thaliasodi

𝖣𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝖺𝗋 𝗌𝗎𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝖼̧𝖺̃𝗈 𝖾𝗆 𝖱𝗈𝗌𝖺𝗅𝗂𝗇𝖽𝖺, 𝖾𝗆 𝖺𝖻𝗋𝗂𝗅 𝖽𝖾 𝟤𝟢𝟢𝟢 𝗌𝖾𝗎 𝗌𝖾𝗑𝗍𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝗂𝗇𝖾́𝖽𝗂𝗍𝖺𝗌 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈, 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈, 𝗇𝗈𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝖽𝗈 𝗉𝗈𝗋 𝖤𝗆𝗂𝗅𝗂𝗈 𝖤𝗌𝗍𝖾𝖿𝖺𝗇. 𝖤𝗅𝖾 𝖼𝗈𝗇𝗍𝖾́𝗆 𝖽𝗈𝗓𝖾 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌, 𝗈𝗂𝗍𝗈 𝖽𝖺𝗌 𝗊𝗎𝖺𝗂𝗌 𝖳𝗁𝖺𝗅𝗂𝖺 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌. 𝖣𝖾𝗌𝗍𝖾 𝖺́𝗅𝖻𝗎𝗆 𝗏𝗂𝖾𝗋𝖺𝗆 𝗌𝗂𝗇𝗀𝗅𝖾𝗌 𝖼𝗈𝗆𝗈 "𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈", "𝖤𝗇𝗍𝗋𝖾 𝖾𝗅 𝗆𝖺𝗋 𝗒 𝗎𝗇𝖺 𝖾𝗌𝗍𝗋𝖾𝗅𝗅𝖺", "𝖱𝖾𝗀𝗋𝖾𝗌𝖺 𝖺 𝗆𝗂́" 𝖾 "𝖱𝖾𝖾𝗇𝖼𝖺𝗋𝗇𝖺𝖼𝗂𝗈́𝗇". "𝖤𝗇𝗍𝗋𝖾 𝖾𝗅 𝗆𝖺𝗋 𝗒 𝗎𝗇𝖺 𝖾𝗌𝗍𝗋𝖾𝗅𝗅𝖺" 𝗍𝗈𝗋𝗇𝗈𝗎-𝗌𝖾 𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖺 𝗅𝗂𝖽𝖾𝗋𝖺𝗋 𝗍𝗋𝖾̂𝗌 𝗉𝖺𝗋𝖺𝖽𝖺𝗌 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽: 𝖳𝗈𝗉 𝖫𝖺𝗍𝗂𝗇 𝖲𝗈𝗇𝗀𝗌, 𝖫𝖺𝗍𝗂𝗇 𝖯𝗈𝗉 𝖠𝗂𝗋𝗉𝗅𝖺𝗒 𝗒 𝖫𝖺𝗍𝗂𝗇 𝖳𝗋𝗈𝗉𝗂𝖼𝖺𝗅/𝖲𝖺𝗅𝗌𝖺 𝖠𝗂𝗋𝗉𝗅𝖺𝗒. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖺 𝗋𝖾𝗏𝗂𝗌𝖺̃𝗈 𝖽𝖾 𝖩𝖺𝗌𝗈𝗇 𝖡𝗂𝗋𝖼𝗁𝗆𝖾𝗂𝖾𝗋 , 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖽𝗈 𝗇𝗈 𝗌𝗂𝗍𝖾 𝖠𝗅𝗅𝗆𝗎𝗌𝗂𝖼:

[..] 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈 𝖼𝗈𝗇𝗌𝗈𝗅𝗂𝖽𝗈𝗎 [𝖳𝗁𝖺𝗅𝗂́𝖺] 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝗌𝗎𝗉𝖾𝗋𝗌𝗍𝖺𝗋 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝖺 𝖾𝗆 𝟤𝟢𝟢𝟢, 𝗊𝗎𝖺𝗇𝖽𝗈 𝗌𝖾𝗎𝗌 𝖼𝗂𝗇𝖼𝗈 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗂𝗌 𝗌𝗂𝗇𝗀𝗅𝖾𝗌 𝖼𝗈𝗆𝖾𝖼̧𝖺𝗋𝖺𝗆 𝖺 𝗌𝖾 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝖾𝗋. 𝖮 𝖺́𝗅𝖻𝗎𝗆 𝖾́ 𝗆𝗈𝖽𝖾𝗋𝗇𝗈, 𝗆𝗎𝗂𝗍𝗈 𝗍𝗂́𝗉𝗂𝖼𝗈 𝖽𝗈 𝗌𝖾𝗎 𝗍𝖾𝗆𝗉𝗈; 𝗂𝗌𝗍𝗈 𝖾́, 𝗅𝗈𝗀𝗈 𝗇𝗈 𝖼𝗈𝗆𝖾𝖼̧𝗈 𝖽𝗈 𝗆𝗂𝗅𝖾̂𝗇𝗂𝗈, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝗀𝗋𝖺𝗇𝖽𝖾 𝗂𝗇𝗍𝖾𝗇𝗌𝗂𝖽𝖺𝖽𝖾 𝖾 𝗍𝗋𝖺𝗇𝖼𝖾 𝗌𝖾 𝗍𝗈𝗋𝗇𝗈𝗎 𝗆𝗈𝖽𝖺 𝗇𝗈𝗌 𝗅𝗎𝗀𝖺𝗋𝖾𝗌. 𝖠 𝗆𝖺𝗂𝗈𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝖾 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈 𝖻𝗋𝗂𝗇𝖼𝖺 𝖼𝗈𝗆 𝖾𝗌𝗌𝖾 𝖾𝗌𝗍𝗂𝗅𝗈, 𝖼𝗈𝗆 𝗌𝗎𝖺 𝖺𝖻𝗎𝗇𝖽𝖺̂𝗇𝖼𝗂𝖺 𝖽𝖾 𝗌𝗂𝗇𝗍𝖾𝗍𝗂𝗓𝖺𝖽𝗈𝗋𝖾𝗌 𝖾 𝗋𝗂𝗍𝗆𝗈𝗌 𝖽𝖺𝗇𝖼𝖾, 𝖻𝖾𝗆 𝖼𝗈𝗆𝗈 𝗌𝖾𝗎𝗌 𝗋𝖾𝖿𝗋𝗈̃𝖾𝗌 𝖾𝗆 𝖾̂𝗑𝗍𝖺𝗌𝖾 𝗊𝗎𝖾 𝗉𝖺𝗋𝖾𝖼𝖾𝗆 𝖺𝗅𝖼𝖺𝗇𝖼̧𝖺𝗋 𝖺𝗌 𝖾𝗌𝗍𝗋𝖾𝗅𝖺𝗌 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖺𝗉𝗈́𝗌 𝖼𝖺𝗇𝖼̧𝖺̃𝗈. [...] 𝖼𝗈𝗅𝗈𝖼𝖺𝗇𝖽𝗈 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈 𝖾𝗆 𝗉𝖾𝗋𝗌𝗉𝖾𝖼𝗍𝗂𝗏𝖺, 𝖾𝗅𝖺 𝖽𝗂𝖿𝖾𝗋𝖾 𝖼𝗅𝖺𝗋𝖺𝗆𝖾𝗇𝗍𝖾 𝖽𝖾 𝗌𝖾𝗎 𝖺𝗇𝗍𝖾𝖼𝖾𝗌𝗌𝗈𝗋 (𝖠𝗆𝗈𝗋 𝖺 𝗅𝖺 𝗆𝖾𝗑𝗂𝖼𝖺𝗇𝖺) 𝖾 𝗌𝖾𝗎 𝗌𝗎𝖼𝖾𝗌𝗌𝗈𝗋 (𝖳𝗁𝖺𝗅𝗂́𝖺). 𝖳𝗈𝖽𝗈𝗌 𝖾𝗌𝗍𝖺̃𝗈 𝖾𝗇𝗍𝗋𝖾 𝗌𝖾𝗎𝗌 𝗆𝖾𝗅𝗁𝗈𝗋𝖾𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈𝗌, 𝗌𝖾𝗇𝖽𝗈 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈 𝗉𝗋𝗈𝗏𝖺𝗏𝖾𝗅𝗆𝖾𝗇𝗍𝖾 𝗈 𝗆𝖺𝗂𝗌 𝖺𝗋𝗍𝗂𝖿𝗂𝖼𝗂𝖺𝗅. 𝖤𝗅𝖾 𝖾́ 𝗆𝖺𝗂𝗌 𝖺𝗏𝖾𝗇𝗍𝗎𝗋𝖾𝗂𝗋𝗈 𝖽𝗈 𝗊𝗎𝖾 𝗈 𝗋𝖺𝖼𝗂𝗈𝗇𝖺𝗅 𝖳𝗁𝖺𝗅𝗂𝖺, 𝖾𝗆𝖻𝗈𝗋𝖺 𝗇𝖺̃𝗈 𝗍𝖺̃𝗈 𝗅𝗂𝗏𝗋𝖾 𝗊𝗎𝖺𝗇𝗍𝗈 𝖠𝗆𝗈𝗋 𝖺 𝗅𝖺 𝗆𝖾𝗑𝗂𝖼𝖺𝗇𝖺.
