littlemix

══ ❊ ⋮ 𝐄𝐬𝐭𝐢𝐥𝐨 𝐦𝐮𝐬𝐢𝐜𝐚𝐥 𝐞 𝐥𝐞𝐭𝐫𝐚𝐬 ⋮ ❊ ══════════════════════════════════════════
𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝖾́ 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗎𝗆 𝗀𝗋𝗎𝗉𝗈 𝖽𝖾 𝖱&𝖡 𝗊𝗎𝖾 𝗀𝖾𝗋𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗎𝗌𝖺 𝗏𝖺𝗋𝗂𝖺𝖽𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌, 𝖼𝗈𝗆𝗈 𝗌𝗒𝗇𝗍𝗁𝗉𝗈𝗉, 𝗉𝗈𝗉, 𝗁𝗂𝗉-𝗁𝗈𝗉, 𝗍𝗋𝖺𝗉, 𝖽𝗈𝗈-𝗐𝗈𝗉 𝖾 𝖽𝖺𝗇𝖼𝖾-𝗉𝗈𝗉. 𝖣𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝖺𝗅𝗀𝗎𝗇𝗌 𝖺𝗇𝗈𝗌 𝗈 𝗀𝗋𝗎𝗉𝗈 𝖾𝗌𝗍𝖺𝖻𝖾𝗅𝖾𝖼𝖾𝗎 𝗌𝖾𝗎 𝗀𝖾̂𝗇𝖾𝗋𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗆𝖺𝗂𝗌 𝗉𝖺𝗋𝖺 𝗈 𝖽𝖺𝗇𝖼𝖾 𝖾 𝖾𝗅𝖾𝗍𝗋𝗈𝗇𝗂𝖼 𝗉𝗈𝗉.

𝖮 𝗀𝗋𝗎𝗉𝗈 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈𝗎 𝖾𝗆 𝗌𝖾𝗎 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾́𝗂𝖺, 𝖣𝖭𝖠, 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝟣𝟫 𝖽𝖾 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟤. 𝖲𝗎𝖺 𝖿𝖺𝗂𝗑𝖺 "𝖶𝗂𝗇𝗀𝗌" 𝖾́ 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖻𝗎𝖻𝖻𝗅𝖾𝗀𝗎𝗆-𝗉𝗈𝗉 𝖾 𝖱&𝖡 𝖼𝗈𝗆 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝗈𝗌 𝖺𝗇𝗈𝗌 𝟫𝟢. 𝖫𝗂𝗋𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾, 𝗍𝗋𝖺𝗍𝖺-𝗌𝖾 𝖽𝖾 𝖺𝗎𝗍𝗈-𝖼𝖺𝗉𝖺𝖼𝗂𝗍𝖺𝖼̧𝖺̃𝗈 𝖾 𝖺𝗎𝗍𝗈-𝖼𝗈𝗇𝖿𝗂𝖺𝗇𝖼̧𝖺 𝖺𝗅𝖾́𝗆 𝖽𝖾 𝗉𝗈𝖽𝖾𝗋 𝖽𝖾 𝗎𝗆𝖺 𝗆𝖺̃𝖾. 𝖠 𝖿𝖺𝗂𝗑𝖺-𝗍𝗂́𝗍𝗎𝗅𝗈 𝗍𝖾𝗆 𝗎𝗆𝖺 𝗌𝖾𝗇𝗌𝖺𝖼̧𝖺̃𝗈 𝗀𝗈́𝗍𝗂𝖼𝖺 𝖼𝗈𝗆 𝖺 𝗊𝗎𝖺𝗅 𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝖾𝗑𝗂𝖻𝖾 𝗎𝗆 𝗅𝖺𝖽𝗈 𝗆𝖺𝗂𝗌 𝗌𝗈𝗆𝖻𝗋𝗂𝗈 𝗉𝖺𝗋𝖺 𝗌𝗎𝖺𝗌 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗅𝗂𝖽𝖺𝖽𝖾𝗌. 