rihannanavy

𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝗉𝗈𝗌𝗌𝗎𝗂 𝗎𝗆 𝖺𝗅𝖼𝖺𝗇𝖼𝖾 𝗏𝗈𝖼𝖺𝗅 𝖼𝗅𝖺𝗌𝗌𝗂𝖿𝗂𝖼𝖺𝖽𝗈 𝖼𝗈𝗆𝗈 𝗆𝖾𝗓𝗓𝗈-𝗌𝗈𝗉𝗋𝖺𝗇𝗈, 𝖼𝗈𝗆 𝗎𝗆 𝗂𝗇𝗍𝖾𝗋𝗏𝖺𝗅𝗈 𝗊𝗎𝖾 𝗏𝖺𝗋𝗂𝖺 𝖽𝖾𝗌𝖽𝖾 𝖺 𝗇𝗈𝗍𝖺 𝖽𝖾 𝖲𝗂𝟤 𝖺 𝖣𝗈́#𝟨. 𝖤𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗀𝗋𝖺𝗏𝖺𝗏𝖺 𝖿𝖺𝗂𝗑𝖺𝗌 𝗉𝖺𝗋𝖺 𝗌𝖾𝗎 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝖦𝗈𝗈𝖽 𝖦𝗂𝗋𝗅 𝖦𝗈𝗇𝖾 𝖡𝖺𝖽 (𝟤𝟢𝟢𝟩), 𝗍𝖾𝗏𝖾 𝖺𝗎𝗅𝖺𝗌 𝖽𝖾 𝖼𝖺𝗇𝗍𝗈 𝖼𝗈𝗆 𝖭𝖾-𝖸𝗈. 𝖥𝖺𝗅𝖺𝗇𝖽𝗈 𝖽𝖺 𝖾𝗑𝗉𝖾𝗋𝗂𝖾̂𝗇𝖼𝗂𝖺, 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎: "𝖤𝗎 𝗇𝗎𝗇𝖼𝖺 𝗍𝗂𝗏𝖾 𝗍𝗋𝖾𝗂𝗇𝖺𝗆𝖾𝗇𝗍𝗈 𝗏𝗈𝖼𝖺𝗅, 𝖾𝗇𝗍𝖺̃𝗈, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖾𝗌𝗍𝗈𝗎 𝗇𝗈 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝖾𝗅𝖾 𝗆𝖾 𝖽𝗂𝗓 𝖼𝗈𝗆𝗈 𝗋𝖾𝗌𝗉𝗂𝗋𝖺𝗋 𝖾 𝗈𝗎𝗍𝗋𝖺𝗌 𝖼𝗈𝗂𝗌𝖺𝗌 ... 𝖤𝗅𝖾 𝗀𝗋𝗂𝗍𝖺 𝖾𝗌𝗌𝖺𝗌 𝗀𝗋𝖺𝗇𝖽𝖾𝗌 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌 𝖻𝗈𝗇𝗂𝗍𝖺𝗌: '𝖮𝖪, 𝖺𝗀𝗈𝗋𝖺 𝗊𝗎𝖾𝗋𝗈 𝗊𝗎𝖾 𝗏𝗈𝖼𝖾̂ 𝖿𝖺𝖼̧𝖺 𝗌𝗍𝖺𝖼𝖼𝖺𝗍𝗈. 𝖤 𝖾𝗎 𝖿𝗂𝖼𝗈 𝖼𝗈𝗆𝗈, '𝖮𝖪, 𝖾𝗎 𝗇𝖺̃𝗈 𝗌𝖾𝗂 𝗈 𝗊𝗎𝖾 𝖾́ 𝗂𝗌𝗌𝗈'." 𝖠 𝗉𝖾𝗋𝖿𝗈𝗋𝗆𝖺𝗇𝖼𝖾 𝗏𝗈𝖼𝖺𝗅 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖽𝖺 𝖾𝗆 𝗌𝖾𝗎 𝖽𝗂𝗌𝖼𝗈 𝖫𝗈𝗎𝖽 (𝟤𝟢𝟣𝟢) 𝗋𝖾𝖼𝖾𝖻𝖾𝗎 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺𝗌 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺𝗌 𝖽𝖾 𝖼𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅𝗂𝗓𝖺𝖽𝗈𝗌 𝖾𝗆 𝗆𝗎́𝗌𝗂𝖼𝖺. 