lavigne

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ㅤ𝟏𝟗𝟗𝟖 – 𝟐𝟎𝟎𝟏 : 𝑃𝑟𝑖𝑚𝑒𝑖𝑟𝑎𝑠 𝑔𝑟𝑎𝑣𝑎𝑐̧𝑜̃𝑒𝑠 𝑒 𝑐𝑜𝑛𝑡𝑟𝑎𝑡𝑜 𝑑𝑖𝑠𝑐𝑜𝑔𝑟𝑎́𝑓𝑖𝑐𝑜

ㅤ𝖴𝗆 𝗉𝗈𝗇𝗍𝗈 𝗉𝗂𝗏𝗈̂ 𝖾𝗆 𝗌𝗎𝖺 𝗏𝗂𝖽𝖺 𝗈𝖼𝗈𝗋𝗋𝖾𝗎 𝖾𝗆 𝟣𝟫𝟫𝟪, 𝖺𝗇𝗈 𝖾𝗆 𝗊𝗎𝖾 𝗀𝖺𝗇𝗁𝗈𝗎 𝗎𝗆 𝖼𝗈𝗇𝖼𝗎𝗋𝗌𝗈 𝖽𝖾 𝖼𝖺𝗇𝗍𝗈 𝗉𝗋𝗈𝗆𝗈𝗏𝗂𝖽𝗈 𝗉𝗈𝗋 𝗎𝗆𝖺 𝗋𝖺́𝖽𝗂𝗈 𝗅𝗈𝖼𝖺𝗅, 𝗈 𝗊𝗎𝖺𝗅 𝖼𝗈𝗇𝖼𝖾𝖽𝗂𝖺 𝖺𝗈 𝗏𝖾𝗇𝖼𝖾𝖽𝗈𝗋 𝗈 𝖽𝗂𝗋𝖾𝗂𝗍𝗈 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝗋 𝗇𝗎𝗆𝖺 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝖺̃𝗈 𝗊𝗎𝖾 𝗌𝖾𝗋𝗂𝖺 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝖺 𝗇𝗈 𝖢𝗈𝗋𝖾𝗅 𝖢𝖾𝗇𝗍𝗋𝖾 𝗉𝖾𝗅𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖼𝗈𝗎𝗇𝗍𝗋𝗒 𝖲𝗁𝖺𝗇𝗂𝖺 𝖳𝗐𝖺𝗂𝗇. 𝖭𝖺 𝗈𝖼𝖺𝗌𝗂𝖺̃𝗈, 𝖺𝗌 𝖽𝗎𝖺𝗌 𝖼𝖺𝗇𝗍𝖺𝗋𝖺𝗆 "𝖶𝗁𝖺𝗍 𝖬𝖺𝖽𝖾 𝖸𝗈𝗎 𝖲𝖺𝗒 𝖳𝗁𝖺𝗍" 𝗉𝖺𝗋𝖺 𝗎𝗆 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈 𝖽𝖾 𝖺𝗉𝗋𝗈𝗑𝗂𝗆𝖺𝖽𝖺𝗆𝖾𝗇𝗍𝖾 𝟤𝟢 𝗆𝗂𝗅 𝗉𝖾𝗌𝗌𝗈𝖺𝗌. 𝖢𝖺𝖽𝖺 𝗏𝖾𝗓 𝗆𝖺𝗂𝗌 𝖽𝖾𝗌𝖾𝗃𝗈𝗌𝖺 𝗉𝖾𝗅𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺, 𝗊𝗎𝖺𝗇𝖽𝗈 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝗈𝗎 𝟣𝟦 𝖺𝗇𝗈𝗌, 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝗌𝖾𝗋 𝗅𝖾𝗏𝖺𝖽𝖺 𝗉𝖾𝗅𝗈𝗌 𝗉𝖺𝗂𝗌 𝗉𝖺𝗋𝖺 𝗌𝖾𝗌𝗌𝗈̃𝖾𝗌 𝖽𝖾 𝗄𝖺𝗋𝖺𝗈𝗄𝖾̂. 𝖯𝗈𝗋 𝗈𝗎𝗍𝗋𝗈 𝗅𝖺𝖽𝗈, 𝗌𝖾𝗎 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝖾𝗌𝖼𝗈𝗅𝖺𝗋 𝖾𝗋𝖺 𝖿𝗋𝖺𝖼𝗈, 𝗉𝗈𝗂𝗌 𝗇𝖺̃𝗈 𝗌𝖾 𝗌𝖾𝗇𝗍𝗂𝖺 𝗆𝗈𝗍𝗂𝗏𝖺𝖽𝖺 𝖺 𝖾𝗌𝗍𝗎𝖽𝖺𝗋. 𝖠𝗉𝖾𝗌𝖺𝗋 𝖽𝗂𝗌𝗌𝗈, 𝗌𝖾𝗆𝗉𝗋𝖾 𝗊𝗎𝖾 𝗉𝗈𝗌𝗌𝗂́𝗏𝖾𝗅, 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝗏𝖺 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖾𝗆 𝗅𝗈𝖼𝖺𝗂𝗌 𝖺𝗈 𝗌𝗎𝗅 𝖽𝖾 𝖮𝗇𝗍𝖺́𝗋𝗂𝗈, 𝖺𝗍𝖾́ 𝗊𝗎𝖾 𝖼𝖾𝗋𝗍𝖺 𝗏𝖾𝗓, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗍𝗈𝖼𝖺𝗏𝖺 𝗇𝗈 𝖫𝖾𝗇𝗇𝗈𝗑 𝖢𝗈𝗆𝗆𝗎𝗇𝗂𝗍𝗒 𝖳𝗁𝖾𝖺𝗍𝗋𝖾, 𝖿𝗈𝗂 𝖿𝗅𝖺𝗀𝗋𝖺𝖽𝖺 𝗉𝖾𝗅𝗈 𝗆𝗎́𝗌𝗂𝖼𝗈 𝖽𝖾 𝖿𝗈𝗅𝗄 𝖲𝗍𝖾𝗉𝗁𝖾𝗇 𝖬𝖾𝖽𝖽, 𝗊𝗎𝖾 𝖾𝗋𝖺 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝖺́𝗏𝖾𝗅 𝗉𝗈𝗋 𝗎𝗆 𝖿𝖾𝗌𝗍𝗂𝗏𝖺𝗅 𝗅𝗈𝖼𝖺𝗅 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖾 𝖺𝗋𝗍𝖾𝗌. 𝖤𝗅𝖾 𝖺 𝖼𝗈𝗇𝗏𝗂𝖽𝗈𝗎 𝗉𝖺𝗋𝖺 𝖼𝗈𝗇𝗍𝗋𝗂𝖻𝗎𝗂𝗋 𝗇𝗎𝗆𝖺 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈 𝖺𝗌𝗌𝗈𝖼𝗂𝖺𝖽𝖺, 𝗇𝖺 𝗊𝗎𝖺𝗅 𝖾𝗅𝖺 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝗈𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗆𝖾𝗇𝗍𝖾 𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 "𝖳𝗈𝗎𝖼𝗁 𝗍𝗁𝖾 𝖲𝗄𝗒", 𝗂𝗇𝖼𝗅𝗎𝗂́𝖽𝖺 𝗇𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖰𝗎𝗂𝗇𝗍𝖾 𝖲𝗉𝗂𝗋𝗂𝗍, 𝖽𝖾 𝟣𝟫𝟫𝟫. 𝖤𝗆 𝗌𝖾𝗀𝗎𝗂𝖽𝖺, 𝗀𝗋𝖺𝗏𝗈𝗎 "𝖳𝖾𝗆𝗉𝗅𝖾 𝗈𝖿 𝖫𝗂𝖿𝖾" 𝖾 "𝖳𝗐𝗈 𝖱𝗂𝗏𝖾𝗋𝗌" 𝗉𝖺𝗋𝖺 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖬𝗒 𝖶𝗂𝗇𝖽𝗈𝗐 𝗍𝗈 𝖸𝗈𝗎, 𝖽𝖾 𝟤𝟢𝟢𝟢.

ㅤ𝖤𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟣𝟫𝟫𝟫, 𝖢𝗅𝗂𝖿𝖿 𝖥𝖺𝖻𝗋𝗂 𝗏𝗂𝗎 𝖠𝗏𝗋𝗂𝗅 𝗍𝗈𝖼𝖺𝗇𝖽𝗈 𝗇𝗎𝗆𝖺 𝗅𝗂𝗏𝗋𝖺𝗋𝗂𝖺 𝖾𝗆 𝖪𝗂𝗇𝗀𝗌𝗍𝗈𝗇 𝖾 𝗍𝗈𝗋𝗇𝗈𝗎-𝗌𝖾 𝗌𝖾𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝖾𝗆𝗉𝗋𝖾𝗌𝖺́𝗋𝗂𝗈. 𝖥𝖺𝖻𝗋𝗂 𝖾𝗇𝗏𝗂𝗈𝗎 𝖼𝗈́𝗉𝗂𝖺𝗌 𝖽𝖾 𝗎𝗆 𝖵𝖧𝖲 𝖼𝗈𝗆 𝖼𝖾𝗇𝖺𝗌 𝖽𝖾𝗅𝖺 𝖼𝖺𝗇𝗍𝖺𝗇𝖽𝗈 𝗇𝗈 𝗉𝗈𝗋𝖺̃𝗈 𝖽𝖾 𝖼𝖺𝗌𝖺 𝗉𝖺𝗋𝖺 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈𝗌 𝖽𝖺 𝗂𝗇𝖽𝗎́𝗌𝗍𝗋𝗂𝖺 𝖿𝗈𝗇𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝖺. 𝖠𝗌𝗌𝗂𝗆 𝗊𝗎𝖾 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝗀𝖾𝗋𝖾𝗇𝖼𝗂𝖺́-𝗅𝖺, 𝖺 𝖱𝗈𝗆𝖺𝗇𝖫𝗂𝗇𝖾 𝖤𝗇𝗍𝖾𝗋𝗍𝖺𝗂𝗇𝗆𝖾𝗇𝗍, 𝖾𝗆𝗉𝗋𝖾𝗌𝖺 𝖽𝖾 𝖥𝖺𝖻𝗋𝗂, 𝖺𝗋𝗋𝖺𝗇𝗃𝗈𝗎-𝗅𝗁𝖾 𝗎𝗆𝖺 𝖺𝗎𝖽𝗂𝖼̧𝖺̃𝗈 𝖼𝗈𝗆 𝗎𝗆 𝖼𝖺𝖼̧𝖺𝖽𝗈𝗋 𝖽𝖾 𝗍𝖺𝗅𝖾𝗇𝗍𝗈𝗌, 𝖪𝖾𝗇 𝖪𝗋𝗈𝗇𝗀𝗋𝖺𝖽. 𝖱𝖾𝗌𝗉𝗈𝗇𝗌𝖺́𝗏𝖾𝗅 𝗉𝖾𝗅𝗈 𝖠&𝖱 𝖽𝖺 𝖠𝗋𝗂𝗌𝗍𝖺 𝖱𝖾𝖼𝗈𝗋𝖽𝗌, 𝖪𝗋𝗈𝗇𝗀𝗋𝖺𝖽 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝗈𝗎 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖾 𝖺𝗉𝗈́𝗌 𝗏𝖾̂-𝗅𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝗇𝖽𝗈 𝗇𝗎𝗆 𝖿𝖾𝗌𝗍𝗂𝗏𝖺𝗅 𝖼𝗁𝖺𝗆𝖺𝖽𝗈 𝖭𝗈𝗋𝗍𝗁 𝖻𝗒 𝖭𝗈𝗋𝗍𝗁𝗐𝖾𝗌𝗍. 𝖠𝗈 𝗆𝖾𝗌𝗆𝗈 𝗍𝖾𝗆𝗉𝗈, 𝖺 𝖿𝗂𝗍𝖺 𝖼𝗈𝗆 𝖼𝖾𝗇𝖺𝗌 𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖼𝗁𝖺𝗆𝗈𝗎 𝖺 𝖺𝗍𝖾𝗇𝖼̧𝖺̃𝗈 𝖽𝖾 𝖬𝖺𝗋𝗄 𝖩𝗈𝗐𝖾𝗍𝗍, 𝖽𝖺 𝖭𝖾𝗍𝗍𝗐𝖾𝗋𝗄 𝖱𝖾𝖼𝗈𝗋𝖽𝗌, 𝖾, 𝖼𝗈𝗆 𝗂𝗌𝗌𝗈, 𝖾𝗅𝖺 𝖽𝖾𝗆𝗂𝗍𝗂𝗎 𝖥𝖺𝖻𝗋𝗂 𝖾 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝗌𝖾𝗋 𝗀𝖾𝗋𝖾𝗇𝖼𝗂𝖺𝖽𝖺 𝗉𝖾𝗅𝖺 𝗀𝖾𝗌𝗍𝖺̃𝗈 𝖽𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 𝖾𝗆 𝗃𝗎𝗅𝗁𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣. 𝖩𝗈𝗐𝖾𝗍𝗍 𝖾𝗇𝗏𝗂𝗈𝗎 𝖺 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖾𝗆 𝗏𝗂́𝖽𝖾𝗈 𝖺𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝗈𝗋 𝖾 𝗉𝗋𝗈𝖽𝗎𝗍𝗈𝗋 𝖯𝖾𝗍𝖾𝗋 𝖹𝗂𝗓𝗓𝗈, 𝗊𝗎𝖾 𝗉𝖾𝖽𝗂𝗎 𝗉𝖺𝗋𝖺 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗂𝗋 𝖺 𝖭𝗈𝗏𝖺 𝖨𝗈𝗋𝗊𝗎𝖾. 𝖯𝖺𝗋𝖺 𝗂𝗌𝗌𝗈, 𝖺𝖻𝖺𝗇𝖽𝗈𝗇𝗈𝗎 𝖺 𝖾𝗌𝖼𝗈𝗅𝖺 𝖺𝗈𝗌 𝟣𝟨 𝖺𝗇𝗈𝗌 𝖾, 𝖼𝗈𝗆 𝖺 𝖺𝗉𝗋𝗈𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗌𝖾𝗎𝗌 𝗉𝖺𝗂𝗌, 𝗂𝗇𝗌𝗍𝖺𝗅𝗈𝗎-𝗌𝖾 𝗍𝖾𝗆𝗉𝗈𝗋𝖺𝗋𝗂𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗈 𝗂𝗋𝗆𝖺̃𝗈 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾, 𝗈𝗇𝖽𝖾 𝖿𝗂𝖼𝖺𝗋𝖺𝗆 𝗇𝗎𝗆 𝖺𝗉𝖺𝗋𝗍𝖺𝗆𝖾𝗇𝗍𝗈 𝗇𝗈 𝖻𝖺𝗂𝗋𝗋𝗈 𝖶𝖾𝗌𝗍 𝖵𝗂𝗅𝗅𝖺𝗀𝖾, 𝖾𝗆 𝖬𝖺𝗇𝗁𝖺𝗍𝗍𝖺𝗇. 𝖯𝗈𝗋 𝗌𝗎𝖺 𝗏𝖾𝗓, 𝖪𝗋𝗈𝗇𝗀𝗋𝖺𝖽 𝗉𝖾𝖽𝗂𝗎 𝖺 𝖫.𝖠. 𝖱𝖾𝗂𝖽, 𝖽𝗂𝗋𝖾𝗍𝗈𝗋-𝗀𝖾𝗋𝖺𝗅 𝖽𝖺 𝖠𝗋𝗂𝗌𝗍𝖺, 𝗎𝗆 𝖼𝗈𝗇𝗍𝗋𝖺𝗍𝗈 𝖽𝗂𝗌𝖼𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝗈 𝗉𝖺𝗋𝖺 𝖫𝖺𝗏𝗂𝗀𝗇𝖾. 𝖭𝗎𝗆𝖺 𝗇𝗈𝗂𝗍𝖾, 𝖾𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟢, 𝖱𝖾𝗂𝖽 𝖺𝗌𝗌𝗂𝗌𝗍𝗂𝗎 𝖺 𝗎𝗆𝖺 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝖺̃𝗈 𝖽𝖾𝗅𝖺 𝗇𝗈 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖽𝖾 𝖹𝗂𝗓𝗓𝗈, 𝗇𝖺 𝗊𝗎𝖺𝗅 𝖼𝖺𝗇𝗍𝗈𝗎 𝗍𝗋𝖾̂𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌, 𝖽𝖾𝗇𝗍𝗋𝖾 𝖾𝗅𝖺𝗌 "𝖶𝗁𝗒", 𝖽𝖾 𝗌𝗎𝖺 𝖼𝗈-𝖺𝗎𝗍𝗈𝗋𝗂𝖺, 𝖾 𝗎𝗆𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖼𝗈𝗏𝖾𝗋 𝖽𝖾 "𝖡𝗋𝖾𝖺𝗍𝗁𝖾" (𝟣𝟫𝟫𝟫), 𝖽𝖾 𝖥𝖺𝗂𝗍𝗁 𝖧𝗂𝗅𝗅. 𝖤𝗅𝖺 𝗍𝖾𝗋𝗆𝗂𝗇𝗈𝗎 𝗉𝗈𝗋 𝖺𝗌𝗌𝗂𝗇𝖺𝗋 𝖼𝗈𝗆 𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 — 𝗉𝖺𝗋𝖺 𝖺 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖽𝗈𝗂𝗌 𝖺́𝗅𝖻𝗎𝗇𝗌 — 𝗉𝗈𝗋 𝟣.𝟤𝟧 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖽𝗈́𝗅𝖺𝗋𝖾𝗌.