𝖤𝗆 𝗃𝗎𝗅𝗁𝗈 𝖽𝖾 𝟤𝟢𝟢𝟢, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗈𝖻𝗍𝖾𝗏𝖾 𝖽𝗎𝖺𝗌 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝖾 𝗉𝗅𝖺𝗍𝗂𝗇𝖺 𝖾 𝗎𝗆 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖽𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈 𝗉𝖺𝗋𝖺 𝗌𝗎𝖺𝗌 𝗏𝖾𝗇𝖽𝖺𝗌 𝗇𝗈𝗌 𝖤𝖴𝖠] 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗋𝖾𝖼𝖾𝖻𝖾𝗎 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗉𝗅𝖺𝗍𝗂𝗇𝖺 𝗇𝖺 𝖠𝗋𝗀𝖾𝗇𝗍𝗂𝗇𝖺, 𝖤𝗌𝗅𝗈𝗏𝖺́𝗊𝗎𝗂𝖺, 𝖬𝖾́𝗑𝗂𝖼𝗈 𝖾 𝖤𝗌𝗉𝖺𝗇𝗁𝖺, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗇𝗈 𝖢𝗁𝗂𝗅𝖾, 𝖦𝗋𝖾́𝖼𝗂𝖺, 𝖥𝗂𝗅𝗂𝗉𝗂𝗇𝖺𝗌, 𝖴𝗋𝗎𝗀𝗎𝖺𝗂, 𝖵𝖾𝗇𝖾𝗓𝗎𝖾𝗅𝖺 𝖾 𝗇𝖺 𝖠𝗆𝖾́𝗋𝗂𝖼𝖺 𝖢𝖾𝗇𝗍𝗋𝖺𝗅 𝖿𝗈𝗂 𝗉𝗋𝖾𝗆𝗂𝖺𝖽𝗈 𝖼𝗈𝗆 𝗎𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈. 𝖴𝗆 𝖺𝗇𝗈 𝖽𝖾𝗉𝗈𝗂𝗌, 𝖠𝗋𝗋𝖺𝗌𝖺𝗇𝖽𝗈 𝗍𝗂𝗇𝗁𝖺 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝗂𝖽𝗈 𝖺 𝗏𝖾𝗇𝖽𝖾𝗋 𝖼𝖾𝗋𝖼𝖺 𝖽𝖾 𝖽𝗈𝗂𝗌 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝖾𝗆 𝗍𝗈𝖽𝗈 𝗈 𝗆𝗎𝗇𝖽𝗈. 𝖭𝖺 𝖼𝖾𝗋𝗂𝗆𝗈̂𝗇𝗂𝖺 𝖽𝗈 𝖦𝗋𝖺𝗆𝗆𝗒 𝖫𝖺𝗍𝗂𝗇𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗋𝖾𝖼𝖾𝖻𝖾𝗎 𝖽𝗎𝖺𝗌 𝗂𝗇𝖽𝗂𝖼𝖺𝖼̧𝗈̃𝖾𝗌 𝗇𝖺𝗌 𝖼𝖺𝗍𝖾𝗀𝗈𝗋𝗂𝖺𝗌 𝖠́𝗅𝖻𝗎𝗆 𝖵𝗈𝖼𝖺𝗅 𝖯𝗈𝗉 𝖥𝖾𝗆𝗂𝗇𝗂𝗇𝗈 𝖾 𝖬𝖾𝗅𝗁𝗈𝗋 𝖤𝗇𝗀𝖾𝗇𝗁𝖺𝗋𝗂𝖺 𝖽𝖾 𝖦𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝗎𝗆 𝖠́𝗅𝖻𝗎𝗆, 𝗌𝖾𝗇𝖽𝗈 𝗈 𝗏𝖾𝗇𝖼𝖾𝖽𝗈𝗋 𝗇𝖺 𝗎́𝗅𝗍𝗂𝗆𝖺 𝖼𝖺𝗍𝖾𝗀𝗈𝗋𝗂𝖺.