𝖩𝖺𝗆𝖾𝗌 𝖲𝗄𝗂𝗇𝗇𝖾𝗋, 𝖽𝗈 𝗉𝗈𝗋𝗍𝖺𝗅 𝖽𝖺 𝖡𝖡𝖢, 𝖾𝗅𝗈𝗀𝗂𝗈𝗎 𝗈𝗌 𝗏𝗈𝖼𝖺𝗂𝗌 𝖽𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗇𝖺 𝖿𝖺𝗂𝗑𝖺 "𝖫𝗈𝗏𝖾 𝗍𝗁𝖾 𝖶𝖺𝗒 𝖸𝗈𝗎 𝖫𝗂𝖾 (𝖯𝖺𝗋𝗍 𝖨𝖨)" 𝖾 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗊𝗎𝖾 𝖺 𝗏𝗈𝗓 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖾́ 𝗉𝗈𝖽𝖾𝗋𝗈𝗌𝖺 𝖾 "𝖺𝗈 𝗆𝖾𝗌𝗆𝗈 𝗍𝖾𝗆𝗉𝗈 𝖼𝗈𝗇𝖽𝗎𝗍𝗈𝗋𝖺, 𝗂́𝗇𝗍𝖾𝗀𝗋𝖺 𝖾 𝗏𝗎𝗅𝗇𝖾𝗋𝖺́𝗏𝖾𝗅 – 𝗊𝗎𝖾 𝖺𝗇𝖼𝗈𝗋𝖺 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 – 𝖾 𝖾́ 𝖺𝗅𝗍𝖺 𝖾𝗆 𝗌𝗂". 𝖤𝗌𝖼𝗋𝖾𝗏𝖾𝗇𝖽𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗃𝗈𝗋𝗇𝖺𝗅 𝖻𝗋𝗂𝗍𝖺̂𝗇𝗂𝖼𝗈 𝖳𝗁𝖾 𝖨𝗇𝖽𝖾𝗉𝖾𝗇𝖽𝖾𝗇𝗍, 𝖠𝗇𝖽𝗒 𝖦𝗂𝗅𝗅, 𝗌𝖾𝗇𝗍𝗂𝗎 𝗊𝗎𝖾 "𝖢𝖺𝗅𝗂𝖿𝗈𝗋𝗇𝗂𝖺 𝖪𝗂𝗇𝗀 𝖡𝖾𝖽" 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝗌𝗎𝖺 𝗆𝖾𝗅𝗁𝗈𝗋 𝗉𝖾𝗋𝖿𝗈𝗋𝗆𝖺𝗇𝖼𝖾 𝗏𝗈𝖼𝖺𝗅. 𝖩𝗈𝗇 𝖢𝖺𝗋𝖺𝗆𝖺𝗇𝗂𝖼𝖺, 𝖽𝖺 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖽𝗂𝖺́𝗋𝗂𝖺 𝖭𝖾𝗐 𝖸𝗈𝗋𝗄 𝖳𝗂𝗆𝖾𝗌, 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎: "𝗌𝗎𝖺 𝗏𝗈𝗓 𝗌𝖾 𝗍𝗋𝖺𝗇𝗌𝖿𝗈𝗋𝗆𝗈𝗎 𝖾𝗆 𝗎𝗆𝖺 𝖺𝗋𝗆𝖺 𝖽𝖾 𝖿𝗋𝗂𝖾𝗓𝖺 𝖾𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅 𝖾 𝗂𝗇𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝖼̧𝖺 𝖾𝗌𝗍𝗋𝖺𝗍𝖾́𝗀𝗂𝖼𝖺. 𝖤́ 𝖽𝖾𝖼𝗂𝖽𝗂𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝗁𝗈𝗌𝗍𝗂𝗅, 𝖿𝖾𝗂𝗍𝖺 𝗉𝖺𝗋𝖺 𝖽𝖺𝗋 𝗈𝗋𝖽𝖾𝗇𝗌".