ㅤ𝟐𝟎𝟎𝟐 – 𝟐𝟎𝟎𝟑: 𝐸𝑠𝑡𝑟𝑒𝑖𝑎 𝑝𝑟𝑜𝑓𝑖𝑠𝑠𝑖𝑜𝑛𝑎𝑙 𝑒 𝐿𝑒𝑡 𝐺𝑜

ㅤ𝖳𝖾𝗇𝖽𝗈 𝖾𝗆 𝗏𝗂𝗌𝗍𝖺 𝖺 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗌𝖾𝗎 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝖺 𝗃𝗈𝗏𝖾𝗆 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝗈𝗎 𝗂𝗇𝗂𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖽𝗂𝖿𝗂𝖼𝗎𝗅𝖽𝖺𝖽𝖾 𝗉𝖺𝗋𝖺 𝗈𝖻𝗍𝖾𝗋 𝗌𝖾𝗎 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈 𝗌𝗈𝗆. 𝖤𝗅𝖺 𝗋𝖾𝗅𝖾𝗆𝖻𝗋𝗈𝗎: "𝖰𝗎𝖺𝗇𝖽𝗈 𝖾𝗎 𝖺𝗌𝗌𝗂𝗇𝖾𝗂, 𝖫.𝖠. 𝖱𝖾𝗂𝖽 𝗍𝗂𝗇𝗁𝖺 𝗆𝖾 𝗈𝗎𝗏𝗂𝖽𝗈 𝖼𝖺𝗇𝗍𝖺𝗋 𝗍𝗋𝖾̂𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝗊𝗎𝖾 𝖾𝗋𝖺𝗆 𝖼𝗈𝗆𝗈 𝗆𝗎𝗌𝗂𝗊𝗎𝗂𝗇𝗁𝖺𝗌 𝖽𝖺 𝖢𝖾𝗅𝗂𝗇𝖾 𝖣𝗂𝗈𝗇. (...) 𝖰𝗎𝖺𝗇𝖽𝗈 𝖾𝗅𝖾 𝗆𝖾 𝖼𝗈𝗇𝗁𝖾𝖼𝖾𝗎, 𝖾𝗎 𝗅𝗁𝖾 𝖽𝗂𝗌𝗌𝖾 '𝖭𝖺̃𝗈 𝗊𝗎𝖾𝗋𝗈 𝖼𝖺𝗇𝗍𝖺𝗋 𝖾𝗌𝗌𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌. 𝖰𝗎𝖾𝗋𝗈 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗋 𝗆𝗂𝗇𝗁𝖺𝗌 𝗉𝗋𝗈́𝗉𝗋𝗂𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌'". 𝖱𝖾𝗂𝖽 𝖽𝖾𝗎 𝖺 𝖩𝗈𝗌𝗁𝗎𝖺 𝖲𝖺𝗋𝗎𝖻𝗂𝗇, 𝖽𝗈 𝖠&𝖱 𝖽𝖺 𝖠𝗋𝗂𝗌𝗍𝖺, 𝖺 𝗋𝖾𝗌𝗉𝗈𝗇𝗌𝖺𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝗌𝗎𝗉𝖾𝗋𝗏𝗂𝗌𝗂𝗈𝗇𝖺𝗋 𝗈 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝗂𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈. 𝖠𝗌𝗌𝗂𝗆, 𝖾𝗆 𝖭𝗈𝗏𝖺 𝖨𝗈𝗋𝗊𝗎𝖾, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝗈𝗎 𝖽𝖾 𝗌𝖾𝗌𝗌𝗈̃𝖾𝗌 𝖼𝗈𝗆 𝗉𝗋𝗈𝖿𝗂𝗌𝗌𝗂𝗈𝗇𝖺𝗂𝗌 𝗊𝗎𝖾 𝗅𝗁𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝗋𝖺𝗆 𝗏𝖺́𝗋𝗂𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝖼𝗈𝗎𝗇𝗍𝗋𝗒, 𝖺𝗌 𝗊𝗎𝖺𝗂𝗌 𝖺𝖼𝖺𝖻𝖺𝗋𝖺𝗆 𝗉𝗈𝗋 𝗇𝖺̃𝗈 𝗋𝖾𝖿𝗅𝖾𝗍𝗂𝗋 𝗌𝖾𝗎𝗌 𝗀𝗈𝗌𝗍𝗈𝗌, 𝗊𝗎𝖾 𝖾𝗌𝗍𝖺𝗏𝖺𝗆 𝗏𝗈𝗅𝗍𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝗈 𝗁𝖺𝗋𝖽 𝗋𝗈𝖼𝗄 𝖾 𝗉𝗎𝗇𝗄, 𝖽𝖾𝗏𝗂𝖽𝗈 𝖺̀ 𝖼𝗈𝗇𝗏𝗂𝗏𝖾̂𝗇𝖼𝗂𝖺 𝖼𝗈𝗆 𝖾𝗌𝗊𝗎𝖾𝗂𝗍𝗂𝗌𝗍𝖺𝗌 𝖾𝗆 𝖮𝗇𝗍𝖺́𝗋𝗂𝗈. 𝖠𝗂𝗇𝖽𝖺 𝗊𝗎𝖾 𝖺𝗅𝗀𝗎𝗆𝖺𝗌 𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝖺𝖼̧𝗈̃𝖾𝗌 𝗍𝖾𝗇𝗁𝖺𝗆 𝗈𝖻𝗍𝗂𝖽𝗈 𝗎𝗆 𝖻𝗈𝗆 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈, 𝖿𝗈𝗂 𝖾𝗆 𝖫𝗈𝗌 𝖠𝗇𝗀𝖾𝗅𝖾𝗌, 𝗉𝖺𝗋𝖺 𝗈𝗇𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗌𝖾 𝖽𝖾𝗌𝗅𝗈𝖼𝗈𝗎 𝖾𝗆 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟣, 𝗊𝗎𝖾 𝗈 𝗉𝗋𝗈𝖼𝖾𝗌𝗌𝗈 𝗋𝖾𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖺𝗏𝖺𝗇𝖼̧𝗈𝗎. 𝖫𝖺́ 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈𝗎 𝖼𝗈𝗆 𝖢𝗅𝗂𝖿 𝖬𝖺𝗀𝗇𝖾𝗌𝗌, 𝗊𝗎𝖾 𝗅𝗁𝖾 𝖼𝗈𝗇𝖼𝖾𝖽𝖾𝗎 𝖻𝖺𝗌𝗍𝖺𝗇𝗍𝖾 𝖼𝗈𝗇𝗍𝗋𝗈𝗅𝖾 𝖼𝗋𝗂𝖺𝗍𝗂𝗏𝗈; 𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺, 𝖼𝗈𝗇𝗍𝗎𝖽𝗈, 𝗇𝖺̃𝗈 𝖺𝗉𝗋𝗈𝗏𝗈𝗎 𝖼𝗈𝗆 𝖺 𝗌𝗈𝗇𝗈𝗋𝗂𝖽𝖺𝖽𝖾 𝗆𝖺𝗋𝖼𝖺𝖽𝖺 𝗉𝗈𝗋 𝗀𝗎𝗂𝗍𝖺𝗋𝗋𝖺𝗌 𝖽𝖺𝗌 𝖿𝖺𝗂𝗑𝖺𝗌 𝗊𝗎𝖾 𝗈𝗌 𝖽𝗈𝗂𝗌 𝖼𝗈𝗆𝗉𝗎𝗌𝖾𝗋𝖺𝗆 𝗃𝗎𝗇𝗍𝗈𝗌. 𝖯𝗈𝗋 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝗂𝗇𝗍𝖾, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗌𝖾 𝗋𝖾𝗎𝗇𝗂𝗎 𝖼𝗈𝗆 𝖺 𝖾𝗊𝗎𝗂𝗉𝖾 𝖳𝗁𝖾 𝖬𝖺𝗍𝗋𝗂𝗑, 𝖼𝗈𝗆𝗉𝗈𝗇𝖽𝗈 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽", 𝖺 𝗊𝗎𝖺𝗅 𝖿𝗈𝗂 𝖺𝗉𝗋𝗈𝗏𝖺𝖽𝖺 𝗉𝗈𝗋 𝖲𝗎𝗋𝗎𝖻𝗂𝗇, 𝖾 𝗈𝗎𝗍𝗋𝖺𝗌 𝖿𝖺𝗂𝗑𝖺𝗌 𝗊𝗎𝖾 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝖺𝗋𝖺𝗆 𝗈 𝖺𝗅𝗂𝗇𝗁𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈.
ㅤ𝖠𝗉𝗈́𝗌 𝖺 𝖺𝗉𝗋𝗈𝗏𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖱𝖾𝗂𝖽, "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽" 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗂𝖺 𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖾𝗆 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟤, 𝖽𝖺𝗇𝖽𝗈 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖺̀ 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈. 𝖠 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖼𝗈𝗇𝗏𝖾𝗋𝗍𝖾𝗎-𝗌𝖾 𝗇𝗎𝗆 𝗀𝗋𝖺𝗇𝖽𝖾 𝖾̂𝗑𝗂𝗍𝗈 𝖾𝗆 𝗍𝗈𝖽𝗈 𝗈 𝗆𝗎𝗇𝖽𝗈, 𝗅𝗂𝖽𝖾𝗋𝖺𝗇𝖽𝗈 𝖺𝗌 𝗍𝖺𝖻𝖾𝗅𝖺𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 𝖽𝖾 𝟤𝟤 𝗉𝖺𝗂́𝗌𝖾𝗌. 𝖮 𝗏𝗂́𝖽𝖾𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝖽𝖺 𝖿𝖺𝗂𝗑𝖺 𝖿𝗈𝗂 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖽𝖾 𝗌𝗎𝗆𝖺 𝗂𝗆𝗉𝗈𝗋𝗍𝖺̂𝗇𝖼𝗂𝖺, 𝗉𝗈𝗂𝗌 𝖿𝗂𝗋𝗆𝗈𝗎 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗂́𝖼𝗈𝗇𝖾 𝖽𝖺 𝗆𝗈𝖽𝖺 𝖺𝖽𝗈𝗅𝖾𝗌𝖼𝖾𝗇𝗍𝖾 𝖽𝖺 𝖾́𝗉𝗈𝖼𝖺. 