𝖤𝗆 𝖺𝗀𝗈𝗌𝗍𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖳𝗁𝖺𝗅𝗂́𝖺, 𝖳𝗁𝖺𝗅𝗂́𝖺 𝖼𝗈𝗇 𝖻𝖺𝗇𝖽𝖺: 𝖦𝗋𝖺𝗇𝖽𝖾𝗌 𝖾́𝗑𝗂𝗍𝗈𝗌, 𝗊𝗎𝖾 𝖻𝖺𝗌𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾 𝖾́ 𝗎𝗆𝖺 𝗇𝗈𝗏𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖽𝖾 𝗌𝖾𝗎𝗌 𝗌𝗎𝖼𝖾𝗌𝗌𝗈𝗌 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝖾𝗌 𝗈𝗋𝗂𝖾𝗇𝗍𝖺𝖽𝗈𝗌 𝖺𝗈 𝗀𝖾̂𝗇𝖾𝗋𝗈 𝖻𝖺𝗇𝖽𝖺. 𝖠 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖿𝗈𝗂 𝗀𝗋𝖺𝗏𝖺𝖽𝖺 𝖾𝗆 𝖫𝗈𝗌 𝖬𝗈𝖼𝗁𝗂𝗌 𝖾 𝗍𝖾𝗏𝖾 𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖽𝖾 𝖦𝗎𝗂𝗅𝗅𝖾𝗋𝗆𝗈 𝖦𝗂𝗅. 𝖠𝗉𝗈́𝗌 𝗌𝗎𝖺 𝖾𝗌𝗍𝗋𝖾́𝗂𝖺, 𝖾𝗆 𝟣𝟩 𝖽𝖾 𝗈𝗎𝗍𝗎𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣, 𝖺 𝖱𝖾𝖼𝗈𝗋𝖽𝗂𝗇𝗀 𝖨𝗇𝖽𝗎𝗌𝗍𝗋𝗒 𝖠𝗌𝗌𝗈𝖼𝗂𝖺𝗍𝗂𝗈𝗇 𝗈𝖿 𝖠𝗆𝖾𝗋𝗂𝖼𝖺 (𝖱𝖨𝖠𝖠), 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝗈𝗎-𝗈 𝖼𝗈𝗆 𝗎𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗉𝗅𝖺𝗍𝗂𝗇𝖺 𝖾 𝗈𝗎𝗋𝗈 𝗉𝗈𝗋 𝗌𝗎𝖺𝗌 𝗏𝖾𝗇𝖽𝖺𝗌 𝗇𝗈𝗌 𝖤𝖴𝖠. 𝖮 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗂 𝗇𝗎́𝗆𝖾𝗋𝗈 𝗎𝗆 𝗇𝖺 𝖦𝗋𝖾́𝖼𝗂𝖺 𝖾 𝗇𝖺 𝖤𝗌𝗉𝖺𝗇𝗁𝖺 𝖾 𝗇𝖺 𝖧𝗎𝗇𝗀𝗋𝗂𝖺 𝖺𝗅𝖼𝖺𝗇𝖼̧𝗈𝗎 𝗌𝗎𝖺 𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝗆𝖺́𝗑𝗂𝗆𝖺 𝗇𝗈 𝗊𝗎𝖺𝗋𝗍𝗈.[𝟫𝟥] 𝖠 𝖯𝖱𝖮𝖬𝖴𝖲𝖨𝖢𝖠𝖤 𝗈 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝗈𝗎 𝖼𝗈𝗆 𝗎𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈, 𝗏𝖾𝗇𝖽𝖾𝗇𝖽𝗈 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟪𝟢.𝟢𝟢𝟢 𝗇𝖺 𝖤𝗌𝗉𝖺𝗇𝗁𝖺,[𝟫𝟦] 𝗍𝗈𝗋𝗇𝖺𝗇𝖽𝗈-𝗌𝖾 𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝗈 𝗀𝖾̂𝗇𝖾𝗋𝗈 𝖺 𝗈𝖻𝗍𝖾𝗋 𝗎𝗆𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 𝗇𝖺𝗊𝗎𝖾𝗅𝖾 𝗉𝖺𝗂́𝗌.[𝟫𝟧] 𝖮 𝖺́𝗅𝖻𝗎𝗆 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖺𝗅𝖼𝖺𝗇𝖼̧𝗈𝗎 𝗎𝗆 𝗌𝗎𝖼𝖾𝗌𝗌𝗈 𝗇𝗈𝗍𝖺́𝗏𝖾𝗅 𝖾𝗆 𝗉𝖺𝗂́𝗌𝖾𝗌 𝖼𝗈𝗆𝗈 𝖨𝗌𝗋𝖺𝖾𝗅, 𝖳𝗎𝗋𝗊𝗎𝗂𝖺, 𝖡𝗎𝗅𝗀𝖺́𝗋𝗂𝖺, 𝖾𝗇𝗍𝗋𝖾 𝗈𝗎𝗍𝗋𝗈𝗌 𝗉𝖺𝗂́𝗌𝖾𝗌. 