𝖣𝖾𝗏𝗂𝖽𝗈 𝖺𝗈 𝖿𝖺𝗍𝗈 𝖽𝖾 𝖼𝗋𝖾𝗌𝖼𝖾𝗋 𝖾 𝗇𝖺𝗌𝖼𝖾𝗋 𝖾𝗆 𝖡𝖺𝗋𝖻𝖺𝖽𝗈𝗌, 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖿𝗈𝗂 𝖽𝖾𝗌𝖽𝖾 𝖼𝖾𝖽𝗈 𝗆𝗎𝗂𝗍𝗈 𝖾𝗑𝗉𝗈𝗌𝗍𝖺 𝖺 𝗎𝗆𝖺 𝗏𝖺𝗋𝗂𝖾𝖽𝖺𝖽𝖾 𝖽𝖾 𝗋𝗂𝗍𝗆𝗈𝗌 𝖽𝗈 𝖢𝖺𝗋𝗂𝖻𝖾, 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗋𝖾𝗀𝗀𝖺𝖾, 𝖼𝖺𝗅𝗂𝗉𝗌𝗈 𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗌𝗈𝖼𝖺. 𝖰𝗎𝖺𝗇𝖽𝗈 𝖾𝗅𝖺 𝗌𝖾 𝗆𝗎𝖽𝗈𝗎 𝗉𝖺𝗋𝖺 𝗈𝗌 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌, 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝗌𝖾 𝖿𝖺𝗆𝗂𝗅𝗂𝖺𝗋𝗂𝗓𝖺𝗋 𝖺𝗌 𝗏𝖺𝗋𝗂𝖾𝖽𝖺𝖽𝖾𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝖺; "𝗈 𝗋𝗈𝖼𝗄 𝖾́ 𝗎𝗆 𝖽𝖾𝗅𝖾𝗌, 𝖾 𝖾𝗎 𝗆𝖾 𝖺𝗉𝖺𝗂𝗑𝗈𝗇𝖾𝗂 𝗉𝗈𝗋 𝖾𝗅𝖾. [𝖠𝗀𝗈𝗋𝖺] 𝖾𝗎 𝖺𝗆𝗈 𝗋𝗈𝖼𝗄". 𝖭𝗈 𝗆𝗈𝗆𝖾𝗇𝗍𝗈 𝖽𝖾 𝗌𝗎𝖺 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝖾𝗅𝖺 𝗀𝗋𝖺𝗏𝗈𝗎 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖽𝖺𝗌 𝖾𝗆 𝗌𝗎𝖺𝗌 𝗋𝖺𝗂́𝗓𝖾𝗌 𝖼𝖺𝗋𝗂𝖻𝖾𝗇𝗁𝖺𝗌 𝖾 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗌𝖾𝗎 𝗌𝗈𝗆 𝗂𝗇𝗂𝖼𝗂𝖺𝗅 𝖼𝗈𝗆𝗈 "𝗎𝗆𝖺 𝖿𝗎𝗌𝖺̃𝗈 𝖽𝖾 𝗋𝖾𝗀𝗀𝖺𝖾, 𝗁𝗂𝗉-𝗁𝗈𝗉 𝖾 𝗋𝗁𝗒𝗍𝗁𝗆 𝖺𝗇𝖽 𝖻𝗅𝗎𝖾𝗌 (𝖱&𝖡), 𝖼𝗈𝗆 𝖺𝗅𝗀𝗎𝗆𝖺 𝖼𝗈𝗂𝗌𝖺 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾". 𝖲𝗎𝖺𝗌 𝖾𝗑𝗉𝖾𝗋𝗂𝗆𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝗂𝗇𝗂𝖼𝗂𝖺𝗂𝗌 𝖽𝖾 𝖽𝖺𝗇𝖼𝖾𝗁𝖺𝗅𝗅 𝗉𝗈𝖽𝖾𝗆 𝗌𝖾𝗋 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝖽𝖺𝗌 𝖾𝗆 𝗌𝖾𝗎 