𝖲𝖾𝗎 𝖾𝗌𝗍𝗂𝗅𝗈 𝖺 𝖿𝖾𝗓 𝗈 𝖺𝗉𝗈𝗌𝗍𝗈 𝖽𝖺 𝗍𝖾𝗇𝖽𝖾̂𝗇𝖼𝗂𝖺 𝖼𝗁𝖾𝗂𝖺 𝖽𝖾 𝖺𝗉𝖾𝗅𝗈 𝗌𝖾𝗑𝗎𝖺𝗅 𝗊𝗎𝖾 𝖽𝗈𝗆𝗂𝗇𝖺𝗏𝖺 𝗈 𝗍𝖾𝖾𝗇 𝗉𝗈𝗉 𝗇𝖺𝗊𝗎𝖾𝗅𝖾 𝗆𝗈𝗆𝖾𝗇𝗍𝗈, 𝖽𝖾 𝗆𝗈𝖽𝗈 𝗊𝗎𝖾 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝗌𝖾𝗋 𝗇𝗈𝗆𝖾𝖺𝖽𝖺 𝖽𝖾 "𝖺𝗇𝗍𝗂-𝖡𝗋𝗂𝗍𝗇𝖾𝗒", 𝗍𝖺𝗇𝗍𝗈 𝗉𝖾𝗅𝗈𝗌 𝖿𝖺̃𝗌 𝖼𝗈𝗆𝗈 𝗉𝖾𝗅𝖺 𝗆𝗂́𝖽𝗂𝖺. 𝖯𝗈𝗎𝖼𝗈 𝗍𝖾𝗆𝗉𝗈 𝖽𝖾𝗉𝗈𝗂𝗌, 𝖾𝗆 𝟦 𝖽𝖾 𝗃𝗎𝗇𝗁𝗈, 𝗈 𝗌𝖾𝗎 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝗂𝗇𝗍𝗂𝗍𝗎𝗅𝖺𝖽𝗈 𝖫𝖾𝗍 𝖦𝗈, 𝖿𝗈𝗂 𝗆𝗎𝗇𝖽𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈. 𝖮 𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈 𝖽𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈 𝖾́ 𝖼𝗈𝗆𝗉𝗈𝗌𝗍𝗈, 𝖾𝗆 𝗌𝗎𝖺 𝗆𝖺𝗂𝗈𝗋𝗂𝖺, 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖽𝖾 𝖼𝗎𝗇𝗁𝗈 𝗉𝖾𝗌𝗌𝗈𝖺𝗅 𝗊𝗎𝖾 𝗋𝖾𝖿𝗅𝖾𝗍𝖾𝗆 𝖺 𝗂𝖽𝖺𝖽𝖾 𝗊𝗎𝖾 𝗍𝗂𝗇𝗁𝖺 𝖺 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺𝗌 𝖼𝗈𝗆𝗉𝗈̂𝗌, 𝟣𝟨. 𝖮 𝖾𝗌𝗍𝗂𝗅𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗏𝖺𝗋𝗂𝖺 𝖽𝗈 𝗉𝗈𝗉 𝗋𝗈𝖼𝗄 𝗉𝖾𝗌𝖺𝖽𝗈 𝖾 𝗆𝖺𝗋𝖼𝖺𝖽𝗈 𝗉𝗈𝗋 𝗀𝗎𝗂𝗍𝖺𝗋𝗋𝖺𝗌 𝖺𝗍𝖾́ 𝖻𝖺𝗅𝖺𝖽𝖺𝗌 𝖽𝖾𝗅𝗂𝖼𝖺𝖽𝖺𝗌 𝖾, 𝗉𝗈𝗋 𝗏𝖾𝗓𝖾𝗌, 𝗆𝖺𝗂𝗌 𝖺𝖼𝗎́𝗌𝗍𝗂𝖼𝖺𝗌. 𝖠 𝗋𝖾𝖼𝖾𝗉𝖼̧𝖺̃𝗈 𝖽𝖾 𝖼𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅𝗂𝗓𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆 𝗈 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅 𝖿𝗈𝗂 𝗀𝖾𝗋𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺, 𝖼𝗈𝗆 𝗆𝗎𝗂𝗍𝗈𝗌 𝖽𝖾𝗅𝖾𝗌 𝖼𝗈𝗆𝗉𝖺𝗋𝖺𝗇𝖽𝗈 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖺̀ 𝖼𝗈𝗆𝗉𝖺𝗍𝗋𝗂𝗈𝗍𝖺 𝖠𝗅𝖺𝗇𝗂𝗌 𝖬𝗈𝗋𝗂𝗌𝗌𝖾𝗍𝗍𝖾; 𝗍𝗈𝖽𝖺𝗏𝗂𝖺, 𝖺 𝖼𝖺𝗉𝖺𝖼𝗂𝖽𝖺𝖽𝖾 𝖽𝖾 𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝖽𝖺 𝗆𝗎𝗌𝗂𝖼𝗂𝗌𝗍𝖺 𝖿𝗈𝗂 𝗆𝖾𝗇𝗈𝗌𝗉𝗋𝖾𝗓𝖺𝖽𝖺.
ㅤ𝖤𝗆 𝗍𝖾𝗋𝗆𝗈𝗌 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗂𝗌, 𝖫𝖾𝗍 𝖦𝗈 𝗈𝖻𝗍𝖾𝗏𝖾 𝗀𝗋𝖺𝗇𝖽𝖾 𝗌𝗎𝖼𝖾𝗌𝗌𝗈, 𝗌𝖾𝗇𝖽𝗈 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝖽𝗈 𝗉𝖾𝗅𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖤𝗇𝗍𝖾𝗋𝗍𝖺𝗂𝗇𝗆𝖾𝗇𝗍 𝖶𝖾𝖾𝗄𝗅𝗒 𝖺 𝗆𝖺𝗂𝗈𝗋 𝖾𝗌𝗍𝗋𝖾𝗂𝖺 𝖽𝗈 𝗉𝗈𝗉 𝖾𝗆 𝟤𝟢𝟢𝟤. 𝖤𝗌𝗍𝖺𝖻𝖾𝗅𝖾𝖼𝖾𝗎-𝗌𝖾 𝗇𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝖾 𝗇𝗈𝗇𝖺 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝗇𝖺𝗌 𝗏𝖾𝗇𝖽𝖺𝗌 𝗀𝗅𝗈𝖻𝖺𝗂𝗌 𝖽𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈 𝖾 𝟤𝟢𝟢𝟥 𝗋𝖾𝗌𝗉𝖾𝖼𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾, 𝖽𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖺 𝖥𝖾𝖽𝖾𝗋𝖺𝖼̧𝖺̃𝗈 𝖨𝗇𝗍𝖾𝗋𝗇𝖺𝖼𝗂𝗈𝗇𝖺𝗅 𝖽𝖺 𝖨𝗇𝖽𝗎́𝗌𝗍𝗋𝗂𝖺 𝖥𝗈𝗇𝗈𝗀𝗋𝖺́𝖿𝗂𝖼𝖺 (𝖨𝖥𝖯𝖨). 𝖭𝗈𝗌 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌, 𝖾𝗌𝗍𝗋𝖾𝗈𝗎 𝗇𝖺 𝟪.ª 𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢, 𝗍𝖾𝗇𝖽𝗈 𝗉𝗂𝖼𝗈 𝗇𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝖽𝗈𝗂𝗌. 𝖠𝖽𝖾𝗆𝖺𝗂𝗌, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗍𝖾𝗋𝗆𝗂𝗇𝗈𝗎 𝗈 𝖺𝗇𝗈 𝖼𝗈𝗆𝗈 𝗈 𝗆𝖺𝗂𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝗈 𝗉𝗈𝗋 𝗎𝗆𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝖺 𝗇𝗈 𝗉𝖺𝗂́𝗌. 𝖭𝗈 𝖱𝖾𝗂𝗇𝗈 𝖴𝗇𝗂𝖽𝗈, 𝖼𝗁𝖾𝗀𝗈𝗎 𝖺𝗈 𝗍𝗈𝗉𝗈 𝖽𝖺 𝖴𝖪 𝖠𝗅𝖻𝗎𝗆𝗌 𝖢𝗁𝖺𝗋𝗍 𝖾𝗆 𝟤𝟢𝟢𝟥; 𝗇𝖺 𝖽𝖺𝗍𝖺, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗍𝗂𝗇𝗁𝖺 𝟣𝟪 𝖺𝗇𝗈𝗌, 𝗍𝗋𝖾̂𝗌 𝗆𝖾𝗌𝖾𝗌 𝖾 𝟣𝟧 𝖽𝗂𝖺𝗌, 𝗎𝗆 𝖿𝖾𝗂𝗍𝗈 𝗊𝗎𝖾 𝖺 𝗍𝗈𝗋𝗇𝗈𝗎 𝖺 𝗌𝗈𝗅𝗂𝗌𝗍𝖺 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝖺 𝗆𝖺𝗂𝗌 𝗃𝗈𝗏𝖾𝗆 𝖺 𝖺𝗍𝗂𝗇𝗀𝗂𝗋 𝗈 𝖺́𝗉𝗂𝖼𝖾 𝗇𝗈 𝗀𝗋𝖺́𝖿𝗂𝖼𝗈. 𝖠𝖿𝗈𝗋𝖺 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽", 𝖺𝗌 𝗏𝖾𝗇𝖽𝖺𝗌 𝖽𝖾 𝖫𝖾𝗍 𝖦𝗈 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖿𝗈𝗋𝖺𝗆 𝗂𝗆𝗉𝗎𝗅𝗌𝗂𝗈𝗇𝖺𝖽𝖺𝗌 𝗉𝗈𝗋 "𝖲𝗄𝟪𝖾𝗋 𝖡𝗈𝗂", 𝗌𝖾𝗎 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗌𝗂𝗇𝗀𝗅𝖾, 𝖾 𝗏𝗂𝗋𝗂𝖺𝗆 𝖺 𝖼𝗈𝗇𝗍𝖺𝖻𝗂𝗅𝗂𝗓𝖺𝗋 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟣𝟦 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝗈́𝗉𝗂𝖺𝗌 𝖺𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝖾 𝟤𝟢𝟢𝟥.