𝖮 𝗀𝗋𝗎𝗉𝗈 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈𝗎 𝖼𝗈𝗆 𝗈 𝖾𝗑-𝗆𝖾𝗆𝖻𝗋𝗈 𝖦𝗂𝗋𝗅𝗌 𝖠𝗅𝗈𝗎𝖽, 𝖭𝗂𝖼𝗈𝗅𝖺 𝖱𝗈𝖻𝖾𝗋𝗍𝗌, 𝗇𝗈 "𝖦𝗈𝗂𝗇𝗀 𝖭𝗈𝗐𝗁𝖾𝗋𝖾" 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖽𝗈 𝗇𝗈 𝖺𝖼𝗎́𝗌𝗍𝗂𝖼𝗈 𝖾 𝖿𝗂́𝗌𝗂𝖼𝗈, 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝗈𝗎 𝖬𝗂𝗌𝗌𝗒 𝖤𝗅𝗅𝗂𝗈𝗍𝗍 𝗇𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝗎́𝗇𝗂𝖼𝖺 𝖽𝗈 𝗉𝗈𝗉-𝖿𝗎𝗇𝗄 𝗍𝗋𝖺𝖼𝗄 "𝖧𝗈𝗐 𝖸𝖺 𝖣𝗈𝗂𝗇'?". 𝖠 𝗎́𝗅𝗍𝗂𝗆𝖺 𝗉𝗂𝗌𝗍𝖺 𝖼𝗈𝗇𝗍𝖾́𝗆 𝖽𝗎𝖺𝗌 𝖺𝗆𝗈𝗌𝗍𝗋𝖺𝗌: "𝖧𝖾𝗅𝗉 𝖨𝗌 𝖮𝗇 𝗍𝗁𝖾 𝖶𝖺𝗒", 𝖼𝗈𝗆𝗉𝗈𝗌𝗍𝖺 𝗉𝗈𝗋 𝖩𝖺𝗆𝖾𝗌 𝖲𝗍𝖺𝗇𝗅𝖾𝗒 𝖢𝖺𝗋𝗍𝖾𝗋 𝖾 "𝖭𝖺𝗆𝖾 𝖺𝗇𝖽 𝖭𝗎𝗆𝖻𝖾𝗋", 𝖾𝗌𝖼𝗋𝗂𝗍𝗈 𝗉𝗈𝗋 𝖢𝗎𝗋𝗂𝗈𝗌𝗂𝗍𝗒 𝖪𝗂𝗅𝗅𝖾𝖽 𝗍𝗁𝖾 𝖢𝖺𝗍.

𝖮 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖽𝖺 𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑, 𝖲𝖺𝗅𝗎𝗍𝖾, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝟪 𝖽𝖾 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟥. 𝖮 𝗀𝗋𝗎𝗉𝗈 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝗆𝖾𝗇𝗍𝖾 𝖾𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝗊𝗎𝖾 𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝗌𝖾𝗋𝗂𝖺 𝗆𝖺𝗂𝗌 𝗂𝗇𝖿𝗅𝗎𝖾𝗇𝖼𝗂𝖺𝖽𝗈 𝗉𝖾𝗅𝗈 𝖱&𝖡 𝖽𝗈 𝗊𝗎𝖾 𝗌𝖾𝗎 𝖺́𝗅𝖻𝗎𝗆 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋. "𝖬𝗈𝗏𝖾" 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖼𝗈𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅 𝖾 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝗈 𝗉𝖾𝗅𝗈 𝖾𝗌𝖼𝗋𝗂𝗍𝗈𝗋 𝖽𝖺 𝖣𝗂𝗀𝗂𝗍𝖺𝗅 𝖲𝗉𝗒, 𝖫𝖾𝗐𝗂𝗌 𝖢𝗈𝗋𝗇𝖾𝗋, 𝖼𝗈𝗆𝗈 𝖺 𝖼𝗋𝗂𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗌𝗎𝖺 𝗇𝗈𝗏𝖺 𝖽𝗂𝗋𝖾𝖼̧𝖺̃𝗈 𝖼𝗋𝗂𝖺𝗍𝗂𝗏𝖺 𝗎𝗋𝖻𝖺𝗇𝖺 "𝖻𝖾𝗆". 