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝖬𝗎𝗌𝗂𝖼 𝗈𝖿 𝗍𝗁𝖾 𝖲𝗎𝗇 (𝟤𝟢𝟢𝟧), 𝖾 𝗎𝗆 𝗉𝗈𝗎𝖼𝗈 𝗆𝖾𝗇𝗈𝗌 𝗉𝖾𝗋𝖼𝖾𝗉𝗍𝗂́𝗏𝖾𝗅 𝖾𝗆 𝗌𝖾𝗎 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗆𝖾𝗇𝗍𝗈, 𝖠 𝖦𝗂𝗋𝗅 𝗅𝗂𝗄𝖾 𝖬𝖾 (𝟤𝟢𝟢𝟨). 𝖪𝖾𝗅𝖾𝖿𝖺 𝖲𝖺𝗇𝗇𝖾𝗁, 𝖾𝗆 𝗌𝗎𝖺 𝖼𝗈𝗅𝗎𝗇𝖺 𝗇𝗈 𝖭𝖾𝗐 𝖸𝗈𝗋𝗄 𝖳𝗂𝗆𝖾𝗌, 𝖾𝗅𝗈𝗀𝗂𝗈𝗎 𝖺̀ 𝖼𝗈𝗆𝖻𝗂𝗇𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖽𝖺𝗇𝖼𝖾𝗁𝖺𝗅𝗅 𝖾 𝗋𝖾𝗀𝗀𝖺𝖾 𝖾𝗆 𝗌𝗎𝖺 𝗈𝖻𝗋𝖺𝗌, 𝖽𝗂𝗓𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝖺𝗆𝖻𝗈𝗌 𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌: "𝖠̀𝗌 𝗏𝖾𝗓𝖾𝗌, 𝗉𝖺𝗋𝖾𝖼𝖾𝗆 𝖽𝗎𝖺𝗌 𝖿𝗈𝗋𝗆𝖺𝗌 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖿𝗎𝗋𝗂𝗈𝗌𝖺𝗆𝖾𝗇𝗍𝖾 𝗂𝗇𝗌𝗎𝗅𝖺𝗋𝖾𝗌, 𝗆𝖺𝗌 ... 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖾́ 𝖺𝗉𝖾𝗇𝖺𝗌 𝖺 𝗎́𝗅𝗍𝗂𝗆𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖺 𝖽𝖾𝗌𝖼𝗈𝖻𝗋𝗂𝗋 𝗈 𝗊𝗎𝖺̃𝗈 𝗏𝖾𝗋𝗌𝖺́𝗍𝗂𝗅 𝗈𝗌 𝗋𝗂𝗍𝗆𝗈𝗌 𝖾𝗅𝖾𝗍𝗋𝗈̂𝗇𝗂𝖼𝗈𝗌 𝖽𝖾 𝖺𝗆𝖻𝗈𝗌 𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈 𝗉𝗈𝖽𝖾𝗆 𝗌𝖾𝗋". 𝖵𝗂𝗌𝖺𝗇𝖽𝗈 𝗌𝖾𝗎 𝖼𝗋𝖾𝗌𝖼𝗂𝗆𝖾𝗇𝗍𝗈 𝖺𝗋𝗍𝗂́𝗌𝗍𝗂𝖼𝗈, 𝖾𝗆 𝖠 𝖦𝗂𝗋𝗅 𝗅𝗂𝗄𝖾 𝖬𝖾 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝗈𝗎 𝖾𝗑𝗉𝖾𝗋𝗂𝖾̂𝗇𝖼𝗂𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗂𝗌 𝗉𝖾𝗅𝖺𝗌 𝗊𝗎𝖺𝗂𝗌 𝗀𝖺𝗋𝗈𝗍𝖺𝗌 𝗍𝗂́𝗉𝗂𝖼𝖺𝗌 𝖽𝖾 𝟣𝟪 𝖺𝗇𝗈𝗌 𝗉𝖺𝗌𝗌𝖺𝗆 𝖾𝗆 𝖻𝖺𝗅𝖺𝖽𝖺𝗌 𝗊𝗎𝖾 𝖿𝗈𝗋𝖺𝗆 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺𝗌 𝖼𝗈𝗆𝗈 𝖾𝗅𝖾𝗀𝖺𝗇𝗍𝖾𝗌 𝖾 𝗆𝖺𝖽𝗎𝗋𝖺𝗌.