ㅤ𝖤𝗆 𝗋𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖺 𝗌𝗎𝖺𝗌 𝖺𝗍𝗂𝗏𝗂𝖽𝖺𝖽𝖾𝗌 𝖾𝗆 𝟤𝟢𝟢𝟤, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾, 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈, 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝗈𝗎 𝖾𝗆 𝗃𝗎𝗇𝗁𝗈 𝖽𝗈 𝖾𝗅𝖾𝗇𝖼𝗈 𝖽𝗈 𝗏𝗂́𝖽𝖾𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝖽𝖾 "𝖧𝗎𝗇𝖽𝗋𝖾𝖽 𝖬𝗂𝗅𝗅𝗂𝗈𝗇", 𝖽𝖺 𝖻𝖺𝗇𝖽𝖺 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾 𝖳𝗋𝖾𝖻𝗅𝖾 𝖢𝗁𝖺𝗋𝗀𝖾𝗋, 𝗃𝗎𝗇𝗍𝗈 𝖼𝗈𝗆 𝗆𝖾𝗆𝖻𝗋𝗈𝗌 𝖽𝗈𝗌 𝗀𝗋𝗎𝗉𝗈𝗌 𝖦𝗈𝖻, 𝖲𝗎𝗆 𝟦𝟣 𝖾 𝖲𝗐𝗈𝗅𝗅𝖾𝗇 𝖬𝖾𝗆𝖻𝖾𝗋𝗌. 𝖣𝖾𝗉𝗈𝗂𝗌, 𝖾𝗆 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝗂𝖽𝖺𝖽𝖾 𝖺̀ 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖫𝖾𝗍 𝖦𝗈, 𝖾𝗅𝖺 𝖾𝗆𝖻𝖺𝗋𝖼𝗈𝗎 𝖾𝗆 𝗌𝗎𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝗆𝗎𝗇𝖽𝗂𝖺𝗅, 𝖽𝖾𝗇𝗈𝗆𝗂𝗇𝖺𝖽𝖺 𝖳𝗋𝗒 𝖳𝗈 𝖲𝗁𝗎𝗍 𝖬𝖾 𝖴𝗉 𝖳𝗈𝗎𝗋, 𝖾𝗆 𝖽𝖾𝗓𝖾𝗆𝖻𝗋𝗈. 𝖢𝗈𝗆 𝖺 𝗍𝗎𝗋𝗇𝖾̂, 𝗉𝖺𝗌𝗌𝗈𝗎 𝗉𝖾𝗅𝖺 𝖠𝗆𝖾́𝗋𝗂𝖼𝖺 𝖽𝗈 𝖭𝗈𝗋𝗍𝖾, 𝖠𝗎𝗌𝗍𝗋𝖺́𝗅𝗂𝖺, 𝖤𝗎𝗋𝗈𝗉𝖺 𝖾 𝖠́𝗌𝗂𝖺, 𝗍𝖾𝗇𝖽𝗈 𝖼𝗈𝗆𝗈 𝖺𝗍𝗈𝗌 𝖽𝖾 𝖺𝖻𝖾𝗋𝗍𝗎𝗋𝖺 𝖮𝗎𝗋 𝖫𝖺𝖽𝗒 𝖯𝖾𝖺𝖼𝖾 𝗇𝖺 𝖿𝖺𝗌𝖾 𝖾𝗎𝗋𝗈𝗉𝖾𝗂𝖺, 𝖺𝗈 𝗉𝖺𝗌𝗌𝗈 𝗊𝗎𝖾 𝖦𝗈𝖻, 𝖲𝗂𝗆𝗉𝗅𝖾 𝖯𝗅𝖺𝗇 𝖾 𝖲𝗐𝗈𝗅𝗅𝖾𝗇 𝖬𝖾𝗆𝖻𝖾𝗋𝗌 𝖺𝖻𝗋𝗂𝗋𝖺𝗆 𝖽𝖺𝗍𝖺𝗌 𝗇𝖺 𝖠𝗆𝖾́𝗋𝗂𝖼𝖺 𝖽𝗈 𝖭𝗈𝗋𝗍𝖾. 𝖠 𝖾𝗌𝗌𝖺 𝖺𝗅𝗍𝗎𝗋𝖺, "𝖨'𝗆 𝗐𝗂𝗍𝗁 𝖸𝗈𝗎" 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝖿𝗈𝖼𝗈 𝖽𝖾 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖺𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝖺𝗇𝖽𝗈 𝖺 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝖺 𝖾𝗇𝗍𝗋𝖺𝖽𝖺 𝖽𝖺 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾 𝗇𝖺𝗌 𝖽𝖾𝗓 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝗇𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝖧𝗈𝗍 𝟣𝟢𝟢 𝖾 𝗇𝖺 𝖴𝖪 𝖲𝗂𝗇𝗀𝗅𝖾𝗌 𝖢𝗁𝖺𝗋𝗍.

ㅤ𝖮 𝖺𝗇𝗈 𝖽𝖾 𝟤𝟢𝟢𝟥 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖼𝗈𝗆 𝗎𝗆𝖺 𝖼𝗈𝗇𝗍𝗋𝗈𝗏𝖾́𝗋𝗌𝗂𝖺 𝗉𝖺𝗋𝖺 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺, 𝗊𝗎𝖾, 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝗎𝗆𝖺 𝖼𝗈𝗇𝖿𝖾𝗋𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖾 𝗂𝗆𝗉𝗋𝖾𝗇𝗌𝖺 𝗌𝗈𝖻𝗋𝖾 𝖺 𝗅𝗂𝗌𝗍𝖺 𝖽𝖾 𝗇𝗈𝗆𝖾𝖺𝖼̧𝗈̃𝖾𝗌 𝖺𝗈 𝖦𝗋𝖺𝗆𝗆𝗒 𝖠𝗐𝖺𝗋𝖽𝗌 𝖾𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈, 𝗉𝗋𝗈𝗇𝗎𝗇𝖼𝗂𝗈𝗎 𝗂𝗇𝖼𝗈𝗋𝗋𝖾𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝗈 𝗌𝗈𝖻𝗋𝖾𝗇𝗈𝗆𝖾 𝖽𝗈 𝖻𝗋𝗂𝗍𝖺̂𝗇𝗂𝖼𝗈 𝖣𝖺𝗏𝗂𝖽 𝖡𝗈𝗐𝗂𝖾, 𝗅𝖾𝗏𝖺𝗇𝖽𝗈-𝖺 𝖺 𝖽𝖾𝖼𝗅𝖺𝗋𝖺𝗋: "𝖰𝗎𝖺𝗅 𝖾́ 𝗈 𝗀𝗋𝖺𝗇𝖽𝖾 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺? 𝖭𝖺𝗌𝖼𝗂 𝖾𝗆 𝟣𝟫𝟪𝟦 — 𝗉𝗈𝗋 𝗊𝗎𝖾 𝗌𝖺𝖻𝖾𝗋𝗂𝖺 𝗊𝗎𝖾𝗆 𝖾𝗅𝖾 𝖾́? 𝖬𝖾𝗎𝗌 𝗉𝖺𝗂𝗌 𝗇𝖺̃𝗈 𝗆𝖾 𝖺𝗃𝗎𝖽𝖺𝗋𝖺𝗆 𝖺 𝗈𝗎𝗏𝗂-𝗅𝗈. 𝖠𝗅𝖾́𝗆 𝖽𝗂𝗌𝗌𝗈, 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗉𝗋𝗈𝗇𝗎𝗇𝖼𝗂𝖺𝗆 𝖾𝗋𝗋𝖺𝖽𝗈 𝗈 𝗆𝖾𝗎 𝗇𝗈𝗆𝖾 𝗈 𝗍𝖾𝗆𝗉𝗈 𝗍𝗈𝖽𝗈". 𝖭𝖺 𝗆𝖾𝗌𝗆𝖺 𝖾́𝗉𝗈𝖼𝖺, 𝗅𝗂𝖽𝖾𝗋𝗈𝗎 𝖺 𝗅𝗂𝗌𝗍𝖺 𝖽𝖾 𝗂𝗇𝖽𝗂𝖼𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝗈 𝖦𝗋𝖺𝗆𝗆𝗒 𝖠𝗐𝖺𝗋𝖽𝗌 𝖽𝖾 𝟤𝟢𝟢𝟥, 𝗉𝖺𝗋𝖺 𝗈 𝗊𝗎𝖺𝗅 𝖿𝗈𝗂 𝗇𝗈𝗆𝖾𝖺𝖽𝖺 𝖾𝗆 𝖼𝗂𝗇𝖼𝗈 𝖼𝖺𝗍𝖾𝗀𝗈𝗋𝗂𝖺𝗌, 𝗂𝗇𝖼𝗅𝗎𝗂𝗇𝖽𝗈 𝖠𝗋𝗍𝗂𝗌𝗍𝖺 𝖱𝖾𝗏𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖾 𝖢𝖺𝗇𝖼̧𝖺̃𝗈 𝖽𝗈 𝖠𝗇𝗈; 𝖾𝗌𝗌𝖺 𝗎́𝗅𝗍𝗂𝗆𝖺 𝖼𝗈𝗆 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽". 𝖢𝗈𝗇𝗍𝗎𝖽𝗈, 𝗇𝖺̃𝗈 𝗀𝖺𝗇𝗁𝗈𝗎 𝗇𝖾𝗇𝗁𝗎𝗆 𝗉𝗋𝖾̂𝗆𝗂𝗈. 𝖤𝗆 𝖼𝗈𝗇𝗍𝗋𝖺𝗉𝖺𝗋𝗍𝗂𝖽𝖺, 𝗏𝖾𝗇𝖼𝖾𝗎 𝗊𝗎𝖺𝗍𝗋𝗈 𝖽𝖺𝗌 𝗌𝖾𝗂𝗌 𝖼𝖺𝗍𝖾𝗀𝗈𝗋𝗂𝖺𝗌 𝖺𝗌 𝗊𝗎𝖺𝗂𝗌 𝖼𝗈𝗇𝖼𝗈𝗋𝗋𝗂𝖺 𝗇𝗈 𝖩𝗎𝗇𝗈 𝖠𝗐𝖺𝗋𝖽𝗌 𝖽𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈: 𝖠́𝗅𝖻𝗎𝗆 𝖽𝗈 𝖠𝗇𝗈 𝖾 𝖠́𝗅𝖻𝗎𝗆 𝖯𝗈𝗉 𝖽𝗈 𝖠𝗇𝗈 𝗉𝗈𝗋 𝖫𝖾𝗍 𝖦𝗈, 𝖲𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖠𝗇𝗈 𝗉𝗈𝗋 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽", 𝖾 𝖠𝗋𝗍𝗂𝗌𝗍𝖺 𝖱𝖾𝗏𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖠𝗇𝗈.

ㅤ𝖤𝗆 𝗆𝖺𝗋𝖼̧𝗈, 𝖾𝗅𝖺 𝖿𝗈𝗂 𝖼𝖺𝗉𝖺 𝖽𝖺 𝖱𝗈𝗅𝗅𝗂𝗇𝗀 𝖲𝗍𝗈𝗇𝖾 𝗌𝗈𝖻 𝗈 𝗌𝗎𝖻𝗍𝗂́𝗍𝗎𝗅𝗈 𝖳𝗁𝖾 𝖡𝗋𝗂𝗍𝗇𝖾𝗒 𝖲𝗅𝖺𝗒𝖾𝗋 (𝖾𝗆 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌: 𝖠 𝖠𝗌𝗌𝖺𝗌𝗌𝗂𝗇𝖺 𝖽𝖾 𝖡𝗋𝗂𝗍𝗇𝖾𝗒). 𝖬𝖺𝗂𝗌 𝗍𝖺𝗋𝖽𝖾, 𝗋𝖾𝗀𝗋𝖺𝗏𝗈𝗎 "𝖪𝗇𝗈𝖼𝗄𝗂𝗇' 𝗈𝗇 𝖧𝖾𝖺𝗏𝖾𝗇'𝗌 𝖣𝗈𝗈𝗋" (𝟣𝟫𝟩𝟥), 𝖽𝖾 𝖡𝗈𝖻 𝖣𝗒𝗅𝖺𝗇, 𝖼𝗎𝗃𝖺 𝗋𝖾𝗇𝖽𝖺 𝖿𝗈𝗂 𝗋𝖾𝗏𝖾𝗋𝗍𝗂𝖽𝖺 𝖺̀ 𝗈𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖶𝖺𝗋 𝖢𝗁𝗂𝗅𝖽, 𝖾 𝗀𝗋𝖺𝗏𝗈𝗎 𝖺 𝗌𝗎𝖺 𝗉𝗋𝗈́𝗉𝗋𝗂𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖽𝖾 "𝖥𝗎𝖾𝗅" (𝟣𝟫𝟫𝟪) 𝗉𝖺𝗋𝖺 𝗈 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅 𝖬𝖳𝖵 𝖨𝖼𝗈𝗇 𝖽𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈 — 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝖺 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝗌𝖾́𝗋𝗂𝖾 𝖺𝗇𝗎𝖺𝗅 𝖽𝖺 𝖬𝖳𝖵 —, 𝗊𝗎𝖾 𝗉𝗋𝖾𝗌𝗍𝗈𝗎 𝗁𝗈𝗆𝖾𝗇𝖺𝗀𝖾𝗆 𝖺𝗈 𝖬𝖾𝗍𝖺𝗅𝗅𝗂𝖼𝖺 𝖾 𝗍𝖾𝗏𝖾 𝖾𝗑𝗂𝖻𝗂𝖼̧𝖺̃𝗈 𝖾𝗆 𝗆𝖺𝗂𝗈. 𝖲𝗂𝗆𝗎𝗅𝗍𝖺𝗇𝖾𝖺𝗆𝖾𝗇𝗍𝖾, 𝖺 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖽𝖾 𝖫𝖾𝗍 𝖦𝗈 𝖿𝗈𝗂 𝖼𝗈𝗇𝖼𝗅𝗎𝗂́𝖽𝖺 𝖼𝗈𝗆 𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 "𝖫𝗈𝗌𝗂𝗇𝗀 𝖦𝗋𝗂𝗉", 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝖺 𝖳𝗋𝗒 𝖳𝗈 𝖲𝗁𝗎𝗍 𝖬𝖾 𝖴𝗉 𝖳𝗈𝗎𝗋 𝗍𝗂𝗇𝗁𝖺 𝗌𝗎𝖺 𝗎́𝗅𝗍𝗂𝗆𝖺 𝖽𝖺𝗍𝖺 𝖾𝗆 𝗆𝖺𝗂𝗈, 𝖼𝗈𝗆 𝗎𝗆 𝗌𝗁𝗈𝗐 𝖾𝗆 𝖡𝗎𝖿𝖿𝖺𝗅𝗈, 𝖿𝗂𝗅𝗆𝖺𝖽𝗈 𝖾 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝗇𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖺𝗈 𝗏𝗂𝗏𝗈 𝖬𝗒 𝖶𝗈𝗋𝗅𝖽, 𝗊𝗎𝖾 𝖿𝗂𝖼𝗈𝗎 𝗇𝗈 𝟦.º 𝗉𝗈𝗌𝗍𝗈 𝖾𝗇𝗍𝗋𝖾 𝗈𝗌 𝖣𝖵𝖣𝗌 𝗆𝖺𝗂𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝗈𝗌 𝖾𝗆 𝗍𝗈𝖽𝗈 𝗆𝗎𝗇𝖽𝗈 𝖾𝗆 𝟤𝟢𝟢𝟥. 𝖤𝗆 𝗃𝗎𝗇𝗁𝗈, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝗈𝗎-𝗌𝖾 𝗇𝗎𝗆 𝖾𝗏𝖾𝗇𝗍𝗈 𝖻𝖾𝗇𝖾𝖿𝗂𝖼𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗅𝗎𝖼𝗋𝗈𝗌 𝗏𝗈𝗅𝗍𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝗌𝗂́𝗇𝖽𝗋𝗈𝗆𝖾 𝗋𝖾𝗌𝗉𝗂𝗋𝖺𝗍𝗈́𝗋𝗂𝖺 𝖺𝗀𝗎𝖽𝖺 𝗀𝗋𝖺𝗏𝖾 (𝖲𝖠𝖱𝖲) 𝗊𝗎𝖾 𝖺𝖼𝗈𝗇𝗍𝖾𝖼𝖾𝗎 𝖾𝗆 𝖳𝗈𝗋𝗈𝗇𝗍𝗈. 𝖤𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝖿𝖾𝗓 𝗎𝗆𝖺 𝖽𝖾 𝗌𝗎𝖺𝗌 𝗎́𝗅𝗍𝗂𝗆𝖺𝗌 𝖺𝗉𝖺𝗋𝗂𝖼̧𝗈̃𝖾𝗌 𝗉𝗎́𝖻𝗅𝗂𝖼𝖺𝗌 𝗇𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈, 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗇𝖽𝗈 𝗈 𝖬𝖳𝖵 𝖵𝗂𝖽𝖾𝗈 𝖬𝗎𝗌𝗂𝖼 𝖠𝗐𝖺𝗋𝖽𝗌 𝖾𝗆 𝖼𝗈𝗇𝗃𝗎𝗇𝗍𝗈 𝖼𝗈𝗆 𝖪𝖾𝗅𝗅𝗒 𝖮𝗌𝖻𝗈𝗎𝗋𝗇𝖾.