𝖠 𝖿𝖺𝗂𝗑𝖺-𝗍𝗂́𝗍𝗎𝗅𝗈 𝖿𝖺𝗓 𝗎𝗌𝗈 𝖽𝖾 𝗎𝗆𝖺 𝗌𝗂𝗋𝖾𝗇𝖾 𝖽𝖾 𝖡𝗅𝗂𝗍𝗓𝗄𝗋𝗂𝖾𝗀 𝖾𝗆 𝗌𝗎𝖺 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗊𝗎𝖾 𝗅𝗂𝗋𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾 𝗉𝗋𝗈𝗆𝗈𝗏𝖾 𝖺 𝖺𝗎𝗍𝗈𝖺𝖼𝖾𝗂𝗍𝖺𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌. "𝖭𝗈𝗍𝗁𝗂𝗇𝗀 𝖥𝖾𝖾𝗅𝗌 𝖫𝗂𝗄𝖾 𝖸𝗈𝗎" 𝖺𝖽𝗈𝗍𝖺 𝗎𝗆𝖺 𝗌𝖾𝗇𝗌𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖼𝖺𝗋𝗇𝖺𝗏𝖺𝗅 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 "𝖦𝗈𝗈𝖽 𝖤𝗇𝗈𝗎𝗀𝗁" 𝖾́ 𝗎𝗆𝖺 𝖻𝖺𝗅𝖺𝖽𝖺 𝖽𝖾 𝗉𝗂𝖺𝗇𝗈 𝗊𝗎𝖾 𝗅𝗂𝖽𝖺 𝖼𝗈𝗆 𝗈 𝗉𝗋𝗈𝖼𝖾𝗌𝗌𝗈 𝖽𝖾 𝗌𝖾𝗋 𝗋𝖾𝗃𝖾𝗂𝗍𝖺𝖽𝗈 𝗉𝗈𝗋 𝖺𝗅𝗀𝗎𝖾́𝗆 𝖼𝗈𝗆 𝖺𝗈 𝗊𝗎𝖺𝗅 𝗏𝗈𝖼𝖾̂ 𝖾𝗌𝗍𝖺́ 𝗋𝖾𝗅𝖺𝖼𝗂𝗈𝗇𝖺𝖽𝗈 𝖾𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅𝗆𝖾𝗇𝗍𝖾. 𝖠 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺 𝖽𝗈 𝖳𝗁𝖾 𝖦𝗎𝖺𝗋𝖽𝗂𝖺𝗇, 𝖧𝖺𝗋𝗋𝗂𝖾𝗍 𝖦𝗂𝖻𝗌𝗈𝗇𝖾 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 "𝖡𝗈𝗒" 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝖺𝖼̧𝖺̃𝗈 𝗋𝖾𝗇𝗈𝗏𝖺𝖽𝖺 𝖽𝖾 𝗎𝗆𝖺 𝖽𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖽𝖺 𝖻𝗈𝗒𝖻𝖺𝗇𝖽 𝖭𝖲𝖸𝖭𝖢 𝖾𝗆 𝟤𝟢𝟢𝟣, "𝖦𝗈𝗇𝖾". 𝖤𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟣𝟦, 𝗈 𝗀𝗋𝗎𝗉𝗈 𝗅𝖺𝗇𝖼̧𝗈𝗎 𝗎𝗆𝖺 𝖼𝖺𝗉𝖺 𝖽𝗈 𝗎́𝗇𝗂𝖼𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 "𝖶𝗈𝗋𝖽 𝖴𝗉!" 𝖽𝖾 𝖢𝖺𝗆𝖾𝗈 𝖾𝗆 𝟣𝟫𝟪𝟨 𝗊𝗎𝖾 𝗌𝖾𝗋𝗂𝖺 𝗉𝖺𝗋𝖺 𝗈 𝖲𝗉𝗈𝗋𝗍 𝖱𝖾𝗅𝗂𝖾𝖿 𝖽𝖾 𝖼𝖺𝗋𝗂𝖽𝖺𝖽𝖾 𝗎́𝗇𝗂𝖼𝗈.

𝖦𝖾𝗍 𝖶𝖾𝗂𝗋𝖽, 𝗌𝖾𝗎 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝗇𝗈 𝖽𝗂𝖺 𝟨 𝖽𝖾 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟧. 𝖢𝗈𝗆 𝖺 𝖾𝗑𝖼𝖾𝖼̧𝖺̃𝗈 𝖽𝖺 𝗍𝗋𝗂𝗅𝗁𝖺 𝖽𝖾 "𝗍𝗋𝖺𝗉𝖺𝖼̧𝖺" 𝖽𝖾 "𝖫𝗂𝗀𝗁𝗍𝗇𝗂𝗇𝗀", 𝗏𝗂𝗎 𝗈 𝗀𝗋𝗎𝗉𝗈 𝗋𝖾𝗍𝗈𝗋𝗇𝖺𝗋 𝖺𝗈 𝖾𝗌𝗍𝗂𝗅𝗈 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗉𝗈𝗉, 𝖾𝗆𝖻𝗈𝗋𝖺 𝗍𝖾𝗇𝗁𝖺 𝗌𝗂𝖽𝗈 𝗇𝗈𝗍𝖺𝖽𝗈 𝗉𝗈𝗋 𝗌𝖾𝗎 𝗍𝗈𝗆 𝗌𝖾𝗑𝗎𝖺𝗅𝗂𝗓𝖺𝖽𝗈. 