𝖠𝗉𝗈́𝗌 𝗌𝖾𝗎 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝖺𝗋 𝗎𝗆𝖺 𝖺𝗆𝗉𝗅𝖺 𝗏𝖺𝗋𝗂𝖾𝖽𝖺𝖽𝖾 𝖽𝖾 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌, 𝗂𝗇𝖼𝗅𝗎𝗂𝗇𝖽𝗈 𝗉𝗈𝗉, 𝖱&𝖡, 𝗋𝖾𝗀𝗀𝖺𝖾, 𝖽𝗎𝖻𝗌𝗍𝖾𝗉, 𝗁𝗂𝗉 𝗁𝗈𝗉 𝖾 𝖾𝗅𝖾𝖼𝗍𝗋𝗈𝗇𝗂𝖼 𝖽𝖺𝗇𝖼𝖾 𝗆𝗎𝗌𝗂𝖼 (𝖤𝖣𝖬). 𝖭𝗈 𝖺̂𝗆𝖻𝗂𝗍𝗈 𝗅𝗂́𝗋𝗂𝖼𝗈, 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝗋 𝗇𝖺 𝗆𝖺𝗂𝗈𝗋𝗂𝖺 𝖽𝖺𝗌 𝗏𝖾𝗓𝖾𝗌, 𝗍𝖾𝗆𝖺𝗌 𝖾𝗇𝗏𝗈𝗅𝗏𝖾𝗇𝖽𝗈 𝗋𝖾𝗅𝖺𝖼𝗂𝗈𝗇𝖺𝗆𝖾𝗇𝗍𝗈𝗌 𝖺𝗆𝗈𝗋𝗈𝗌𝗈𝗌, 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝗂𝗆𝗉𝗋𝗂𝗆𝗂𝗋 𝗇𝗈𝗏𝖺𝗌 𝗂𝖽𝖾𝗂𝖺𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 𝖾 𝖾𝗅𝖺 𝖺𝖿𝗂𝗋𝗆𝗈𝗎 𝗊𝗎𝖾 𝗊𝗎𝖾𝗋𝗂𝖺 "𝖿𝖺𝗓𝖾𝗋 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗊𝗎𝖾 𝗉𝗎𝖽𝖾𝗌𝗌𝖾 𝗌𝖾𝗋 𝗈𝗎𝗏𝗂𝖽𝖺 𝖾𝗆 𝗉𝖺𝗋𝗍𝖾𝗌 𝖽𝗈 𝗆𝗎𝗇𝖽𝗈 𝖾𝗆 𝗊𝗎𝖾 𝖾𝗎 𝗇𝗎𝗇𝖼𝖺 𝖾𝗌𝗍𝗂𝗏𝖾". 𝖣𝗎𝗋𝖺𝗇𝗍𝖾 𝗎𝗆𝖺 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺 𝗉𝖺𝗋𝖺 𝖦𝗈𝗈𝖽 𝖦𝗂𝗋𝗅 𝖦𝗈𝗇𝖾 𝖡𝖺𝖽 (𝟤𝟢𝟢𝟩), 𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖲𝗅𝖺𝗇𝗍 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗊𝗎𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 "𝖿𝗂𝗇𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖽𝖾𝗌𝖼𝗈𝖻𝗋𝗂𝗎 𝗊𝗎𝖾 𝖾́ 𝗎𝗆𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖺𝗇𝖼𝖾 𝖾 𝖺 𝗆𝖺𝗂𝗈𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖾́ 𝖼𝗈𝗆𝗉𝗈𝗌𝗍𝖺 𝗉𝗈𝗋 𝖿𝖺𝗂𝗑𝖺𝗌 𝖽𝖾 𝖽𝖺𝗇𝖼𝖾-𝗉𝗈𝗉 𝖾𝗆 𝖺𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝗈 𝖺𝖼𝖾𝗅𝖾𝗋𝖺𝖽𝗈 [𝖼𝗈𝗆𝗈] "𝖯𝗎𝗌𝗁 𝖴𝗉 𝗈𝗇 𝖬𝖾" 𝖾 "𝖣𝗈𝗇'𝗍 𝖲𝗍𝗈𝗉 𝗍𝗁𝖾 𝖬𝗎𝗌𝗂𝖼". 𝖨𝗌𝗌𝗈 𝗆𝖺𝗋𝖼𝗈𝗎 𝗎𝗆𝖺 𝗉𝖺𝗋𝗍𝗂𝖽𝖺 𝖽𝗈 𝗌𝗈𝗆 𝖼𝖺𝗋𝗂𝖻𝖾𝗇𝗁𝗈 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝖽𝗈 𝖾𝗆 𝗌𝖾𝗎𝗌 𝖺́𝗅𝖻𝗎𝗇𝗌 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝖾𝗌 𝖾 𝖾́ 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝗈 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗉𝗈𝗇𝗍𝗈 𝖽𝖾 𝗏𝗂𝗋𝖺𝖽𝖺 𝖾𝗆 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺. 𝖤𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖼𝗈𝗆𝗉𝖺𝗋𝗍𝗂𝗅𝗁𝖺 𝗆𝗎𝗂𝗍𝖺𝗌 𝗂𝗇𝖿𝗅𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌 𝗉𝗈𝗉 𝖽𝗈𝗌 𝖺𝗇𝗈𝗌 𝟪𝟢 𝖼𝗈𝗆 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖼𝗈𝗆𝗈 "𝖣𝗈𝗇'𝗍 𝖲𝗍𝗈𝗉 𝗍𝗁𝖾 𝖬𝗎𝗌𝗂𝖼" 𝖾 "𝖲𝗁𝗎𝗍 𝖴𝗉 𝖺𝗇𝖽 𝖣𝗋𝗂𝗏𝖾", 𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝗋𝖾𝖼𝗎𝖺 𝗉𝖺𝗋𝖺 𝗈 𝖱&𝖡 𝗉𝖺𝖽𝗋𝖺̃𝗈.