𝟐𝟎𝟎𝟒 – 𝟐𝟎𝟎𝟓: 𝑈𝑛𝑑𝑒𝑟 𝑀𝑦 𝑆𝑘𝑖𝑛 𝑒 𝑐𝑜𝑛𝑡𝑖𝑛𝑢𝑖𝑑𝑎𝑑𝑒 𝑑𝑜 𝑠𝑢𝑐𝑒𝑠𝑠𝑜

ㅤ𝖠𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝖾 𝟤𝟢𝟢𝟥, 𝖺 𝗆𝗎𝗌𝗂𝖼𝗂𝗌𝗍𝖺 𝗏𝗈𝗅𝗍𝗈𝗎 𝖺𝗈𝗌 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈𝗌 𝖽𝖾 𝗀𝗋𝖺𝗏𝖺𝖼̧𝖺̃𝗈 𝖼𝗈𝗆 𝖺 𝗂𝗇𝗍𝖾𝗇𝖼̧𝖺̃𝗈 𝖽𝖾 𝖼𝗋𝗂𝖺𝗋 𝗎𝗆 𝖺́𝗅𝖻𝗎𝗆 𝗆𝖺𝗂𝗌 𝗋𝗈𝖼𝗄. 𝖠 𝗂𝖽𝖾𝗂𝖺 𝗌𝗈𝖻𝗋𝖾 𝗈 𝖽𝗂𝗌𝖼𝗈 𝗌𝗎𝖼𝖾𝗌𝗌𝗈𝗋 𝗌𝗎𝗋𝗀𝗂𝗎 𝗉𝖾𝗅𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗏𝖾𝗓 𝗇𝗎𝗆 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝗈 𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖼𝗈𝗆 𝖢𝗁𝖺𝗇𝗍𝖺𝗅 𝖪𝗋𝖾𝗏𝗂𝖺𝗓𝗎𝗄 𝖾 𝗌𝖾𝗎 𝗆𝖺𝗋𝗂𝖽𝗈 𝖱𝖺𝗂𝗇𝖾 𝖬𝖺𝗂𝖽𝖺, 𝗂𝗇𝗍𝖾𝗀𝗋𝖺𝗇𝗍𝖾 𝖽𝖺 𝖮𝗎𝗋 𝖫𝖺𝖽𝗒 𝖯𝖾𝖺𝖼𝖾, 𝖻𝖺𝗇𝖽𝖺 𝗊𝗎𝖾 𝖺𝖻𝗋𝗂𝗎 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈𝗌 𝗇𝖺 𝖿𝖺𝗌𝖾 𝖾𝗎𝗋𝗈𝗉𝖾𝗂𝖺 𝖽𝖺 𝖳𝗋𝗒 𝖳𝗈 𝖲𝗁𝗎𝗉 𝖬𝖾 𝖴𝗉 𝖳𝗈𝗎𝗋. 𝖮 𝖼𝖺𝗌𝖺𝗅, 𝗊𝗎𝖾 𝖺 𝖼𝗈𝗇𝗁𝖾𝖼𝖾𝗎 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝖺 𝖿𝖾𝗌𝗍𝖺 𝖻𝖾𝗇𝖾𝖿𝗂𝖼𝖾𝗇𝗍𝖾 𝖽𝗈 𝖲𝖠𝖱𝖲, 𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝗈𝗎 𝗇𝖺 𝗆𝖺𝗂𝗈𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈. 𝖣𝖾𝗏𝗂𝖽𝗈 𝖺 𝗎𝗆 𝖼𝗈𝗇𝖿𝗅𝗂𝗍𝗈 𝖾𝗇𝗍𝗋𝖾 𝗈 𝖳𝗁𝖾 𝖬𝖺𝗍𝗋𝗂𝗑 𝖾 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖼𝗈𝗆 𝗋𝖾𝗌𝗉𝖾𝗂𝗍𝗈 𝖺𝗈 𝗌𝖾𝗎 𝗇𝗂́𝗏𝖾𝗅 𝖽𝖾 𝖼𝗈𝗇𝗍𝗋𝗂𝖻𝗎𝗂𝖼̧𝖺̃𝗈 𝗇𝖺𝗌 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝖾𝗆 𝖫𝖾𝗍 𝖦𝗈, 𝖾𝗅𝖺 𝗈𝗉𝗍𝗈𝗎 𝗉𝗈𝗋 𝗇𝖺̃𝗈 𝗏𝗈𝗅𝗍𝖺𝗋 𝖺 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝗋 𝖼𝗈𝗆 𝖺 𝖾𝗊𝗎𝗂𝗉𝖾 𝖾 𝖿𝗈𝖼𝗈𝗎-𝗌𝖾 𝖾𝗆 𝖼𝗈𝗆𝗉𝗈𝗋 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗂𝗇𝖽𝗂𝗏𝗂𝖽𝗎𝖺𝗅𝗆𝖾𝗇𝗍𝖾. 𝖠𝗂𝗇𝖽𝖺 𝗉𝗈𝗋 𝖼𝗂𝗆𝖺, 𝗈𝗌 𝖻𝗈𝗇𝗌 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈𝗌 𝖽𝖾 𝗌𝗎𝖺 𝖾𝗌𝗍𝗋𝖾𝗂𝖺 𝖿𝗈𝗋𝖺𝗆 𝗎𝗌𝖺𝖽𝗈𝗌 𝗉𝖾𝗅𝖺 𝗌𝗎𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 𝖼𝗈𝗆𝗈 𝖺𝗋𝗀𝗎𝗆𝖾𝗇𝗍𝗈 𝗉𝖺𝗋𝖺 𝗉𝗋𝖾𝗌𝗌𝗂𝗈𝗇𝖺́-𝗅𝖺 𝗉𝖺𝗋𝖺 𝖺 𝖼𝗈𝗇𝖼𝗅𝗎𝗌𝖺̃𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖽𝖾𝗂𝗑𝖺𝗇𝖽𝗈-𝖺 𝖼𝗈𝗆 𝖺𝗉𝖾𝗇𝖺𝗌 𝗌𝖾𝗂𝗌 𝗆𝖾𝗌𝖾𝗌 𝗉𝖺𝗋𝖺 𝗍𝖾𝗋𝗆𝗂𝗇𝖺́-𝗅𝗈. 𝖲𝗈𝖻𝗋𝖾 𝖾𝗌𝗌𝖾 𝖿𝖺𝗍𝗈, 𝖾𝗅𝖺 𝗋𝖾𝗏𝖾𝗅𝗈𝗎: "𝖤𝗅𝖾𝗌 [𝗈𝗌 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈𝗌 𝖽𝖺 𝖠𝗋𝗂𝗌𝗍𝖺] 𝗆𝖾 𝖿𝗂𝗓𝖾𝗋𝖺𝗆 𝖼𝗈𝗅𝗈𝖼𝖺𝗋 [𝗈 𝗇𝗈𝗏𝗈 𝖽𝗂𝗌𝖼𝗈] 𝗉𝖺𝗋𝖺 𝖿𝗈𝗋𝖺 𝖺𝗇𝗍𝖾𝗌 𝗊𝗎𝖾 𝖾𝗎 𝖾𝗌𝗍𝗂𝗏𝖾𝗌𝗌𝖾 𝗉𝗋𝗈𝗇𝗍𝖺".

ㅤ"𝖣𝗈𝗇'𝗍 𝖳𝖾𝗅𝗅 𝖬𝖾" 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝟣 𝖽𝖾 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟢𝟦 𝖼𝗈𝗆𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈. 𝖯𝖺𝗋𝖺𝗅𝖾𝗅𝖺𝗆𝖾𝗇𝗍𝖾, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝖽𝖾𝗎 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖺̀ 𝖬𝖺𝗅𝗅 𝖳𝗈𝗎𝗋, 𝗎𝗆𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝗉𝗋𝗈𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅 𝖾𝗆 𝖼𝖾𝗇𝗍𝗋𝗈𝗌 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗂𝗌 𝗉𝖾𝗅𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́ 𝖾 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌 𝖼𝗈𝗆 𝗈 𝗂𝗇𝗍𝗎𝗂𝗍𝗈 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝗋 𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖺𝗂𝗇𝖽𝖺 𝖺 𝗌𝖾𝗋 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝗈. 𝖤𝗆 𝗌𝖾𝗊𝗎𝖾̂𝗇𝖼𝗂𝖺, 𝖺 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅𝗂𝗓𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗌𝖾𝗎 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈, 𝗇𝗈𝗆𝖾𝖺𝖽𝗈 𝖴𝗇𝖽𝖾𝗋 𝖬𝗒 𝖲𝗄𝗂𝗇, 𝖿𝗈𝗂 𝗂𝗇𝗂𝖼𝗂𝖺𝖽𝖺, 𝖾𝗆 𝟤𝟧 𝖽𝖾 𝗆𝖺𝗂𝗈. 𝖳𝗈𝖽𝖺𝗏𝗂𝖺, 𝗃𝖺́ 𝗊𝗎𝖾 𝗈 𝖩𝖺𝗉𝖺̃𝗈 𝗆𝗈𝗌𝗍𝗋𝖺𝗏𝖺-𝗌𝖾 𝗎𝗆 𝗆𝖾𝗋𝖼𝖺𝖽𝗈 𝗉𝗋𝗈𝗆𝗂𝗌𝗌𝗈𝗋 𝗉𝖺𝗋𝖺 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺, 𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈 𝗌𝖺𝗂𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗆𝖾𝗇𝗍𝖾 𝗇𝖾𝗌𝗌𝖾 𝗉𝖺𝗂́𝗌, 𝖾𝗆 𝟣𝟤 𝖽𝖾 𝗆𝖺𝗂𝗈. 𝖤𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗈 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅 𝖾́ 𝗆𝖺𝗃𝗈𝗋𝗂𝗍𝖺𝗋𝗂𝖺𝗆𝖾𝗇𝗍𝖾 𝖽𝖾𝗋𝗂𝗏𝖺𝖽𝗈 𝖽𝗈 𝗋𝗈𝖼𝗄 𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝗈 𝖾 𝗉𝗈́𝗌-𝗀𝗋𝗎𝗇𝗀𝖾 — 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝗌 𝖾𝗆 𝗌𝖾𝗎 𝖺𝗇𝗍𝖾𝖼𝖾𝗌𝗌𝗈𝗋 —, 𝖺𝗌 𝗌𝗎𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 𝗍𝗋𝖺𝗍𝖺𝗆 𝖽𝖾 𝗂𝗌𝗈𝗅𝖺𝗆𝖾𝗇𝗍𝗈 𝖾𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅, 𝖾𝗑𝗂𝗌𝗍𝖾𝗇𝖼𝗂𝖺𝗅𝗂𝗌𝗆𝗈, 𝖼𝗈𝗇𝗌𝖾𝗊𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖽𝖺 𝖿𝖺𝗆𝖺 𝗋𝖾𝗉𝖾𝗇𝗍𝗂𝗇𝖺 𝖾 𝗋𝗈𝗆𝖺𝗇𝖼𝖾𝗌 𝖾𝗌𝗍𝗋𝗈𝗇𝖽𝗈𝗌𝗈𝗌. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖺 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾, 𝗂𝗌𝗌𝗈 𝗌𝖾 𝖽𝖾𝗏𝖾 𝗉𝗈𝗋 𝗌𝖾𝗋 "𝗎𝗆 𝖺́𝗅𝖻𝗎𝗆 𝗆𝖺𝗂𝗌 𝗌𝖾́𝗋𝗂𝗈", 𝗈 𝗊𝗎𝖾 𝗌𝖾 𝗋𝖾𝗏𝖾𝗅𝖺 𝗂𝗇𝖼𝗅𝗎𝗌𝗂𝗏𝖾 𝗉𝖾𝗅𝖺 𝖿𝖺𝗂𝗑𝖺 "𝖲𝗅𝗂𝗉𝗉𝖾𝖽 𝖠𝗐𝖺𝗒", 𝖻𝖺𝗌𝖾𝖺𝖽𝖺 𝗇𝖺 𝗆𝗈𝗋𝗍𝖾 𝖽𝖾 𝗌𝖾𝗎 𝖺𝗏𝗈̂, 𝗊𝗎𝖾 𝗆𝗈𝗋𝗋𝖾𝗎 𝗊𝗎𝖺𝗇𝖽𝗈 𝖾𝗅𝖺 𝖾𝗌𝗍𝖺𝗏𝖺 𝖾𝗆 𝗍𝗎𝗋𝗇𝖾̂ 𝖼𝗈𝗆 𝖫𝖾𝗍 𝖦𝗈. 𝖤𝗆 𝗀𝖾𝗋𝖺𝗅, 𝗈𝗌 𝖼𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝖺𝗏𝖺𝗅𝗂𝖺𝗋𝖺𝗆 𝗈 𝖽𝗂𝗌𝖼𝗈 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾, 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝗇𝖽𝗈-𝗇𝗈 𝗆𝖺𝗂𝗌 𝖺𝖽𝗎𝗅𝗍𝗈 𝖾 𝗆𝖾𝗇𝗈𝗌 𝖺𝗀𝗂𝗍𝖺𝖽𝗈 𝖾𝗆 𝗋𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖺𝗈 𝗌𝖾𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈; 𝖺 𝗉𝖺𝗋𝗍𝖾 𝗅𝗂́𝗋𝗂𝖼𝖺, 𝗉𝗈𝗋𝖾́𝗆, 𝖿𝗈𝗂 𝗇𝗈𝗍𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝗎𝗉𝖾𝗋𝖿𝗂𝖼𝗂𝖺𝗅 𝗉𝖾𝗅𝗈𝗌 𝗋𝖾𝗌𝖾𝗇𝗁𝗂𝗌𝗍𝖺𝗌.