𝖠 𝗆𝗎́𝗌𝗂𝖼𝖺 "𝖠.𝖣.𝖨.𝖣.𝖠.𝖲." 𝖾́ 𝗎𝗆 𝖺𝖼𝗋𝗈̂𝗇𝗂𝗆𝗈 𝗉𝖺𝗋𝖺 "𝖠𝗅𝗅 𝖣𝖺𝗒 𝖨 𝖣𝗋𝖾𝖺𝗆 𝖠𝖻𝗈𝗎𝗍 𝖲𝖾𝗑" 𝖾 𝖺𝗅𝗎𝖽𝖾 𝖺𝗈 𝖺𝗍𝗈 𝗌𝖾𝗑𝗎𝖺𝗅 𝖽𝖾 𝖼𝗎𝗇𝗇𝗂𝗅𝗂𝗇𝗀𝗎𝗌 𝖾 𝗋𝖾𝗅𝖺𝗍𝗂𝗏𝗈 𝖾𝗆 𝗌𝗎𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌. 𝖳𝖺𝗆𝖻𝖾́𝗆 𝖺𝗇𝖺𝗅𝗂𝗌𝖺 𝖺 𝗅𝗂𝗇𝗁𝖺 𝖽𝖾 "𝖺𝗆𝗈𝗋 𝖾 𝖾𝗆𝗈𝖼̧𝖺̃𝗈 𝖼𝖺𝗅𝗈𝗋𝗈𝗌𝖺" 𝖽𝖾 "𝖧𝗈𝗅𝖽 𝖮𝗇, 𝖶𝖾'𝗋𝖾 𝖦𝗈𝗂𝗇𝗀 𝖧𝗈𝗆𝖾", 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝖺𝖽𝗈 𝗉𝗈𝗋 𝖣𝗋𝖺𝗄𝖾; 𝖾𝗅𝖾, 𝗃𝗎𝗇𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗈𝗌 𝗈𝗎𝗍𝗋𝗈𝗌 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝗈𝗋𝖾𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺, 𝖭𝗈𝖺𝗁 "𝟦𝟢" 𝖲𝗁𝖾𝖻𝗂𝖻, 𝖬𝖺𝗃𝗂𝖽 𝖠𝗅 𝖬𝖺𝗌𝗄𝖺𝗍𝗂, 𝖩𝗈𝗋𝖽𝖺𝗇 𝖴𝗅𝗅𝗆𝖺𝗇 𝖾 𝖠𝗇𝗍𝗁𝗈𝗇𝗒 𝖩𝖾𝖿𝖿𝗋𝗂𝖾𝗌, 𝗋𝖾𝖼𝖾𝖻𝖾𝗋𝖺𝗆 𝖼𝗋𝖾́𝖽𝗂𝗍𝗈𝗌 𝖽𝖾 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖼𝗈𝗆𝗈 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈. "𝖫𝗈𝗏𝖾 𝖬𝖾 𝖫𝗂𝗄𝖾 𝖸𝗈𝗎" 𝖾́ 𝗎𝗆𝖺 𝖿𝖺𝗂𝗑𝖺 𝗋𝖾𝗍𝗋𝗈-𝖬𝗈𝗍𝗈𝗐𝗇 𝗊𝗎𝖾 𝗅𝖾𝗆𝖻𝗋𝖺 𝗈 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝖽𝖾 𝖲𝗁𝖺𝖽𝗈𝗐 𝖬𝗈𝗋𝗍𝗈𝗇. 𝖮 𝖾𝗌𝖼𝗋𝗂𝗍𝗈𝗋 𝖽𝖺 𝖭𝖬𝖤, 𝖭𝗂𝖼𝗄 𝖫𝖾𝗏𝗂𝗇𝖾, 𝗈𝖻𝗌𝖾𝗋𝗏𝗈𝗎 𝗊𝗎𝖾 𝖺 𝗅𝖾𝗍𝗋𝖺 "𝖧𝖾 𝗐𝖺𝗌 𝗃𝗎𝗌𝗍 𝖺 𝖽𝗂𝖼𝗄 𝖺𝗇𝖽 𝖨 𝗄𝗇𝖾𝗐 𝗂𝗍 " 𝖾𝗆 "𝖧𝖺𝗂𝗋", 𝗍𝖺𝗆𝖻𝖾́𝗆 "𝖸𝗈𝗎 𝗍𝗁𝗈𝗎𝗀𝗁𝗍 𝗍𝗁𝖺𝗍 𝗒𝗈𝗎 𝖼𝖺𝗇 𝗁𝖺𝗇𝖽𝗅𝖾 𝗆𝖾" 𝗇𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖦𝗋𝗈𝗐𝗇, 𝖿𝗈𝗋𝖺𝗆 𝖽𝗈𝗂𝗌 𝖾𝗑𝖾𝗆𝗉𝗅𝗈𝗌 𝖽𝖾 𝗆𝗎𝗂𝗍𝖺𝗌 𝖿𝖺𝗂𝗑𝖺𝗌 "𝗂𝗆𝗉𝖾𝗋𝗍𝗂𝗇𝖾𝗇𝗍𝖾𝗌" 𝖾𝗆 𝖦𝖾𝗍 𝖶𝖾𝗂𝗋𝖽. 𝖤𝗆 𝗌𝖾𝗎 𝗊𝗎𝖺𝗋𝗍𝗈 𝖽𝗂𝗌𝖼𝗈 (𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌), 𝗈 𝗀𝗋𝗎𝗉𝗈 𝗆𝗎𝖽𝗈𝗎 𝗍𝗈𝗍𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖺 𝖿𝗈𝗋𝗆𝖺 𝖽𝖾 𝗂𝗇𝖿𝗅𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖽𝖾 𝗌𝖾𝗎 𝗎́𝗅𝗍𝗂𝗆𝗈 𝖽𝗂𝗌𝖼𝗈 𝗋𝖾𝖼𝖾́𝗆-𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈. 