉𝖺𝗋𝖺 𝖶𝖮𝖮𝖣𝖹 𝖾𝗆 𝟤𝟢𝟣𝟪 𝖿𝗈𝗂 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝖽𝖺 𝗉𝗈𝗋 𝗎𝗆𝖺 𝗆𝗎𝖽𝖺𝗇𝖼̧𝖺 𝖾𝗆 𝗌𝗎𝖺 𝖽𝗂𝗋𝖾𝖼̧𝖺̃𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅, 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝗉𝗈𝗋  𝖲𝗍𝖺𝗍𝗎𝗌 𝖬𝖺𝗀𝖺𝗓𝗂𝗇𝖾  𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 "[𝖾𝗏𝗈𝗅𝗎𝖼̧𝖺̃𝗈] 𝖾𝗆 𝗎𝗆𝖺 𝗂𝖽𝖾𝗇𝗍𝗂𝖽𝖺𝖽𝖾 𝗆𝖺𝗂𝗌 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝖺". 𝖠𝗈 𝖼𝗈𝗇𝗍𝗋𝖺́𝗋𝗂𝗈 𝖽𝖾 𝗌𝗎𝖺 𝖺𝖻𝗈𝗋𝖽𝖺𝗀𝖾𝗆 "𝗉𝗈𝗉𝗉𝗂𝖾𝗋" 𝖼𝗈𝗆𝗈 𝖫𝗎𝗂𝗓𝗒, 𝖢𝗁𝗈 𝖼𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗂𝗓𝖺 𝗌𝖾𝗎 𝖾𝗌𝗍𝗂𝗅𝗈 𝖽𝖾 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝗌𝗈𝖻 𝗈 𝗇𝗈𝗆𝖾 𝖶𝖮𝖮𝖣𝖹 𝖼𝗈𝗆𝗈 "𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖱&𝖡", 𝗆𝖺𝗌 𝗆𝖾𝗇𝖼𝗂𝗈𝗇𝖺 𝗊𝗎𝖾 𝖾𝗅𝖾 "𝗇𝖺̃𝗈 𝖾́ 𝖾𝗑𝗂𝗀𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗈 𝗀𝖾̂𝗇𝖾𝗋𝗈".𝖮𝗌 𝖼𝗈𝗆𝖾𝗇𝗍𝖺𝗋𝗂𝗌𝗍𝖺𝗌 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗇𝗈𝗍𝖺𝗋𝖺𝗆 𝖺 𝖾𝗑𝗉𝖾𝗋𝗂𝗆𝖾𝗇𝗍𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖶𝖮𝖮𝖣𝖹 𝖼𝗈𝗆 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌, 𝖼𝗈𝗆 𝗌𝗎𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗌𝖾𝗇𝖽𝗈 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝖼𝗈𝗆𝗈 𝗉𝗈𝗌𝗌𝗎𝗂𝖽𝗈𝗋𝖺 𝖽𝖾 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈𝗌 𝖽𝖾 𝖱&𝖡 𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝗈, 𝖺𝗍𝗆𝗈𝗌𝖿𝖾́𝗋𝗂𝖼𝗈, 𝖾  𝖽𝗋𝖾𝖺𝗆 𝗉𝗈𝗉, 𝗆𝖺𝗇𝗍𝖾𝗇𝖽𝗈 𝗎𝗆 "𝗌𝗈𝗆 𝖼𝗅𝗂𝗆𝖺́𝗍𝗂𝖼𝗈 𝖽𝖾 𝖺𝗌𝗌𝗂𝗇𝖺𝗍𝗎𝗋𝖺". 