ㅤ𝖭𝖺 𝖽𝖺𝗍𝖺 𝖽𝖾 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗋𝖾𝖺𝗅𝗂𝗓𝗈𝗎 𝗎𝗆𝖺 𝗉𝖾𝗋𝖿𝗈𝗋𝗆𝖺𝗇𝖼𝖾 𝖼𝗈𝗇𝗍𝗋𝗈𝗏𝖾𝗋𝗌𝖺 𝗇𝗈 𝖳𝗈𝗍𝖺𝗅 𝖱𝖾𝗊𝗎𝖾𝗌𝗍 𝖫𝗂𝗏𝖾: 𝗊𝗎𝖺𝗇𝖽𝗈 𝗊𝗎𝖾𝗌𝗍𝗂𝗈𝗇𝖺𝖽𝖺 𝗉𝖾𝗅𝗈 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖽𝗈𝗋 𝖣𝖺𝗆𝗂𝖾𝗇 𝖥𝖺𝗁𝖾𝗒 𝖺 𝗋𝖾𝗌𝗉𝖾𝗂𝗍𝗈 𝖽𝗈𝗌 𝗋𝗈́𝗍𝗎𝗅𝗈𝗌 𝗆𝗂𝖽𝗂𝖺́𝗍𝗂𝖼𝗈𝗌 𝖾𝗆 𝗍𝗈𝗋𝗇𝗈 𝖽𝖾 𝗌𝗎𝖺 𝗂𝗆𝖺𝗀𝖾𝗆, 𝗆𝗈𝗌𝗍𝗋𝗈𝗎 𝗈 𝗌𝖾𝗎 𝖽𝖾𝖽𝗈 𝖽𝗈 𝗆𝖾𝗂𝗈 𝖾𝗆 𝗋𝖾𝗌𝗉𝗈𝗌𝗍𝖺. 𝖤𝗆𝖻𝗈𝗋𝖺 𝖾𝗌𝗍𝗂𝗏𝖾𝗌𝗌𝖾 𝖼𝗈𝗍𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝗍𝗈𝖼𝖺𝗋 𝗈𝗎𝗍𝗋𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈, 𝖺 𝖬𝖳𝖵 𝖼𝗈𝗋𝗍𝗈𝗎 𝖺 𝗉𝗋𝗈𝗀𝗋𝖺𝗆𝖺𝖼̧𝖺̃𝗈 𝖾 𝗎𝗆 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗇𝗍𝖾 𝖽𝖺 𝖾𝗆𝗂𝗌𝗌𝗈𝗋𝖺 𝖼𝗁𝖺𝗆𝗈𝗎 𝗈 𝗀𝖾𝗌𝗍𝗈 𝖽𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖽𝖾 "𝗍𝗈𝗍𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗂𝗇𝖺𝗉𝗋𝗈𝗉𝗋𝗂𝖺𝖽𝗈". 𝖠𝗉𝖾𝗌𝖺𝗋 𝖽𝗂𝗌𝗌𝗈, 𝖴𝗇𝖽𝖾𝗋 𝖬𝗒 𝖲𝗄𝗂𝗇, 𝖾𝗆 𝗌𝗎𝖺 𝗌𝖾𝗆𝖺𝗇𝖺 𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗂𝖺, 𝗈𝖻𝗍𝖾𝗏𝖾 𝖻𝗈𝗇𝗌 𝗇𝗎́𝗆𝖾𝗋𝗈𝗌, 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝖺𝗇𝖽𝗈 𝗈 𝗍𝗈𝗉𝗈 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢, 𝗎𝗆 𝖿𝖾𝗂𝗍𝗈 𝗂𝗇𝖾́𝖽𝗂𝗍𝗈 𝗇𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 𝖽𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺, 𝖾 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖼𝗎𝗅𝗆𝗂𝗇𝖺𝗇𝖽𝗈 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝖼𝗈𝗆 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟤𝟧𝟢 𝗆𝗂𝗅 𝖼𝗈́𝗉𝗂𝖺𝗌. 𝖠𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝖾 𝟤𝟢𝟢𝟦, 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝖺 𝖨𝖥𝖯𝖨, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗂𝖼𝗈𝗎 𝗇𝗈 𝗊𝗎𝗂𝗇𝗍𝗈 𝗅𝗎𝗀𝖺𝗋 𝖾𝗆 𝗏𝖾𝗇𝖽𝖺𝗌 𝖿𝗂́𝗌𝗂𝖼𝖺𝗌 𝖾 𝖽𝗂𝗀𝗂𝗍𝖺𝗂𝗌 𝖺𝗈 𝗋𝖾𝖽𝗈𝗋 𝖽𝗈 𝗀𝗅𝗈𝖻𝗈, 𝖼𝗈𝗆 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟪 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝗈́𝗉𝗂𝖺𝗌 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅𝗂𝗓𝖺𝖽𝖺𝗌.

ㅤ𝖤𝗆 𝗃𝗎𝗇𝗁𝗈 𝖽𝖾 𝟤𝟢𝟢𝟦, 𝖾𝗌𝖼𝗈𝗅𝗁𝖾𝗎-𝗌𝖾 "𝖬𝗒 𝖧𝖺𝗉𝗉𝗒 𝖤𝗇𝖽𝗂𝗇𝗀" 𝗉𝖺𝗋𝖺 𝗌𝖾𝗋 𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖴𝗇𝖽𝖾𝗋 𝖬𝗒 𝖲𝗄𝗂𝗇. 𝖠 𝖿𝖺𝗂𝗑𝖺 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝗈𝗎 𝗆𝖾𝗅𝗁𝗈𝗋𝖾𝗌 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝖾 𝗏𝖾𝗇𝖽𝖾𝗎 𝖼𝖾𝗋𝖼𝖺 𝖽𝖾 𝗍𝗋𝖾̂𝗌 𝗏𝖾𝗓𝖾𝗌 𝗆𝖺𝗂𝗌 𝗊𝗎𝖾 "𝖣𝗈𝗇'𝗍 𝖳𝖾𝗅𝗅 𝖬𝖾". 𝖠𝗅𝖾́𝗆 𝖽𝗈 𝗆𝖺𝗂𝗌, 𝗍𝗈𝗋𝗇𝗈𝗎-𝗌𝖾 𝗈 𝗎́𝗇𝗂𝖼𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖺 𝖾𝗇𝗍𝗋𝖺𝗋 𝖺̀𝗌 𝖽𝖾𝗓 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝖼𝗈𝗅𝗈𝖼𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝖧𝗈𝗍 𝟣𝟢𝟢. 𝖤𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝗇𝗍𝖾 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖺 𝖡𝗈𝗇𝖾𝗓 𝖳𝗈𝗎𝗋, 𝗍𝖾𝗏𝖾 𝗌𝗎𝖺𝗌 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝖽𝖺𝗍𝖺𝗌 𝖾, 𝖺𝗈 𝗆𝖾𝗌𝗆𝗈 𝗍𝖾𝗆𝗉𝗈, 𝖺 𝗆𝗎𝗌𝗂𝖼𝗂𝗌𝗍𝖺 𝖼𝗈𝗆𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝖺𝗈 𝖾𝗏𝖾𝗇𝗍𝗈 𝖽𝖾 𝖼𝖺𝗋𝗂𝖽𝖺𝖽𝖾 𝖥𝖺𝗌𝗁𝗂𝗈𝗇 𝖱𝗈𝖼𝗄𝗌 𝖼𝖺𝗇𝗍𝖺𝗇𝖽𝗈 "𝖨𝗋𝗂𝗌", 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖽𝗈 𝖦𝗈𝗈 𝖦𝗈𝗈 𝖣𝗈𝗅𝗅𝗌, 𝗃𝗎𝗇𝗍𝗈 𝖼𝗈𝗆 𝗈 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈 𝗏𝗈𝖼𝖺𝗅𝗂𝗌𝗍𝖺 𝖽𝖺 𝖻𝖺𝗇𝖽𝖺, 𝖩𝗈𝗁𝗇𝗇𝗒 𝖱𝗓𝖾𝗓𝗇𝗂𝗄. 𝖤𝗆 𝗈𝗎𝗍𝗎𝖻𝗋𝗈, 𝖺 𝗌𝗎𝖺 𝗂𝗆𝖺𝗀𝖾𝗆 𝖽𝖾 "𝖺𝗇𝗍𝗂-𝖡𝗋𝗂𝗍𝗇𝖾𝗒" 𝖿𝗈𝗂 𝗇𝗈𝗍𝖺𝗏𝖾𝗅𝗆𝖾𝗇𝗍𝖾 𝖺𝖻𝗋𝖺𝗇𝖽𝖺𝖽𝖺 𝖺𝗉𝗈́𝗌 𝗎𝗆𝖺 𝖺𝗉𝖺𝗋𝗂𝖼̧𝖺̃𝗈 𝗇𝖺 𝖼𝖺𝗉𝖺 𝖽𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝗆𝖺𝗌𝖼𝗎𝗅𝗂𝗇𝖺 𝖬𝖺𝗑𝗂𝗆, 𝗊𝗎𝖾 𝖺 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝖼𝗈𝗆𝗈 "𝖺 𝗀𝖺𝗋𝗈𝗍𝖺 𝗆𝖺𝗂𝗌 𝗌𝖾𝗑𝗒 𝖽𝗈 𝗋𝗈𝖼𝗄". 𝖠𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝗆𝖾𝗇𝗍𝖾, 𝖾𝗅𝖺 𝖽𝗂𝗌𝗌𝖾𝗋𝖺 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝗉𝗈𝗌𝖺𝗋𝗂𝖺 𝗉𝖺𝗋𝖺 𝗈 𝗉𝖾𝗋𝗂𝗈́𝖽𝗂𝖼𝗈. 𝖭𝖺 𝗆𝖾𝗌𝗆𝖺 𝖾́𝗉𝗈𝖼𝖺, 𝗈 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈, "𝖭𝗈𝖻𝗈𝖽𝗒'𝗌 𝖧𝗈𝗆𝖾", 𝖿𝗈𝗂 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝗈. 𝖳𝖺𝗆𝖻𝖾́𝗆 𝖿𝗈𝗂 𝖼𝗈𝗇𝗏𝗂𝖽𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝖺𝗋 𝗇𝖺 𝖺𝗇𝗂𝗆𝖺𝖼̧𝖺̃𝗈 𝖳𝗁𝖾 𝖲𝗉𝗈𝗇𝗀𝖾𝖡𝗈𝖻 𝖲𝗊𝗎𝖺𝗋𝖾𝖯𝖺𝗇𝗍𝗌 𝖬𝗈𝗏𝗂𝖾, 𝗉𝖺𝗋𝖺 𝖺 𝗊𝗎𝖺𝗅 𝗀𝗋𝖺𝗏𝗈𝗎 𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈-𝗍𝖾𝗆𝖺 "𝖲𝗉𝗈𝗇𝗀𝖾𝖡𝗈𝖻 𝖲𝗊𝗎𝖺𝗋𝖾𝖯𝖺𝗇𝗍𝗌".