𝖣𝖾𝗌𝗍𝖺 𝗏𝖾𝗓, 𝗈 𝖽𝗂𝗌𝖼𝗈 𝖼𝗈𝖾𝗌𝗈, 𝖼𝗈𝗇𝖿𝗂𝖺𝗇𝗍𝖾, 𝖼𝗁𝖾𝗂𝗈 𝖽𝖾 𝖾𝗇𝖾𝗋𝗀𝗂𝖺 𝖾 𝗈 𝗆𝖺𝗂𝗌 𝗆𝖺𝖽𝗎𝗋𝗈 𝖽𝗈 𝗀𝗋𝗎𝗉𝗈. 𝖬𝗎𝗌𝗂𝖼𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝖾́ 𝗎𝗆 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈 𝗉𝗈𝗉 𝖾 𝖱&𝖡, 𝗉𝗈𝗋𝖾́𝗆, 𝖼𝗈𝗆 𝖺𝗅𝗀𝗎𝗆𝖺𝗌 𝗂𝗇𝖿𝗅𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖽𝖾 𝗈𝗎𝗍𝗋𝗈𝗌 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌, 𝖼𝗈𝗆𝗈 𝗁𝗂𝗉-𝗁𝗈𝗉, 𝗍𝗋𝖺𝗉 𝖾 𝖤𝖣𝖬. 𝖭𝖾𝗆 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝟣𝟤 𝖿𝖺𝗂𝗑𝖺𝗌 𝖺𝗍𝗂𝗇𝗀𝖾𝗆 𝗎𝗆 𝗉𝗂𝖼𝗈 𝗆𝖾𝗆𝗈𝗋𝖺́𝗏𝖾𝗅, 𝗆𝖺𝗌, 𝗇𝗈 𝗀𝖾𝗋𝖺𝗅, 𝖾́ 𝗎𝗆 𝖺́𝗅𝖻𝗎𝗆 𝗆𝗎𝗂𝗍𝗈 𝖽𝗈𝖼𝖾 𝖾 𝖺𝗀𝗋𝖺𝖽𝖺́𝗏𝖾𝗅. 𝖮 𝗊𝗎𝖺𝗋𝗍𝖾𝗍𝗈 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝖺𝖿𝖺𝗌𝗍𝖺𝗋-𝗌𝖾 𝖽𝖾 𝗌𝖾𝗎 𝗌𝗍𝖺𝗍𝗎𝗌 𝖽𝖾 𝖻𝗈𝖺 𝗆𝗈𝖼̧𝖺 𝖾 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝖾𝗋 𝗎𝗆 𝗌𝗈𝗆 𝗆𝖺𝗂𝗌 𝖺𝗋𝗋𝗂𝗌𝖼𝖺𝖽𝗈. 𝖯𝗈𝗋 𝖾𝗌𝗍𝖾 𝗆𝗈𝗍𝗂𝗏𝗈, “𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌” 𝗉𝗈𝖽𝖾 𝗌𝖾𝗋 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝖽𝗈 𝗎𝗆𝖺 𝗇𝗈𝗏𝖺 𝖿𝗋𝗈𝗇𝗍𝖾𝗂𝗋𝖺 𝗉𝖺𝗋𝖺 𝗈 𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑. “𝖦𝖾𝗍 𝖶𝖾𝗂𝗋𝖽” 𝖿𝖾𝗓 𝗎𝗆𝖺 𝗆𝗂𝗌𝗍𝗎𝗋𝖺 𝗌𝗈́𝗅𝗂𝖽𝖺 𝖽𝖾 𝗉𝗋𝗈𝖽𝗎𝖼̧𝗈̃𝖾𝗌 𝖱&𝖡 𝖾 𝗉𝗈𝗉 𝗋𝖾𝗍𝗋𝗈̂, 𝗆𝗈𝗌𝗍𝗋𝖺𝗇𝖽𝗈 𝖺 𝗏𝖾𝗋𝗌𝖺𝗍𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝗀𝗋𝗎𝗉𝗈. “𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌” 𝗍𝖾𝗆 𝗎𝗆𝖺 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝖼̧𝖺 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝖼𝖺𝗍𝗂𝗏𝖺 𝖽𝖾 “𝖦𝖾𝗍 𝖶𝖾𝗂𝗋𝖽”, 𝗎𝗆𝖺 𝗏𝖾𝗓 𝗊𝗎𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺 𝗎𝗆 𝗌𝗈𝗆 𝗆𝖺𝗂𝗌 𝗌𝗒𝗇𝗍𝗁𝗉𝗈𝗉 𝖾 𝖽𝖺𝗇𝖼𝖾. 