𝖦𝗋𝖺𝗏𝖺𝖽𝗈 𝖺𝗉𝗈́𝗌 𝗌𝗎𝖺 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾 𝗌𝖾𝗋 𝗏𝗂́𝗍𝗂𝗆𝖺 𝖽𝖾 𝖺𝗀𝗋𝖾𝗌𝗌𝗈̃𝖾𝗌 𝖿𝗂́𝗌𝗂𝖼𝖺𝗌 𝗉𝗈𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝖾 𝗌𝖾𝗎 𝖾𝗇𝗍𝖺̃𝗈 𝗇𝖺𝗆𝗈𝗋𝖺𝖽𝗈, 𝖢𝗁𝗋𝗂𝗌 𝖡𝗋𝗈𝗐𝗇, 𝖱𝖺𝗍𝖾𝖽 𝖱 (𝟤𝟢𝟢𝟫) 𝖼𝗈𝗇𝗍𝖾́𝗆 𝗎𝗆 𝗍𝗈𝗆 𝗆𝗎𝗂𝗍𝗈 𝗆𝖺𝗂𝗌 𝗌𝗈𝗆𝖻𝗋𝗂𝗈 𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝖺𝗈 𝗈𝗎𝗏𝗂𝗇𝗍𝖾 𝗎𝗆 𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈 𝗅𝗂́𝗋𝗂𝖼𝗈 𝗋𝖾𝗀𝖺𝖽𝗈 𝖽𝖾 𝖼𝗎𝗇𝗁𝗈 𝖾𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅 𝗇𝗈 𝗊𝗎𝖺𝗅 𝖺 𝗋𝖾𝖿𝗅𝖾𝗍𝖾 𝖺𝗌 𝖾𝗑𝗉𝖾𝗋𝗂𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖺𝗎𝗍𝗈𝖻𝗂𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝖺𝗌 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖺𝗈 𝗅𝗈𝗇𝗀𝗈 𝖽𝖾 𝟤𝟢𝟢𝟫. 𝖤𝗆 𝖫𝗈𝗎𝖽 (𝟤𝟢𝟣𝟢), 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗋𝖾𝖿𝗅𝖾𝗍𝖾 𝗌𝗈𝖻𝗋𝖾 𝖺 𝖽𝗂𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖾 𝖾𝗇𝖾𝗋𝗀𝗂𝖺 𝗊𝗎𝖾 𝖾𝗅𝖺 𝗍𝖾𝗏𝖾 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝖺 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝗈𝖻𝗋𝖺. 𝖮 𝖺́𝗅𝖻𝗎𝗆 𝖾́ 𝗎𝗆𝖺 𝗆𝗂𝗌𝗍𝗎𝗋𝖺 𝖽𝖾 𝖻𝖺𝗅𝖺𝖽𝖺𝗌, 𝗁𝗂𝗇𝗈𝗌 𝖾𝗇𝖾𝗋𝗀𝖾́𝗍𝗂𝖼𝗈𝗌 𝖾 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝗎𝗇𝗁𝗈 𝖾𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅. 𝖳𝖺𝗅𝗄 𝖳𝗁𝖺𝗍 𝖳𝖺𝗅𝗄 (𝟤𝟢𝟣𝟣) 𝖾́ 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝗍𝖾 𝖺𝗈 𝖱𝖺𝗍𝖾𝖽 𝖱, 𝗉𝗈𝗂𝗌 𝖺𝗆𝖻𝗈𝗌 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝖺𝗆 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌 𝖼𝗈𝗆𝗈 𝗁𝗂𝗉 𝗁𝗈𝗉, 𝖱&𝖡, 𝖽𝖺𝗇𝖼𝖾𝗁𝖺𝗅𝗅 𝖾 𝖽𝗎𝖻𝗌𝗍𝖾𝗉 𝖾𝗆 𝗌𝗎𝖺 𝗆𝗎𝗌𝗂𝖼𝖺𝗅𝗂𝖽𝖺𝖽𝖾. 