𝖤𝗆 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟤, 𝖼𝗁𝖾𝗀𝖺 𝖺̀𝗌 𝗅𝗈𝗃𝖺𝗌 𝗌𝖾𝗎 𝗌𝖾́𝗍𝗂𝗆𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝗈 𝗁𝗈𝗆𝗈̂𝗇𝗂𝗆𝗈 𝖳𝗁𝖺𝗅𝗂́𝖺, 𝖬𝖺𝗂𝗌 𝗎𝗆𝖺 𝗏𝖾𝗓 𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖿𝗈𝗂 𝖺𝗌𝗌𝗂𝗇𝖺𝖽𝖺 𝗉𝗈𝗋 𝖤𝗆𝗂𝗅𝗂𝗈 𝖤𝗌𝗍𝖾𝖿𝖺𝗇 "𝖩𝗋.", 𝖻𝖾𝗆 𝖼𝗈𝗆𝗈 𝗈 𝖼𝗈𝗅𝗈𝗆𝖻𝗂𝖺𝗇𝗈 𝖤𝗌𝗍𝖾́𝖿𝖺𝗇𝗈. 𝖭𝖾𝗌𝗌𝖾 𝗇𝗈𝗏𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖾𝗅𝖺 𝗅𝖺𝗇𝖼̧𝗈𝗎 𝗍𝗋𝖾̂𝗌 𝗌𝗂𝗇𝗀𝗅𝖾𝗌 𝖾𝗆 𝗂𝗇𝗀𝗅𝖾̂𝗌; "𝖣𝖺𝗇𝖼𝖾, 𝖣𝖺𝗇𝖼𝖾 (𝖳𝗁𝖾 𝖬𝖾𝗑𝗂𝖼𝖺𝗇)", "¿𝖠 𝗊𝗎𝗂𝖾́𝗇 𝗅𝖾 𝗂𝗆𝗉𝗈𝗋𝗍𝖺?" (𝖵𝖾𝗋𝗌𝖺̃𝗈 𝖽𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖽𝗈 𝗀𝗋𝗎𝗉𝗈 𝖾𝗌𝗉𝖺𝗇𝗁𝗈𝗅 𝖠𝗅𝖺𝗌𝗄𝖺 𝖾 𝖣𝗂𝗇𝖺𝗋𝖺𝗆𝖺), "𝖳𝗎́ 𝗒 𝗒𝗈" 𝖾 "𝖭𝗈 𝗆𝖾 𝖾𝗇𝗌𝖾𝗇̃𝖺𝗌𝗍𝖾". 𝖠𝗉𝗈́𝗌 𝖺 𝗌𝗎𝖺 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝖿𝗈𝗂 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖽𝗈 𝖼𝗈𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈 𝗇𝖺 𝖠𝗋𝗀𝖾𝗇𝗍𝗂𝗇𝖺 𝖾 𝖬𝖾́𝗑𝗂𝖼𝗈, 𝗉𝗅𝖺𝗍𝗂𝗇𝖺 𝖾𝗆 𝖯𝗈𝗋𝗍𝗈 𝖱𝗂𝖼𝗈 𝖾 𝖽𝗎𝗉𝗅𝖺 𝗉𝗅𝖺𝗍𝗂𝗇𝖺 𝗇𝗈𝗌 𝖤𝖴𝖠. 𝖤𝗆 𝟤𝟤 𝖽𝖾 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟤, 𝖾𝗆 𝗉𝗅𝖾𝗇𝖺 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖫𝖺𝗎𝗋𝖺 𝖹𝖺𝗉𝖺𝗍𝖺 𝖾 𝖤𝗋𝗇𝖾𝗌𝗍𝗂𝗇𝖺 𝖲𝗈𝖽𝗂 (𝗂𝗋𝗆𝖺̃𝗌 𝖽𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺) 𝖿𝗈𝗋𝖺𝗆 𝗋𝖺𝗉𝗍𝖺𝖽𝖺𝗌. 𝖥𝗂𝗇𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝖾𝗆 𝟣𝟢 𝖽𝖾 𝗈𝗎𝗍𝗎𝖻𝗋𝗈, 𝗌𝖾𝗎𝗌 𝗌𝖾𝗊𝗎𝖾𝗌𝗍𝗋𝖺𝖽𝗈𝗋𝖾𝗌 𝖺𝗌 𝗅𝗂𝖻𝖾𝗋𝗍𝖺𝗋𝖺𝗆, 𝖺𝗌𝗌𝗂𝗆 𝗊𝗎𝖾 𝗋𝖾𝖼𝖾𝖻𝖾𝗋𝖺𝗆 𝖽𝗂𝗇𝗁𝖾𝗂𝗋𝗈 𝖾𝗆 𝗍𝗋𝗈𝖼𝖺 𝖽𝖾 𝗌𝗎𝖺𝗌 𝗏𝗂𝖽𝖺𝗌. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖤𝗋𝗇𝖾𝗌𝗍𝗂𝗇𝖺 𝖾𝗆 𝗌𝖾𝗎 𝗅𝗂𝗏𝗋𝗈 𝖫𝗂́𝖻𝗋𝖺𝗇𝗈𝗌 𝖽𝖾𝗅 𝗆𝖺𝗅, 𝖳𝗁𝖺𝗅𝗂𝖺 𝖿𝗈𝗂 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝖺́𝗏𝖾𝗅 𝗉𝗈𝗋 𝗉𝖺𝗀𝖺𝗋 𝗈 𝗋𝖾𝗌𝗀𝖺𝗍𝖾. 𝖤𝗌𝗍𝖾 𝖿𝖺𝗍𝗈 𝖿𝗈𝗂 𝖼𝗈𝗇𝗍𝗋𝗈𝗏𝖾𝗋𝗌𝗈 𝗇𝖺 𝗂𝗆𝗉𝗋𝖾𝗇𝗌𝖺, 𝖽𝖺𝖽𝖺𝗌 𝖺𝗌 𝖼𝗂𝗋𝖼𝗎𝗇𝗌𝗍𝖺̂𝗇𝖼𝗂𝖺𝗌 𝖾𝗆 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝗈 𝖾 𝗈 𝗅𝗂𝗍𝗂́𝗀𝗂𝗈 𝗌𝗎𝖻𝗌𝖾𝗊𝗎̈𝖾𝗇𝗍𝖾 𝗊𝗎𝖾 𝗌𝗎𝗋𝗀𝗂𝗎 𝖾𝗇𝗍𝗋𝖾 𝖺𝗌 𝗍𝗋𝖾̂𝗌 𝗂𝗋𝗆𝖺̃𝗌.