ㅤ𝖤𝗆 𝟤𝟢𝟢𝟧, 𝖼𝗈𝗇𝖼𝗅𝗎𝗂𝗎-𝗌𝖾 𝖺 𝖡𝗈𝗇𝖾𝗓 𝖳𝗈𝗎𝗋, 𝖼𝗎𝗃𝗈 𝗎́𝗅𝗍𝗂𝗆𝗈 𝗈𝖼𝗈𝗋𝗋𝖾𝗎 𝗇𝗈 𝖡𝗋𝖺𝗌𝗂𝗅 𝖾𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈 𝖾 𝗍𝖾𝗏𝖾 𝗎𝗆 𝗉𝗎́𝖻𝗅𝗂𝖼𝗈 𝖽𝖾 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟥𝟧 𝗆𝗂𝗅 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 — 𝖺 𝗆𝖺𝗂𝗈𝗋 𝗉𝗅𝖺𝗍𝖾𝗂𝖺 𝖽𝖾 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 —, 𝖾 𝖺 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈 𝖿𝗈𝗂 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝖽𝖺 𝖼𝗈𝗆 "𝖧𝖾 𝖶𝖺𝗌𝗇'𝗍" 𝖾 "𝖥𝖺𝗅𝗅 𝗍𝗈 𝖯𝗂𝖾𝖼𝖾𝗌", 𝖺𝗆𝖻𝖺𝗌 𝗌𝖾𝗆 𝗆𝗎𝗂𝗍𝖺 𝗋𝖾𝗉𝖾𝗋𝖼𝗎𝗌𝗌𝖺̃𝗈. 𝖯𝗈𝗋 𝖿𝗂𝗆, 𝖾𝗆 𝖽𝖾𝗓𝖾𝗆𝖻𝗋𝗈, 𝗌𝖺𝗂𝗎 𝖾𝗑𝖼𝗅𝗎𝗌𝗂𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝖾𝗆 𝗍𝖾𝗋𝗋𝗂𝗍𝗈́𝗋𝗂𝗈 𝗃𝖺𝗉𝗈𝗇𝖾̂𝗌 𝗈 𝖣𝖵𝖣 𝖫𝗂𝗏𝖾 𝖺𝗍 𝖡𝗎𝖽𝗈𝗄𝖺𝗇, 𝗀𝗋𝖺𝗏𝖺𝖽𝗈 𝖾𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈 𝗇𝗈 𝖭𝗂𝗉𝗉𝗈𝗇 𝖡𝗎𝖽𝗈𝗄𝖺𝗇, 𝖾𝗆 𝖳𝗈́𝗊𝗎𝗂𝗈.

ㅤ𝟐𝟎𝟎𝟔 – 𝟐𝟎𝟎𝟖: 𝟸𝟶𝟶𝟼 – 𝟸𝟶𝟶𝟾: 𝑀𝑢𝑑𝑎𝑛𝑐̧𝑎 𝑑𝑒 𝑖𝑚𝑎𝑔𝑒𝑚 𝑒 𝑇𝘩𝑒 𝐵𝑒𝑠𝑡 𝐷𝑎𝑚𝑛 𝑇𝘩𝑖𝑛𝑔

ㅤ𝖭𝗈𝗌 𝖩𝗈𝗀𝗈𝗌 𝖮𝗅𝗂́𝗆𝗉𝗂𝖼𝗈𝗌 𝖽𝖾 𝖨𝗇𝗏𝖾𝗋𝗇𝗈 𝖽𝖾 𝟤𝟢𝟢𝟨, 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝗈𝗌 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝗂𝗍𝖺𝗅𝗂𝖺𝗇𝖺 𝖽𝖾 𝖳𝗎𝗋𝗂𝗆 𝖾𝗆 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝗈𝗎-𝗌𝖾 𝖼𝗈𝗆 "𝖶𝗁𝗈 𝖪𝗇𝗈𝗐𝗌" 𝗇𝖺𝗌 𝖼𝖾𝗋𝗂𝗆𝗈̂𝗇𝗂𝖺𝗌 𝖽𝖾 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝗆𝖾𝗇𝗍𝗈, 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗇𝖽𝗈 𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́ 𝖼𝗈𝗆𝗈 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝖾𝗇𝗍𝗋𝖾𝗀𝖺 𝖺 𝖵𝖺𝗇𝖼𝗈𝗎𝗏𝖾𝗋, 𝗊𝗎𝖾 𝗏𝗂𝗋𝗂𝖺 𝖺 𝗌𝖾𝗋 𝖺 𝖺𝗇𝖿𝗂𝗍𝗋𝗂𝖺̃ 𝖾𝗆 𝟤𝟢𝟣𝟢. 𝖮 𝖾𝗌𝗉𝖾𝗍𝖺́𝖼𝗎𝗅𝗈 𝖿𝗈𝗂 𝗏𝗂𝗌𝗍𝗈 𝗉𝗈𝗋 𝗎𝗆𝖺 𝗉𝗅𝖺𝗍𝖾𝗂𝖺 𝖽𝖾 𝖼𝖾𝗋𝖼𝖺 𝖽𝖾 𝟥𝟤 𝗆𝗂𝗅 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖾 𝗎𝗆𝖺 𝖺𝗎𝖽𝗂𝖾̂𝗇𝖼𝗂𝖺 𝗍𝖾𝗅𝖾𝗏𝗂𝗌𝗂𝗏𝖺 𝗀𝗅𝗈𝖻𝖺𝗅 𝗌𝗎𝗉𝖾𝗋𝗂𝗈𝗋 𝖺 𝟧𝟢𝟢 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌. 𝖤𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗆𝖺𝗋𝖼𝗈𝗎 𝗋𝖾𝗍𝗈𝗋𝗇𝗈 𝖺̀𝗌 𝖺𝗍𝗂𝗏𝗂𝖽𝖺𝖽𝖾𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 𝖼𝗈𝗆 𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 "𝖪𝖾𝖾𝗉 𝖧𝗈𝗅𝖽𝗂𝗇𝗀 𝖮𝗇", 𝗎𝗌𝖺𝖽𝗈 𝖼𝗈𝗆𝗈 𝗍𝖾𝗆𝖺 𝖽𝗈 𝖿𝗂𝗅𝗆𝖾 𝖽𝖾 𝖿𝖺𝗇𝗍𝖺𝗌𝗂𝖺 𝖤𝗋𝖺𝗀𝗈𝗇. 𝖠̀ 𝖾́𝗉𝗈𝖼𝖺, 𝖾𝗅𝖺 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗏𝖺-𝗌𝖾 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝗇𝖽𝗈 𝗇𝗈 𝗌𝖾𝗎 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖾 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎-𝗈 𝖼𝗈𝗆𝗈 "𝗎𝗆 𝗉𝗈𝗎𝖼𝗈 𝗆𝖺𝗂𝗌 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝗈" 𝖾𝗆 𝖼𝗈𝗆𝗉𝖺𝗋𝖺𝖼̧𝖺̃𝗈 𝖺𝗈 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋. 𝖣𝗋. 𝖫𝗎𝗄𝖾 𝖾𝗇𝖼𝖺𝗋𝗋𝖾𝗀𝗈𝗎-𝗌𝖾 𝖽𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝖽𝖾 𝖻𝗈𝖺 𝗉𝖺𝗋𝗍𝖾 𝖽𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈, 𝗊𝗎𝖾 𝖺𝗂𝗇𝖽𝖺 𝖼𝗈𝗇𝗍𝗈𝗎 𝖼𝗈𝗆 𝖡𝗎𝗍𝖼𝗁 𝖶𝖺𝗅𝗄𝖾𝗋, 𝖣𝖾𝗋𝗒𝖼𝗄 𝖶𝗁𝗂𝖻𝗅𝖾𝗒 𝖾 𝖱𝗈𝖻 𝖢𝖺𝗏𝖺𝗅𝗅𝗈 𝖼𝗈𝗆𝗈 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗂𝗌 𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝖺𝖽𝗈𝗋𝖾𝗌.

ㅤ"𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽" 𝖺𝗇𝗍𝖾𝖼𝖾𝖽𝖾𝗎 𝖺 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝗌𝖺𝗂𝗇𝖽𝗈 𝖾𝗆 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟩. 𝖵𝖾𝗋𝗌𝗈̃𝖾𝗌 𝖽𝖺 𝖿𝖺𝗂𝗑𝖺 𝖼𝗈𝗆 𝗍𝗋𝖾𝖼𝗁𝗈𝗌 𝖾𝗆 𝖾𝗌𝗉𝖺𝗇𝗁𝗈𝗅, 𝖿𝗋𝖺𝗇𝖼𝖾̂𝗌, 𝗂𝗍𝖺𝗅𝗂𝖺𝗇𝗈, 𝗉𝗈𝗋𝗍𝗎𝗀𝗎𝖾̂𝗌, 𝖺𝗅𝖾𝗆𝖺̃𝗈, 𝗃𝖺𝗉𝗈𝗇𝖾̂𝗌 𝖾 𝗆𝖺𝗇𝖽𝖺𝗋𝗂𝗆 𝖿𝗈𝗋𝖺𝗆 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺𝗌. 𝖲𝖾𝗊𝗎𝖾𝗇𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝗎𝗆𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝗉𝗋𝗈𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗅 𝗉𝖺𝗋𝖺 𝖽𝗂𝖿𝗎𝗇𝖽𝗂𝗋 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗂 𝗂𝗇𝗂𝖼𝗂𝖺𝖽𝖺. 𝖮 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈 𝖺𝖼𝗈𝗇𝗍𝖾𝖼𝖾𝗎 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾 𝖽𝖾 𝖢𝖺𝗅𝗀𝖺𝗋𝗒 𝖾, 𝗆𝖺𝗂𝗌 𝗍𝖺𝗋𝖽𝖾, 𝖿𝗈𝗂 𝖾𝗑𝗂𝖻𝗂𝖽𝗈 𝖼𝗈𝗆𝗈 𝗎𝗆 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅 𝗍𝖾𝗅𝖾𝗏𝗂𝗌𝗂𝗏𝗈 𝗌𝗈𝖻 𝗈 𝗇𝗈𝗆𝖾 𝖠𝗏𝗋𝗂𝗅 𝖫𝖺𝗏𝗂𝗀𝗇𝖾: 𝖤𝗑𝖼𝗅𝗎𝗌𝗂𝗏𝖾 𝗉𝖾𝗅𝖺 𝖢𝖡𝖲, 𝖾𝗆 𝟤 𝖽𝖾 𝖺𝖻𝗋𝗂𝗅. 𝖤𝗆 𝟣𝟩 𝖽𝖾 𝖺𝖻𝗋𝗂𝗅, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝗌𝗈𝖻 𝗈 𝗍𝗂́𝗍𝗎𝗅𝗈 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗁𝗂𝗇𝗀, 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗇𝖽𝗈 𝗎𝗆𝖺 𝗂𝗇𝗏𝖾𝗌𝗍𝗂𝖽𝖺 𝗆𝖺𝗂𝗌 𝗉𝗈𝗉 𝖾𝗆 𝗋𝖾𝗅𝖺𝖼̧𝖺̃𝗈 𝖺 𝗌𝖾𝗎𝗌 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝗈𝗌 𝗉𝖺𝗌𝗌𝖺𝖽𝗈𝗌. 𝖠𝗌𝗌𝗂𝗆, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗈𝗉𝗍𝗈𝗎 𝗉𝗈𝗋 𝗎𝗆𝖺 𝖺𝖻𝗈𝗋𝖽𝖺𝗀𝖾𝗆 𝗆𝖺𝗂𝗌 𝗅𝖾𝗏𝖾 𝖾 𝖼𝗈𝗅𝗈𝗋𝗂𝖽𝖺 𝖾𝗆 𝗌𝗎𝖺 𝗂𝗆𝖺𝗀𝖾𝗆. 𝖮 𝖺𝗅𝗂𝗇𝗁𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝗉𝗈𝗋 𝗌𝗎𝖺 𝗏𝖾𝗓, 𝖾́ 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗂́𝖽𝗈 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖽𝖾 𝖿𝖺𝗂𝗑𝖺𝗌 𝖽𝖾 𝖺𝗇𝖽𝖺𝗆𝖾𝗇𝗍𝗈 𝖺𝖼𝖾𝗅𝖾𝗋𝖺𝖽𝗈 𝖽𝖾𝗋𝗂𝗏𝖺𝖽𝖺𝗌 𝖽𝗈 𝗉𝗈𝗉 𝗉𝗎𝗇𝗄. 𝖮𝗌 𝖺𝗇𝖺𝗅𝗂𝗌𝗍𝖺𝗌 𝗉𝗋𝖾𝗓𝖺𝗋𝖺𝗆 𝖺 𝗌𝗎𝖺 𝗍𝗋𝖺𝗇𝗌𝗂𝖼̧𝖺̃𝗈 𝖽𝗈 𝗋𝗈𝖼𝗄 𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝗈 𝗉𝖺𝗋𝖺 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗉𝗈𝗉, 𝖾𝗆𝖻𝗈𝗋𝖺 𝖺𝗅𝗀𝗎𝗇𝗌 𝗍𝖾𝗇𝗁𝖺𝗆 𝖿𝗂𝖼𝖺𝖽𝗈 𝖽𝗂𝗏𝗂𝖽𝗂𝖽𝗈𝗌 𝗊𝗎𝖺𝗇𝗍𝗈 𝖺̀𝗌 𝗅𝖾𝗍𝗋𝖺𝗌 𝖽𝗈 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅, 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗈 𝗌𝖾𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝖺 𝖼𝗈𝗇𝗍𝖾𝗋 𝗌𝖾𝗅𝗈 𝗉𝖺𝗋𝖾𝗇𝗍𝖺𝗅.