𝖣𝖾 𝗊𝗎𝖺𝗅𝗊𝗎𝖾𝗋 𝗆𝖺𝗇𝖾𝗂𝗋𝖺, 𝗈 𝖾𝗌𝗍𝗂𝗅𝗈 𝗋𝖾𝗍𝗋𝗈̂ 𝖽𝗈 “𝖦𝖾𝗍 𝖶𝖾𝗂𝗋𝖽” 𝖺𝗂𝗇𝖽𝖺 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝖼𝖾 𝗂𝗇𝗍𝖺𝖼𝗍𝗈. 𝖮𝗌 𝗍𝖾𝗆𝖺𝗌 𝖽𝗈 “𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌” 𝗌𝖺̃𝗈 𝗆𝖺𝗂𝗌 𝗆𝖺𝖽𝗎𝗋𝗈𝗌 𝖽𝗈 𝗊𝗎𝖾 𝗈𝗌 𝖽𝗈𝗌 𝖺́𝗅𝖻𝗎𝗇𝗌 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝖾𝗌, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖾𝗑𝗉𝗅𝗈𝗋𝖺𝗆 𝖾𝗆𝗉𝗈𝖽𝖾𝗋𝖺𝗆𝖾𝗇𝗍𝗈 𝖾 𝖺 𝗂𝗆𝗉𝗈𝗋𝗍𝖺̂𝗇𝖼𝗂𝖺 𝖽𝗈 𝖺𝗆𝗈𝗋 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈.

𝖮 𝗃𝗈𝗋𝗇𝖺𝗅 𝖳𝗁𝖾 𝖦𝗎𝖺𝗋𝖽𝗂𝖺𝗇 𝖼𝗁𝖺𝗆𝗈𝗎-𝗈 𝖽𝖾 "𝗉𝖾𝗋𝖿𝖾𝗂𝖼̧𝖺̃𝗈 𝖽𝗈 𝗉𝗈𝗉", 𝖽𝖺𝗇𝖽𝗈 𝖺𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗊𝗎𝖺𝗍𝗋𝗈 𝖽𝖾 𝖼𝗂𝗇𝖼𝗈 𝖾𝗌𝗍𝗋𝖾𝗅𝖺𝗌. 𝖤𝗆 𝗈𝗎𝗍𝗋𝖺 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺, 𝗈 𝗐𝖾𝖻𝗌𝗂𝗍𝖾, 𝖣𝗂𝗀𝗂𝗍𝖺𝗅 𝖲𝗉𝗒 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 "𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝗅𝖺𝗇𝖼̧𝖺𝗋𝖺𝗆 𝗃𝗎𝗇𝗍𝖺𝗌 𝗈 𝗌𝖾𝗎 𝖺́𝗅𝖻𝗎𝗆 𝗆𝖺𝗂𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗅, 𝗌𝖾𝗆 𝗌𝖺𝖼𝗋𝗂𝖿𝗂𝖼𝖺𝗋 𝗀𝗋𝖺𝗇𝖽𝖾𝗌 𝗀𝖺𝗇𝖼𝗁𝗈𝗌, 𝗎𝗆 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝗈 𝖿𝗂𝗇𝖺𝗅, 𝗌𝖾𝗇𝗌𝗂𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝗉𝗈𝗉 𝖾 𝗆𝗎𝗂𝗍𝖺 𝖺𝗍𝗂𝗍𝗎𝖽𝖾 𝖺𝗍𝗋𝖾𝗏𝗂𝖽𝖺." 𝖮 𝖺𝗋𝗍𝗂𝗀𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖺 𝖽𝗂𝗓𝖾𝗇𝖽𝗈 "𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌 𝗌𝗈𝖺 𝗊𝗎𝖺𝗍𝗋𝗈 𝗃𝗈𝗏𝖾𝗇𝗌 𝗌𝖾 𝗃𝗎𝗇𝗍𝖺𝗋𝖾𝗆 𝖼𝗈𝗆 𝗎𝗆 𝗏𝗂́𝗇𝖼𝗎𝗅𝗈 𝗆𝗎𝗂𝗍𝗈 𝗋𝖾𝖺𝗅, 𝗍𝗈𝗋𝗇𝖺𝗇𝖽𝗈 𝗌𝗎𝖺 𝗆𝖾𝗇𝗌𝖺𝗀𝖾𝗆 𝖺𝗂𝗇𝖽𝖺 𝗆𝖺𝗂𝗌 𝖼𝗋𝖾𝖽𝗂́𝗏𝖾𝗅." 