𝖤𝗆 𝗈𝗎𝗍𝗋𝗈 𝖼𝗈𝗇𝗍𝗋𝖺𝗌𝗍𝖾 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝗈 𝖺𝗈 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖽𝖾 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺, 𝗊𝗎𝖾 𝗈 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝗈𝗎 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗋𝖺𝗉𝗉𝖾𝗋, 𝗌𝖾𝗎𝗌 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝖼𝗈𝗆𝗈 𝖶𝖮𝖮𝖣𝖹 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗆 𝖢𝗁𝗈 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆𝗈 𝗏𝗈𝖼𝖺𝗅𝗂𝗌𝗍𝖺. 𝖤𝗆 𝗋𝖾𝗍𝗋𝗈𝗌𝗉𝖾𝖼𝗍𝗈, 𝖢𝗁𝗈 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝖺 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝖼̧𝖺 𝖾𝗇𝗍𝗋𝖾 𝗌𝗎𝖺𝗌 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗌 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 "𝗊𝗎𝖾𝗌𝗍𝖺̃𝗈 𝖽𝖾 𝗆𝖺𝗍𝗎𝗋𝗂𝖽𝖺𝖽𝖾", 𝖼𝗈𝗆 𝖺 𝗆𝗎𝖽𝖺𝗇𝖼̧𝖺 𝗉𝖺𝗋𝖺 𝗎𝗆𝖺 𝗂𝖽𝖾𝗇𝗍𝗂𝖽𝖺𝖽𝖾 𝗆𝖺𝗂𝗌 "𝗆𝖺𝖽𝗎𝗋𝖺" 𝖼𝗈𝗆𝗈 𝖶𝖮𝖮𝖣𝖹, 𝗉𝖾𝗋𝗆𝗂𝗍𝗂𝗇𝖽𝗈-𝗅𝗁𝖾 𝖽𝗂𝗌𝗍𝖺𝗇𝖼𝗂𝖺𝗋-𝗌𝖾 𝖽𝖾 𝗌𝗎𝖺 𝗂𝖽𝖾𝗇𝗍𝗂𝖽𝖺𝖽𝖾 "𝖼𝗈𝗆𝗉𝖺𝗋𝖺𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝗃𝗈𝗏𝖾𝗆" 𝖾 𝗂𝗆𝖺𝗍𝗎𝗋𝖺 𝖼𝗈𝗆𝗈 𝖫𝗎𝗂𝗓𝗒.​

𝖠𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖽𝖾 𝖢𝗁𝗈 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗆 𝗎𝗆𝖺 𝗏𝖺𝗋𝗂𝖾𝖽𝖺𝖽𝖾 𝖽𝖾 𝖼𝗈𝗇𝖼𝖾𝗂𝗍𝗈𝗌 𝖾 𝗍𝖾𝗆𝖺𝗌; "𝖱𝖾𝖼𝗂𝗉𝖾", 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖺𝗉𝗈́𝗌 𝖺 𝗌𝗎𝖺 𝖾𝗅𝗂𝗆𝗂𝗇𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖲𝗁𝗈𝗐 𝖬𝖾 𝗍𝗁𝖾 𝖬𝗈𝗇𝖾𝗒 𝟧, 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝖺 𝖺𝗆𝖻𝗂𝖼̧𝖺̃𝗈 𝖾 𝖽𝖾𝗌𝖺𝖿𝗂𝗈 𝖾𝗆 𝖿𝖺𝖼𝖾 𝖽𝗈 𝖾𝗌𝖼𝗋𝗎𝗍𝗂́𝗇𝗂𝗈 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 "𝖡𝖺𝖻𝗒 𝖱𝗂𝖽𝖾" 𝖿𝗈𝗂 𝖼𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗂𝗓𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 "𝗅𝖾𝗀𝖺𝗅 𝖾 𝖺𝗅𝖾𝗀𝗋𝖾" 𝗊𝗎𝖾 𝖺𝗃𝗎𝖽𝖺 𝗈𝗌 𝗈𝗎𝗏𝗂𝗇𝗍𝖾𝗌 𝖺 "𝖾𝗌𝖼𝖺𝗉𝖺𝗋 𝖽𝗈 𝖼𝖺𝗅𝗈𝗋 𝖽𝗈 𝗏𝖾𝗋𝖺̃𝗈". 