𝖳𝖺𝗇𝗍𝗈 𝖫𝗈𝗎𝖽 𝗊𝗎𝖺𝗇𝗍𝗈 𝖳𝖺𝗅𝗄 𝖳𝗁𝖺𝗍 𝖳𝖺𝗅𝗄 𝗌𝖺̃𝗈 𝗈𝖻𝗋𝖺𝗌 𝗊𝗎𝖾 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝗆 𝖾𝗆 𝖽𝖾𝗆𝖺𝗌𝗂𝖺 𝖺 𝗌𝖾𝗑𝗎𝖺𝗅𝗂𝖽𝖺𝖽𝖾 𝖾𝗆 𝗌𝗎𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 ("𝖲&𝖬" 𝖾 "𝖡𝗂𝗋𝗍𝗁𝖽𝖺𝗒 𝖢𝖺𝗄𝖾") 𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝗎𝗆 𝗋𝖾𝗍𝗈𝗋𝗇𝗈 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖺̀𝗌 𝗌𝗎𝖺𝗌 𝗋𝖺𝗂́𝗓𝖾𝗌 𝖽𝖺𝗇𝖼𝖾𝗁𝖺𝗅𝗅 ("𝖬𝖺𝗇 𝖣𝗈𝗐𝗇" 𝖾 "𝖶𝖺𝗍𝖼𝗁 𝗇' 𝖫𝖾𝖺𝗋𝗇"). 𝖤𝗅𝖺 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝗈𝗎 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗁𝗈𝗎𝗌𝖾 𝖾𝗆 𝗌𝗎𝖺 𝗈𝖻𝗋𝖺, 𝖼𝗈𝗆𝗈 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖽𝗈 𝖾𝗆 "𝖶𝖾 𝖥𝗈𝗎𝗇𝖽 𝖫𝗈𝗏𝖾", "𝖮𝗇𝗅𝗒 𝖦𝗂𝗋𝗅 (𝖨𝗇 𝗍𝗁𝖾 𝖶𝗈𝗋𝗅𝖽)" 𝖾 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽". 𝖠 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝖽𝖾 𝖴𝗇𝖺𝗉𝗈𝗅𝗈𝗀𝖾𝗍𝗂𝖼 𝖾́ 𝖼𝗈𝗆𝗉𝗈𝗌𝗍𝖺 𝗉𝗈𝗋 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗆𝗂𝗇𝗂𝗆𝖺𝗅𝗂𝗌𝗍𝖺𝗌 𝖾 "𝗆𝖾𝗅𝗈𝗌𝖺𝗌" 𝖽𝖾𝗋𝗂𝗏𝖺𝖽𝖺𝗌 𝖽𝖾 𝖤𝖣𝖬 𝖾 𝗁𝗂𝗉 𝗁𝗈𝗉 𝗌𝗎𝗅𝗂𝗌𝗍𝖺 𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝖾́ 𝗏𝗈𝗅𝗍𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝖻𝖺𝗅𝖺𝖽𝖺𝗌 𝗊𝗎𝖾 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝖺𝗆 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝗂𝗌𝖼𝗈 𝖾 𝖾𝗌𝗍𝗂𝗅𝗈𝗌 𝖽𝖾𝗋𝗂𝗏𝖺𝖽𝗈𝗌 𝖽𝗈 𝗋𝖾𝗀𝗀𝖺𝖾 𝖾 𝗋𝗈𝖼𝗄. 𝖬𝗎𝗂𝗍𝖺𝗌 𝖽𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖺𝖻𝗈𝗋𝖽𝖺𝗆 𝖺 𝗋𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝖼𝗈𝗆 𝖢𝗁𝗋𝗂𝗌 𝖡𝗋𝗈𝗐𝗇, 𝖼𝗈𝗆 𝗎𝗆𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝖽𝖾 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗆𝖺𝗂𝗌 𝗅𝖾𝗏𝖾𝗌 𝗊𝗎𝖾 𝗍𝖾̂𝗆 𝗋𝖾𝖿𝖾𝗋𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖺 𝗎𝗆𝖺 𝗏𝗂𝖽𝖺 𝖺𝗆𝗈𝗋𝗈𝗌𝖺 𝖽𝗂𝗌𝖿𝗎𝗇𝖼𝗂𝗈𝗇𝖺𝗅. 