𝖭𝗈 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟥, 𝖺 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝖺 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝖾 𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗇𝗈 𝖾𝗌𝗍𝗂𝗅𝗈 𝖼𝗋𝗈𝗌𝗌𝗈𝗏𝖾𝗋 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝗌𝗈𝖻 𝗈 𝗍𝗂́𝗍𝗎𝗅𝗈 𝖽𝖾 𝖧𝗂𝗍𝗌 𝖱𝖾𝗆𝗂𝗑𝖾𝖽, 𝗊𝗎𝖾 𝖼𝗈𝗇𝗍𝖾́𝗆 𝖽𝗈𝗓𝖾 𝗋𝖾𝗆𝗂𝗑𝖾𝗌 𝖽𝖾 𝗌𝗎𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗆𝖺𝗂𝗌 𝖻𝖾𝗆 𝗌𝗎𝖼𝖾𝖽𝗂𝖽𝖺𝗌. 𝖤𝗌𝗍𝖾 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝗍𝗈𝗋𝗇𝗈𝗎-𝗌𝖾 𝗎𝗆 𝖽𝗈𝗌 𝖺́𝗅𝖻𝗎𝗇𝗌 𝖽𝖾 𝗋𝖾𝗆𝗂𝗑𝖾𝗌 𝗆𝖺𝗂𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝗈𝗌 𝖽𝖾 𝗍𝗈𝖽𝗈𝗌 𝗈𝗌 𝗍𝖾𝗆𝗉𝗈𝗌 𝗉𝗈𝗋 𝗏𝖾𝗇𝖽𝖾𝗋 𝗆𝖺𝗂𝗌 𝖽𝖾 𝖽𝗈𝗂𝗌 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝖾𝗆 𝗍𝗈𝖽𝗈 𝗈 𝗆𝗎𝗇𝖽𝗈. 𝖬𝖺𝗂𝗌 𝗍𝖺𝗋𝖽𝖾, 𝖾𝗆 𝗃𝗎𝗅𝗁𝗈 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈 𝖺𝗇𝗈, 𝖾́ 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝗈 𝗈 𝗌𝖾𝗎 𝗈𝗂𝗍𝖺𝗏𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝗈 𝗁𝗈𝗆𝗈̂𝗇𝗂𝗆𝗈 𝖳𝗁𝖺𝗅𝗂́𝖺, 𝗈 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝖼𝗈𝗆 𝗈 𝗆𝖾𝗌𝗆𝗈 𝖺 𝗍𝖾𝗋 𝗌𝖾𝗎 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈 𝗇𝗈𝗆𝖾, 𝗂𝗌𝗍𝗈 𝖽𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖳𝗁𝖺𝗅𝗂𝖺: "𝗉𝗈𝗋𝗊𝗎𝖾 𝖾𝗎 𝗇𝖺̃𝗈 𝗀𝗈𝗌𝗍𝗈 𝖽𝖾 𝗆𝖾 𝖼𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗋 𝖾 𝗉𝖺𝗋𝖺 𝗊𝗎𝖾 𝖾𝗅𝖾𝗌 𝗇𝖺̃𝗈 𝗆𝖾 𝖼𝗈𝗇𝖿𝗎𝗇𝖽𝖺𝗆, 𝗊𝗎𝖾 𝖾𝗅𝖾𝗌 𝗌𝖺𝗂𝖻𝖺𝗆 𝗊𝗎𝖾 𝖾𝗎 𝗌𝗈𝗎". 