𝖮 𝗌𝗂𝗍𝖾 "𝖳𝗁𝖾 𝖤𝗏𝖾𝗇𝗂𝗇𝗀 𝖲𝗍𝖺𝗇𝖽𝖺𝗋𝖽" 𝖾𝗅𝗈𝗀𝗂𝗈𝗎 𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝗉𝗈𝗋 𝗌𝗈𝖻𝗋𝖾𝗏𝗂𝗏𝖾𝗋 𝖼𝗈𝗆 𝗌𝖾𝗎 𝗊𝗎𝖺𝗋𝗍𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗇𝖽𝗈 "𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌 𝖻𝖺𝗌𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾 𝖺𝖽𝖾𝗋𝖾 𝖺̀ 𝗌𝗎𝖺 𝖿𝗈́𝗋𝗆𝗎𝗅𝖺 𝗏𝖾𝗇𝖼𝖾𝖽𝗈𝗋𝖺", 𝖾 𝖺𝖽𝗂𝖼𝗂𝗈𝗇𝖺, "𝗈 𝗊𝗎𝖺𝗋𝗍𝖾𝗍𝗈 𝗍𝖾𝗆 𝖾𝗌𝖼𝗎𝗅𝗉𝗂𝖽𝗈 𝗎𝗆 𝗇𝗂𝖼𝗁𝗈 𝗉𝗈𝗉 𝗉𝖺𝗋𝖺 𝗌𝗂." 𝖮 𝖣𝗂𝗀𝗂𝗍𝖺𝗅 𝖲𝗉𝗒 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝗈𝗎 𝗈 𝖦𝗅𝗈𝗋𝗒 𝖣𝖺𝗒𝗌 𝖼𝗈𝗆𝗈 𝗈 𝟣𝟤° 𝗆𝖾𝗅𝗁𝗈𝗋 𝖺́𝗅𝖻𝗎𝗆 𝖽𝗈 𝖺𝗇𝗈 𝖽𝖾 𝟤𝟢𝟣𝟨. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖶𝗂𝗅𝗅 𝖧𝗈𝖽𝗀𝗄𝗂𝗇𝗌𝗈𝗇 𝖽𝗈 𝖳𝗁𝖾 𝖳𝗂𝗆𝖾𝗌, "𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝖼𝗈𝗅𝗈𝖼𝗈𝗎 𝗈 𝗉𝗈𝗉 𝗇𝗈 𝗌𝖾𝗎 𝖽𝖾𝗏𝗂𝖽𝗈 𝗅𝗎𝗀𝖺𝗋, 𝖺 𝗋𝗎𝖺 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅"; 𝖺𝗂𝗇𝖽𝖺 𝖽𝗂𝗓𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝗈 𝗀𝗋𝗎𝗉𝗈, 𝖼𝗈𝗆 𝗌𝖾𝗎 𝗊𝗎𝖺𝗋𝗍𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖺𝗅𝖼𝖺𝗇𝖼̧𝖺𝗏𝖺 𝖺𝗅𝗀𝗈 𝗉𝗋𝗈́𝗑𝗂𝗆𝗈 𝖺 𝖺𝗎𝗍𝖾𝗇𝗍𝗂𝖼𝗂𝖽𝖺𝖽𝖾.

𝖤́ 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗆𝗎𝗂𝗍𝗈 𝗌𝖾𝗑𝗒, 𝖾𝗇𝖾𝗋𝗀𝖾́𝗍𝗂𝖼𝖺 𝖾 𝗋𝖾𝗆𝗂𝗇𝗂𝗌𝖼𝖾𝗇𝗍𝖾 𝖽𝗈 𝖼𝗈𝗆𝖾𝖼̧𝗈 𝖽𝗈𝗌 𝖺𝗇𝗈𝗌 𝟤𝟢𝟢𝟢. 𝖠𝗌 𝖻𝖺𝗍𝗂𝖽𝖺𝗌, 𝗌𝖾𝗆 𝖽𝗎́𝗏𝗂𝖽𝖺, 𝗇𝗈𝗌 𝖿𝖺𝗓𝖾𝗆 𝗅𝖾𝗆𝖻𝗋𝖺𝗋 𝖽𝖾 𝖺𝗅𝗀𝗎𝗆𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖽𝗈 𝗉𝖺𝗌𝗌𝖺𝖽𝗈 𝖽𝖾 𝖢𝗁𝗋𝗂𝗌𝗍𝗂𝗇𝖺 𝖠𝗀𝗎𝗂𝗅𝖾𝗋𝖺 𝖾 𝖩𝖺𝗇𝖾𝗍 𝖩𝖺𝖼𝗄𝗌𝗈𝗇. 