𝖠𝗇𝗍𝗂 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝗎𝗆 𝖺𝖿𝖺𝗌𝗍𝖺𝗆𝖾𝗇𝗍𝗈 𝖾𝗆 𝗋𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖺𝗈 𝗌𝖾𝗎 𝗉𝗋𝖾𝖽𝖾𝖼𝖾𝗌𝗌𝗈𝗋, 𝖽𝖾𝗂𝗑𝖺𝗇𝖽𝗈 𝗉𝖺𝗋𝖺 𝗍𝗋𝖺́𝗌 𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌 𝖼𝗅𝗎𝖻 𝖾 𝖽𝖺𝗇𝖼𝖾 𝗉𝖺𝗋𝖺 𝖽𝖺𝗋 𝗅𝗎𝗀𝖺𝗋 𝖺 𝗎𝗆 𝗌𝗈𝗆 𝗉𝗋𝖾𝖽𝗈𝗆𝗂𝗇𝖺𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗉𝗈𝗉, 𝗁𝗂𝗉 𝗁𝗈𝗉 𝗌𝗈𝗎𝗅 𝖾 𝖱&𝖡 𝖼𝗈𝗆 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈𝗌 𝖽𝖾 𝖽𝖺𝗇𝖼𝖾𝗁𝖺𝗅𝗅 𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗌𝗈𝗎𝗅. 𝖠 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈 𝖿𝗈𝗂 𝖼𝖺𝗋𝖺𝖼𝗍𝖾𝗋𝗂𝗓𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝖾𝗇𝖽𝗈 𝖽𝖺𝗋𝗄, 𝖼𝗈𝗆 𝖼𝖺𝗆𝖺𝖽𝖺𝗌 𝖾𝗌𝗉𝖺𝗋𝗌𝖺𝗌, 𝗌𝖾𝗎 𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈 𝗅𝗂́𝗋𝗂𝖼𝗈 𝖺𝖻𝗈𝗋𝖽𝖺 𝗉𝗋𝖾𝖽𝗈𝗆𝗂𝗇𝖺𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗍𝖾𝗆𝖺𝗌 𝖺𝗆𝗈𝗋𝗈𝗌𝗈𝗌, 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝗇𝖽𝗈 𝗈 𝗊𝗎𝖾 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝖼𝖺 𝖾𝗌𝗍𝖺𝗋 𝖺𝗉𝖺𝗂𝗑𝗈𝗇𝖺𝖽𝗈, 𝗌𝖾 𝗆𝖺𝖼𝗁𝗎𝖼𝖺𝗋, 𝗉𝗋𝖾𝖼𝗂𝗌𝖺𝗋 𝖽𝖾 𝖺𝗅𝗀𝗎𝖾́𝗆 𝖾 𝗌𝖾𝗋 𝗏𝖾𝗋𝖽𝖺𝖽𝖾𝗂𝗋𝗈 𝖼𝗈𝗇𝗌𝗂𝗀𝗈 𝗆𝖾𝗌𝗆𝗈. 𝖠 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖼𝗈𝗇𝗍𝖾́𝗆 𝖺𝗆𝗈𝗌𝗍𝗋𝖺𝗀𝖾𝗇𝗌 𝖽𝖾 𝗀𝗋𝖺𝗏𝖺𝖼̧𝗈̃𝖾𝗌 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝖺𝗌 𝗉𝗈𝗋 𝗈𝗎𝗍𝗋𝗈𝗌 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 ("𝖢𝗁𝖾𝖾𝗋𝗌 (𝖣𝗋𝗂𝗇𝗄 𝗍𝗈 𝖳𝗁𝖺𝗍)" 𝖾 "𝖣𝗈𝗇'𝗍 𝖲𝗍𝗈𝗉 𝗍𝗁𝖾 𝖬𝗎𝗌𝗂𝖼").

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𝖤𝗌𝗉𝖾𝗋𝗈 𝗊𝗎𝖾 𝗏𝗈𝖼𝖾̂𝗌 𝗍𝖾𝗇𝗁𝖺𝗆 𝗀𝗈𝗌𝗍𝖺𝖽𝗈 𝖽𝗈 𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈 𝖿𝖾𝗂𝗍𝗈 𝖾𝗑𝖼𝗅𝗎𝗌𝗂𝗏𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗎𝗌𝗈 𝖽𝗈 𝗆𝖾𝖺𝖽𝖽𝖿𝖺𝗇/𝐑𝐈𝐇𝐀𝐍𝐍𝐀𝙽͟𝙰͟𝚅͟𝚈
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                                          │ 𝖯𝖺́𝗀𝗂𝗇𝖺 𝖳𝗈𝗍𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖯𝗋𝗈𝖽𝗎𝗓𝗂𝖽𝖺 𝗉𝗈𝗋 𝖧𝗎𝗀𝗈 𝖢𝖾́𝗌𝖺𝗋 @𝗆𝗂𝗅𝖾𝗒𝗋𝖼𝗒𝗋𝗎𝗌  ▌
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