𝖤𝗌𝗍𝖾 𝖺́𝗅𝖻𝗎𝗆 𝖽𝗂𝖿𝖾𝗋𝗂𝗎-𝗌𝖾 𝖽𝖾 𝗌𝖾𝗎𝗌 𝗉𝗋𝖾𝖽𝖾𝖼𝖾𝗌𝗌𝗈𝗋𝖾𝗌 𝗉𝗈𝗋 𝗌𝖾𝗋 𝖽𝖾𝗌𝗍𝗂𝗇𝖺𝖽𝗈 𝖺𝗈 𝗆𝖾𝗋𝖼𝖺𝖽𝗈 𝖺𝗇𝗀𝗅𝗈́𝖿𝗈𝗇𝗈, 𝗃𝖺́ 𝗊𝗎𝖾 𝖺 𝗆𝖺𝗂𝗈𝗋𝗂𝖺 𝖽𝖾 𝗌𝗎𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗌𝖺̃𝗈 𝖾𝗆 𝗂𝗇𝗀𝗅𝖾̂𝗌. 𝖲𝖾𝗇𝖽𝗈 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝗉𝖾𝗅𝖺 𝖵𝗂𝗋𝗀𝗂𝗇 𝖱𝖾𝖼𝗈𝗋𝖽𝗌, 𝗌𝗎𝖻𝗌𝗂𝖽𝗂𝖺́𝗋𝗂𝖺 𝖽𝖺 𝖤𝖬𝖨, 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝖽𝗈𝗌 𝗉𝗈𝗋 𝖢𝗈𝗋𝗒 𝖱𝗈𝗈𝗇𝖾𝗒 𝖾 𝖲𝗍𝖾𝗏𝖾 𝖬𝗈𝗋𝖺𝗅𝖾𝗌 𝖾 𝗆𝗂𝗌𝗍𝗎𝗋𝖺 𝗏𝖺́𝗋𝗂𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌, 𝗂𝗇𝖼𝗅𝗎𝗂𝗇𝖽𝗈 𝗉𝗈𝗉, 𝗉𝗈𝗉 𝗋𝗈𝖼𝗄 𝖾 𝖱&𝖡. 𝖮 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗂 𝗀𝗋𝖺𝗏𝖺𝖽𝗈 𝗇𝗈 𝗆𝗈𝗆𝖾𝗇𝗍𝗈 𝖾𝗆 𝗊𝗎𝖾 𝗈 𝗌𝖾𝗊𝗎𝖾𝗌𝗍𝗋𝗈 𝖽𝖾 𝗌𝗎𝖺𝗌 𝗂𝗋𝗆𝖺̃𝗌 𝗈𝖼𝗈𝗋𝗋𝖾𝗎, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗍𝖾𝗏𝖾 𝖽𝖾 𝗌𝗎𝗌𝗉𝖾𝗇𝖽𝖾𝗋 𝖺𝗌 𝗀𝗋𝖺𝗏𝖺𝖼̧𝗈̃𝖾𝗌 𝗉𝗈𝗋𝗊𝗎𝖾 𝖾𝗅𝖺 𝗌𝖾𝗇𝗍𝗂𝗎 "𝗆𝗎𝗂𝗍𝖺 𝖼𝗈𝗇𝖿𝗎𝗌𝖺̃𝗈" 𝗇𝗈 𝗆𝗈𝗆𝖾𝗇𝗍𝗈. 𝖭𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝗈 𝗌𝖾𝗊𝗎̈𝖾𝗌𝗍𝗋𝗈, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝗈𝗎 𝖼𝗈𝗆 𝖺 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖾 𝖼𝗈𝗆𝖾𝗇𝗍𝗈𝗎: "[...] 𝖰𝗎𝖺𝗇𝖽𝗈 𝗏𝗈𝗅𝗍𝖾𝗂 𝗉𝖺𝗋𝖺 𝗈 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖿𝗈𝗂 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝖾𝗑𝗉𝗅𝗈𝗌𝖺̃𝗈 𝖽𝖾 𝖺𝗋 𝖿𝗋𝖾𝗌𝖼𝗈 𝖾 𝖽𝖾 𝗋𝖾𝗉𝖾𝗇𝗍𝖾 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝗌𝖾 𝗍𝗈𝗋𝗇𝖺𝗋𝖺𝗆 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺𝗌 𝖾 𝖺𝗀𝗋𝖺𝖽𝖺́𝗏𝖾𝗂𝗌". 𝖣𝗎𝖺𝗌 𝖽𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖿𝗈𝗋𝖺𝗆 𝖾𝗌𝖼𝗋𝗂𝗍𝖺𝗌 𝗉𝗈𝗋 𝖳𝗁𝖺𝗅𝗂𝖺, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 "𝖲𝖺𝗏𝖾 𝗍𝗁𝖾 𝖣𝖺𝗒" 𝖿𝗈𝗂 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖽𝖺 𝗇𝗈𝗌 𝖺𝗍𝖺𝗊𝗎𝖾𝗌 𝖽𝖾 𝟣𝟣 𝖽𝖾 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣 𝖾 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 "𝖨 𝖶𝖺𝗇𝗍 𝖸𝗈𝗎" 𝖿𝗈𝗂 𝗀𝗋𝖺𝗏𝖺𝖽𝖺 𝖾𝗆 𝖽𝗎𝖾𝗍𝗈 𝖼𝗈𝗆 𝗈 𝗋𝖺𝗉𝗉𝖾𝗋 𝖥𝖺𝗍 𝖩𝗈𝖾. 