𝖠𝗌𝗉𝖾𝖼𝗍𝗈𝗌 𝖼𝗈𝗇𝗍𝗋𝖺𝗌𝗍𝖺𝗇𝗍𝖾𝗌 𝖽𝖾 𝖺𝗆𝗈𝗋 𝖾 𝗋𝖾𝗅𝖺𝖼𝗂𝗈𝗇𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝖾𝗋𝖺𝗆 𝖿𝗋𝖾𝗊𝗎𝖾𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗈𝗌 𝗍𝖾𝗆𝖺𝗌 𝖽𝖾 𝗌𝖾𝗎𝗌 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝗌𝗎𝖻𝗌𝖾𝗊𝗎𝖾𝗇𝗍𝖾𝗌 𝖼𝗈𝗆𝗈 𝖶𝖮𝖮𝖣𝖹: "𝖯𝖮𝖮𝖫" 𝖿𝗈𝗂 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝗉𝖾𝗅𝖺 "𝖲𝗍𝖺𝗍𝗎𝗌 𝖬𝖺𝗀𝖺𝗓𝗂𝗇𝖾" 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 "𝖺𝗅𝖾𝗀𝗋𝖾 𝖾 𝖾𝗑𝗎𝗅𝗍𝖺𝗇𝗍𝖾" 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖽𝖾 𝖺𝗆𝗈𝗋; 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗌𝖾𝗎 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗆𝖾𝗇𝗍𝗈 "𝖣𝖨𝖥𝖤𝖱𝖤𝖭𝖳" 𝖾𝗑𝗉𝗅𝗈𝗋𝗈𝗎 𝖼𝗁𝖾𝗀𝖺𝗋 𝖺 𝗎𝗆 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝗎𝗆𝖺 𝗂𝗇𝖼𝗈𝗆𝗉𝖺𝗍𝗂𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝗆𝗎́𝗍𝗎𝖺, 𝖼𝗈𝗆 "𝖬𝖺𝖾𝗂𝗅 𝖡𝗎𝗌𝗂𝗇𝖾𝗌𝗌 𝖭𝖾𝗐𝗌𝗉𝖺𝗉𝖾𝗋" 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗌𝖺̃𝗈 𝗎𝗆𝖺 "𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝖺̃𝗈 𝖽𝗂𝗋𝖾𝗍𝖺 𝖽𝖺 𝗉𝖺𝗅𝖺𝗏𝗋𝖺" 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾'".​