𝖤𝗆 𝗌𝖾𝗀𝗎𝗂𝖽𝖺, 𝖺𝖼𝗈𝗇𝗍𝖾𝖼𝖾 𝗎𝗆𝖺 𝗍𝗋𝖺𝗇𝗌𝗂𝖼̧𝖺̃𝗈 𝗂𝗇𝖾𝗌𝗉𝖾𝗋𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝗈𝗌 𝖺𝗇𝗈𝗌 𝟪𝟢, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺 𝖿𝖺𝗂𝗑𝖺 “𝖭𝗈𝗍𝗁𝗂𝗇𝗀 𝖤𝗅𝗌𝖾 𝖬𝖺𝗍𝗍𝖾𝗋𝗌” 𝖺𝗉𝖺𝗋𝖾𝖼𝖾. 𝖴𝗆𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖽𝖾𝖼𝖾𝗇𝗍𝖾 𝖾 𝖼𝗈𝗆 𝗎𝗆 𝖻𝗈𝗆 𝗋𝖾𝖿𝗋𝖺̃𝗈, 𝗊𝗎𝖾 𝖼𝗈𝗇𝖼𝖾𝗇𝗍𝗋𝖺-𝗌𝖾 𝖾𝗆 𝗍𝖾𝗆𝖺𝗌 𝗂𝗆𝗉𝗈𝗋𝗍𝖺𝗇𝗍𝖾𝗌, 𝖼𝗈𝗆𝗈 𝖺𝗆𝗈𝗋, 𝖺𝗆𝗂𝗓𝖺𝖽𝖾 𝖾 𝖿𝖾𝗅𝗂𝖼𝗂𝖽𝖺𝖽𝖾. 𝖤𝗌𝗍𝖾 𝖺́𝗅𝖻𝗎𝗆 𝖾́ 𝖽𝖾𝖿𝗂𝗇𝗂𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝗆𝗎𝗂𝗍𝗈 𝗆𝖺𝗂𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗅 𝖽𝗈 𝗊𝗎𝖾 𝗈𝗎𝗍𝗋𝗈𝗌, 𝖾 𝗉𝗈𝖽𝖾𝗇𝖽𝗈 𝗆𝗎𝗂𝗍𝗈 𝖻𝖾𝗆 𝗌𝖾𝗋 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝖽𝗈 𝗈 𝗌𝖾𝗎 𝗆𝖾𝗅𝗁𝗈𝗋 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈 𝖺𝗍𝖾́ 𝖺̀ 𝖽𝖺𝗍𝖺. 𝖫𝗂𝗍𝗍𝗅𝖾 𝖬𝗂𝗑 𝖺𝗂𝗇𝖽𝖺 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝖾 𝖾𝗇𝗍𝗋𝖾𝗀𝖺𝗋 𝗀𝗋𝖺𝗇𝖽𝖾𝗌 𝗏𝖾𝗋𝗌𝗈𝗌 𝖾 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗉𝗈𝗉 𝗆𝖺𝗂𝗇𝗌𝗍𝗋𝖾𝖺𝗆 𝖼𝗁𝖾𝗂𝖺𝗌 𝖽𝖾 𝖺𝗍𝗂𝗍𝗎𝖽𝖾, 𝖼𝗈𝗇𝖿𝗂𝖺𝗇𝖼̧𝖺 𝖾 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗅𝗂𝖽𝖺𝖽𝖾. 𝖢𝖾𝗋𝗍𝖺𝗆𝖾𝗇𝗍𝖾, 𝖾́ 𝗎𝗆 𝖺́𝗅𝖻𝗎𝗆 𝗏𝗈𝗅𝗍𝖺𝖽𝗈 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗋𝖺́𝖽𝗂𝗈𝗌 𝖾 𝗈 𝖼𝗈𝗇𝗌𝗎𝗆𝗈 𝗉𝗈𝗉𝗎𝗅𝖺𝗋, 𝗆𝖺𝗌 𝖿𝖾𝗂𝗍𝗈 𝖽𝖾 𝗎𝗆𝖺 𝖿𝗈𝗋𝗆𝖺 𝖻𝖺𝗌𝗍𝖺𝗇𝗍𝖾 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖺𝗇𝗍𝖾 𝖾 𝖻𝖾𝗆 𝗈𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖽𝖺.

𝐈𝐧𝐟𝐥𝐮𝐞̂𝐧𝐜𝐢𝐚𝐬
𝖮 𝗀𝗋𝗎𝗉𝗈 𝖼𝗂𝗍𝗈𝗎 𝗊𝗎𝖾 𝗌𝖾 𝗂𝗇𝖿𝗅𝗎𝖾𝗇𝖼𝗂𝖺𝗆 𝗉𝗈𝗋 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝖼𝗈𝗆𝗈 𝖬𝗂𝖼𝗁𝖺𝖾𝗅 𝖩𝖺𝖼𝗄𝗌𝗈𝗇, 𝖡𝖾𝗒𝗈𝗇𝖼𝖾́, 𝖳𝗁𝖾 𝖲𝗎𝗉𝗋𝖾𝗆𝖾𝗌, 𝖤𝗇 𝖵𝗈𝗀𝗎𝖾, 𝖲𝗉𝗂𝖼𝖾 𝖦𝗂𝗋𝗅𝗌 𝖾 𝖳𝖫𝖢.

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