𝖠𝗌 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺𝗌 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗋𝖺𝗆 𝖾𝗆 𝗌𝗎𝖺 𝗆𝖺𝗂𝗈𝗋𝗂𝖺 𝗋𝗎𝗂𝗇𝗌. 𝖮 𝖽𝗂𝗌𝖼𝗈 𝗈𝖻𝗍𝖾𝗏𝖾 𝗎𝗆𝖺 𝗆𝗈𝖽𝖾𝗌𝗍𝖺 𝗋𝖾𝖼𝖾𝗉𝖼̧𝖺̃𝗈 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅; 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖺 𝖭𝗂𝖾𝗅𝗌𝖾𝗇 𝖲𝗈𝗎𝗇𝖽𝖲𝖼𝖺𝗇 𝖾𝗆 𝗌𝗎𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗌𝖾𝗆𝖺𝗇𝖺 𝖽𝖾 𝗏𝖾𝗇𝖽𝖺, 𝗏𝖾𝗇𝖽𝖾𝗎 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟧𝟢.𝟢𝟢𝟢 𝖼𝗈́𝗉𝗂𝖺𝗌 𝗇𝗈𝗌 𝖤𝖴𝖠 𝖾 𝖿𝗂𝖼𝗈𝗎 𝖾𝗆 𝟣𝟣º 𝗅𝗎𝗀𝖺𝗋 𝗇𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗇𝗈 𝗋𝖾𝗌𝗍𝗈 𝖽𝗈 𝗆𝗎𝗇𝖽𝗈 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝗂𝗎 𝗏𝖾𝗇𝖽𝖾𝗋 𝖺𝗉𝖾𝗇𝖺𝗌 𝖼𝖾𝗋𝖼𝖺 𝖽𝖾 𝟤𝟢.𝟢𝟢𝟢 𝖼𝗈́𝗉𝗂𝖺𝗌 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝗌𝗎𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗌𝖾𝗆𝖺𝗇𝖺. 𝖠𝗍𝖾́ 𝟤𝟢𝟢𝟧, 𝗌𝖺𝖻𝗂𝖺-𝗌𝖾 𝗊𝗎𝖾 𝗈 𝖽𝗂𝗌𝖼𝗈 𝗁𝖺𝗏𝗂𝖺 𝗏𝖾𝗇𝖽𝗂𝖽𝗈 𝖺𝗉𝖾𝗇𝖺𝗌 𝟤𝟢𝟢.𝟢𝟢𝟢 𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝗇𝗈𝗌 𝖤𝖴𝖠, 𝖽𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝗈 𝖭𝗂𝖾𝗅𝗌𝖾𝗇 𝖲𝗈𝗎𝗇𝖽𝖲𝖼𝖺𝗇. 𝖭𝗈 𝖾𝗇𝗍𝖺𝗇𝗍𝗈, 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝖺 𝖱𝖨𝖠𝖩 𝗈 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝗈𝗎 𝖼𝗈𝗆 𝗎𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈, 𝖤 𝖿𝗈𝗂 𝗈 𝗎́𝗇𝗂𝖼𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝗎𝗆𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗆𝖾𝗑𝗂𝖼𝖺𝗇𝖺 𝖺 𝗍𝖾𝗋 𝗎𝗆𝖺 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝗇𝖾𝗌𝗌𝖾 𝗉𝖺𝗂́𝗌 𝖺𝗍𝖾́ 𝗁𝗈𝗃𝖾