𝖢𝗈𝗆𝗉𝖺𝗋𝖺𝖽𝗈 𝖺𝗈 𝗌𝖾𝗎 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋, 𝗈 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝖢𝗁𝗈 𝖼𝗈𝗆𝗈 𝖶𝖮𝖮𝖣𝖹, "𝗆𝖾𝖺𝗇𝗂𝗇𝗀𝗅𝖾𝗌𝗌", 𝖿𝗈𝗂 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝗈 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 "𝗆𝖺𝗂𝗌 𝗌𝗈𝗆𝖻𝗋𝗂𝖺" 𝗊𝗎𝖾 𝖺𝖻𝗈𝗋𝖽𝖺 𝗍𝖾𝗆𝖺𝗌 𝗆𝖺𝗂𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗂𝗌 𝖾 "𝖾𝗑𝗂𝗌𝗍𝖾𝗇𝖼𝗂𝖺𝗂𝗌"; 𝖮𝗌 𝖼𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗇𝗈𝗍𝖺𝗋𝖺𝗆 𝗊𝗎𝖾 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝗂𝗌𝖼𝗎𝗍𝗂𝖺 𝖺 𝗌𝖺𝗎́𝖽𝖾 𝗆𝖾𝗇𝗍𝖺𝗅, 𝗎𝗆 𝖺𝗌𝗌𝗎𝗇𝗍𝗈 𝗊𝗎𝖾 𝖾́ 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝖽𝗈 𝗍𝖺𝖻𝗎 𝗇𝖺 𝖢𝗈𝗋𝖾𝗂𝖺 𝖽𝗈 𝖲𝗎𝗅. 𝖤𝗆 𝗎𝗆𝖺 𝖾𝗇𝗍𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝗉𝖺𝗋𝖺 𝖺 𝖲𝗍𝖺𝗍𝗎𝗌 𝖬𝖺𝗀𝖺𝗓𝗂𝗇𝖾, 𝖢𝗁𝗈 𝗌𝖾 𝗋𝖾𝖿𝖾𝗋𝖾 𝖺̀ 𝗅𝖾𝗍𝗋𝖺 𝖽𝖾 "𝗆𝖾𝖺𝗇𝗂𝗇𝗀𝗅𝖾𝗌𝗌" 𝖼𝗈𝗆𝗈 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝗍𝖾 𝖺𝗈 𝗌𝖾𝗎 "𝖽𝗂𝖺́𝗋𝗂𝗈", 𝖾𝗆 𝗉𝖺𝗋𝗍𝖾 𝗍𝗂𝗋𝖺𝖽𝖺 𝖽𝖾 𝗇𝗈𝗍𝖺𝗌 𝖽𝖾 𝗌𝗎𝗂𝖼𝗂́𝖽𝗂𝗈  𝗊𝗎𝖾 𝖾𝗅𝖾 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗊𝗎𝖺𝗇𝖽𝗈 𝗌𝗎𝖺 𝖻𝖺𝗍𝖺𝗅𝗁𝖺 𝖼𝗈𝗇𝗍𝗋𝖺 𝖺 𝖽𝖾𝗉𝗋𝖾𝗌𝗌𝖺̃𝗈  𝗅𝖾𝗏𝗈𝗎-𝗈 𝖺 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝗋 𝗍𝗂𝗋𝖺𝗋 𝖺 𝗉𝗋𝗈́𝗉𝗋𝗂𝖺 𝗏𝗂𝖽𝖺. 𝖤𝗅𝖾 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗎𝗌𝖺𝗇𝖽𝗈 𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆𝗉𝖺𝗋𝖺𝗋 𝗌𝗎𝖺𝗌 𝖾𝗆𝗈𝖼̧𝗈̃𝖾𝗌 𝖺𝗈 𝖼𝗅𝗂𝗆𝖺, 𝖼𝗈𝗆 "𝗈 𝗌𝗈𝗆 𝖽𝖺 𝖼𝗁𝗎𝗏𝖺 𝗌𝖺𝗂𝗇𝖽𝗈 𝗇𝖺 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝗉𝗈𝗇𝗍𝖾 𝖾 [...] 𝗈 𝗌𝗈𝗆 𝖽𝖺 𝖼𝗁𝗎𝗏𝖺 𝗉𝖺𝗋𝖺𝗇𝖽𝗈 𝗇𝗈 𝖿𝗂𝗇𝖺𝗅 "𝗌𝗂𝗆𝖻𝗈𝗅𝗂𝗓𝖺𝗇𝖽𝗈 𝗌𝖾𝗎 𝖾𝗌𝗍𝖺𝖽𝗈 𝗆𝖾𝗇𝗍𝖺𝗅 𝖾𝗆 𝗌𝖾𝗎 𝗇𝗂́𝗏𝖾𝗅 𝗆𝖺𝗂𝗌 𝖻𝖺𝗂𝗑𝗈 𝖾 𝖺 𝖼𝗋𝖾𝗇𝖼̧𝖺 𝖽𝖾 𝗊𝗎𝖾" 𝖺𝗌 𝖼𝗈𝗂𝗌𝖺𝗌 𝖾𝗌𝗍𝖺̃𝗈 𝗆𝖾𝗅𝗁𝗈𝗋𝖺𝗇𝖽𝗈 ", 𝗋𝖾𝗌𝗉𝖾𝖼𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾.​

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