ㅤ𝖠𝗌𝗌𝗂𝗆 𝗊𝗎𝖾 𝖾𝗇𝗍𝗋𝗈𝗎 𝖾𝗆 𝖽𝗂𝗌𝗍𝗋𝗂𝖻𝗎𝗂𝖼̧𝖺̃𝗈, 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗁𝗂𝗇𝗀 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝗈𝗎 𝗂𝗆𝖾𝖽𝗂𝖺𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝖻𝗈𝗇𝗌 𝗂́𝗇𝖽𝗂𝖼𝖾𝗌 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗂𝗌. 𝖤𝗆 𝗌𝗎𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗌𝖾𝗆𝖺𝗇𝖺 𝖽𝖾 𝗏𝖾𝗇𝖽𝖺𝗌, 𝖾𝗌𝗍𝗋𝖾𝗈𝗎 𝖾𝗆 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗅𝗎𝗀𝖺𝗋 𝗇𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢, 𝖼𝗈𝗆 𝗏𝖾𝗇𝖽𝖺𝗌 𝗌𝗎𝗉𝖾𝗋𝗂𝗈𝗋𝖾𝗌 𝖺 𝟤𝟪𝟨 𝗆𝗂𝗅 𝖼𝗈́𝗉𝗂𝖺𝗌, 𝖼𝗈𝗇𝗏𝖾𝗋𝗍𝖾𝗇𝖽𝗈-𝗌𝖾 𝖾𝗆 𝗌𝖾𝗎 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗉𝗋𝗈𝗃𝖾𝗍𝗈 𝖺 𝖺𝗍𝗂𝗇𝗀𝗂𝗋 𝗈 𝗍𝗈𝗉𝗈 𝖽𝖺 𝗍𝖺𝖻𝖾𝗅𝖺. 𝖮 𝖻𝗈𝗆 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈 𝖾𝗆 𝗍𝖾𝗋𝗋𝗂𝗍𝗈́𝗋𝗂𝗈 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈 𝗌𝖾 𝖽𝖾𝗎 𝗀𝗋𝖺𝖼̧𝖺𝗌 𝖺 "𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽", 𝗊𝗎𝖾 𝖼𝗈𝗇𝖼𝗈𝗆𝗂𝗍𝖺𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗌𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗏𝖺 𝗇𝗈 𝖺́𝗉𝗂𝖼𝖾 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝖧𝗈𝗍 𝟣𝟢𝟢, 𝗌𝖾𝗇𝖽𝗈 𝖾𝗌𝗌𝖾 𝗌𝖾𝗎 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝟣 𝗇𝗈 𝗉𝖺𝗂́𝗌. 𝖠 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖺𝗂𝗇𝖽𝖺 𝖺𝗅𝖼𝖺𝗇𝖼̧𝗈𝗎 𝖾𝗇𝗈𝗋𝗆𝖾 𝖾̂𝗑𝗂𝗍𝗈 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅 𝖾𝗆 𝖽𝗂𝗏𝖾𝗋𝗌𝖺𝗌 𝗈𝗎𝗍𝗋𝖺𝗌 𝗋𝖾𝗀𝗂𝗈̃𝖾𝗌, 𝖼𝗈𝗆𝗈 𝗇𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́, 𝗈𝗇𝖽𝖾 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗅𝗂𝖽𝖾𝗋𝗈𝗎 𝗉𝖾𝗅𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗏𝖾𝗓 𝖺 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅 𝗍𝖺𝖻𝖾𝗅𝖺 𝖽𝗈 𝗉𝖺𝗂́𝗌, 𝖺 𝖢𝖺𝗇𝖺𝖽𝗂𝖺𝗇 𝖧𝗈𝗍 𝟣𝟢𝟢. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖽𝖺𝖽𝗈𝗌 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖽𝗈𝗌 𝗉𝖾𝗅𝖺 𝖱𝖢𝖠 𝖱𝖾𝖼𝗈𝗋𝖽𝗌, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝗏𝖾𝗇𝖽𝖾𝗎 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟣.𝟧 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝗈́𝗉𝗂𝖺𝗌 𝗂𝗇𝗍𝖾𝗋𝗇𝖺𝖼𝗂𝗈𝗇𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖾𝗆 𝗌𝖾𝗎 𝖽𝖾𝖻𝗎𝗍𝖾 𝖾 𝖾𝗌𝗍𝗋𝖾𝗈𝗎 𝖾𝗆 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗅𝗎𝗀𝖺𝗋 𝖾𝗆 𝗈𝗇𝗓𝖾 𝗉𝖺𝗂́𝗌𝖾𝗌, 𝗂𝗇𝖼𝗅𝗎𝗂𝗇𝖽𝗈 𝖱𝖾𝗂𝗇𝗈 𝖴𝗇𝗂𝖽𝗈, 𝖩𝖺𝗉𝖺̃𝗈, 𝖢𝖺𝗇𝖺𝖽𝖺́, 𝖠𝗅𝖾𝗆𝖺𝗇𝗁𝖺 𝖾 𝖨𝗍𝖺́𝗅𝗂𝖺. 𝖭𝖺𝗌 𝖼𝗈𝗇𝗍𝖺𝗀𝖾𝗇𝗌 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖽𝖺𝗌 𝗉𝖾𝗅𝖺 𝖨𝖥𝖯𝖨, 𝖿𝗂𝖼𝗈𝗎 𝖾𝗆 𝗊𝗎𝖺𝗋𝗍𝗈 𝗅𝗎𝗀𝖺𝗋 𝖾𝗇𝗍𝗋𝖾 𝗈𝗌 𝗆𝖺𝗂𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝗈𝗌 𝖽𝗈 𝖺𝗇𝗈 𝖽𝖾 𝟤𝟢𝟢𝟩, 𝖼𝗈𝗆 𝟧 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖼𝗈́𝗉𝗂𝖺𝗌 𝖼𝗈𝗇𝗍𝖺𝖻𝗂𝗅𝗂𝗓𝖺𝖽𝖺𝗌, 𝖺𝗈 𝗉𝖺𝗌𝗌𝗈 𝗊𝗎𝖾 "𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽" 𝖿𝗈𝗂 𝖺 𝖿𝖺𝗂𝗑𝖺 𝗆𝖺𝗂𝗌 𝖻𝖺𝗂𝗑𝖺𝖽𝖺 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈 𝖺𝗇𝗈, 𝖼𝗈𝗆 𝟩.𝟥 𝗆𝗂𝗅𝗁𝗈̃𝖾𝗌 𝖽𝖾 𝖽𝗈𝗐𝗇𝗅𝗈𝖺𝖽𝗌.

ㅤ𝖤𝗆 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟩, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖺𝗌𝗌𝗎𝗆𝗂𝗎, 𝗇𝖺𝗌 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌 𝖽𝗈 𝗉𝗈𝗋𝗍𝖺𝗅 𝖤𝖦𝖮, 𝗎𝗆 𝗉𝗈𝗇𝗍𝗈 𝖽𝖾 "𝗋𝖾𝗏𝗂𝗋𝖺𝗏𝗈𝗅𝗍𝖺" 𝖾𝗆 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 𝖺𝗈 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗋 𝖽𝖾 𝗍𝗈𝗉𝗅𝖾𝗌𝗌 𝗉𝖺𝗋𝖺 𝖺 𝖼𝖺𝗉𝖺 𝖽𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖡𝗅𝖾𝗇𝖽𝖾𝗋. 𝖣𝖾𝗉𝗈𝗂𝗌, 𝗇𝗈 𝖾𝗇𝗍𝖺𝗇𝗍𝗈, 𝖾𝗅𝖺 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎: "𝖭𝖺 𝗏𝖾𝗋𝖽𝖺𝖽𝖾, 𝖾𝗎 𝗇𝖺̃𝗈 𝖾𝗌𝗍𝗈𝗎 𝖽𝖾 𝗍𝗈𝗉𝗅𝖾𝗌𝗌 𝗇𝖺 𝖼𝖺𝗉𝖺. 𝖤𝗎 𝖾𝗌𝗍𝖺𝗏𝖺 𝗎𝗌𝖺𝗇𝖽𝗈 𝗎𝗆 𝗍𝗈𝗉 𝖽𝖾 𝗍𝗎𝖻𝗈, 𝖾 𝗆𝖾𝗂𝗈 𝗊𝗎𝖾 𝖼𝗈𝗅𝗈𝖼𝖺𝗆 𝗎𝗆 𝖻𝖺𝗇𝗇𝖾𝗋 𝖾𝗆 𝖼𝗂𝗆𝖺 𝖽𝖾𝗅𝖾". 𝖭𝗈 𝗆𝖾𝗌𝗆𝗈 𝗆𝖾̂𝗌, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗋𝖾𝗀𝗋𝖺𝗏𝗈𝗎 𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 "𝖨𝗆𝖺𝗀𝗂𝗇𝖾" (𝟣𝟫𝟩𝟣), 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖽𝖾 𝖩𝗈𝗁𝗇 𝖫𝖾𝗇𝗇𝗈𝗇, 𝗉𝖺𝗋𝖺 𝗎𝗆𝖺 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖼𝖺𝗋𝗂𝖽𝖺𝖽𝖾 𝖼𝗈𝗆 𝗈 𝗈𝖻𝗃𝖾𝗍𝗂𝗏𝗈 𝖽𝖾 𝖺𝗃𝗎𝖽𝖺𝗋 𝖣𝖺𝗋𝖿𝗎𝗋, 𝗇𝗈 𝖲𝗎𝖽𝖺̃𝗈. 𝖮 𝖺́𝗅𝖻𝗎𝗆, 𝖼𝗎𝗃𝗈 𝗍𝗂́𝗍𝗎𝗅𝗈 𝖾́ 𝖨𝗇𝗌𝗍𝖺𝗇𝗍 𝖪𝖺𝗋𝗆𝖺: 𝖳𝗁𝖾 𝖠𝗆𝗇𝖾𝗌𝗍𝗒 𝖨𝗇𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗈𝗇𝖺𝗅 𝖢𝖺𝗆𝗉𝖺𝗂𝗀𝗇 𝗍𝗈 𝖲𝖺𝗏𝖾 𝖣𝖺𝗋𝖿𝗎𝗋, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝗃𝗎𝗇𝗁𝗈 𝖼𝗈𝗆𝗈 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝖼𝖺𝗆𝗉𝖺𝗇𝗁𝖺 𝖿𝖾𝗂𝗍𝖺 𝗉𝖾𝗅𝖺 𝖮𝖭𝖦 𝖠𝗆𝗇𝖾𝗌𝗍𝗒 𝖨𝗇𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗈𝗇𝖺𝗅. 𝖬𝗎𝗂𝗍𝗈𝗌 𝗋𝖾𝗌𝖾𝗇𝗁𝗂𝗌𝗍𝖺𝗌, 𝖾𝗆 𝖺𝗇𝖺́𝗅𝗂𝗌𝖾 𝖺̀ 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈, 𝖽𝖾𝗉𝗋𝖾𝖼𝗂𝖺𝗋𝖺𝗆 𝗈 𝖼𝗈𝗏𝖾𝗋, 𝖽𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗇𝖽𝗈-𝗈 𝖼𝗈𝗆𝗈 "𝗌𝖾𝗆 𝖾𝗆𝗈𝖼̧𝖺̃𝗈". 𝖤𝗆 𝗌𝖾𝗊𝗎𝖾̂𝗇𝖼𝗂𝖺, "𝖶𝗁𝖾𝗇 𝖸𝗈𝗎'𝗋𝖾 𝖦𝗈𝗇𝖾" 𝖿𝗈𝗂 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖺𝗅𝖼𝖺𝗇𝖼̧𝖺𝗇𝖽𝗈 𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝟥 𝗇𝗈 𝖱𝖾𝗂𝗇𝗈 𝖴𝗇𝗂𝖽𝗈 𝖾 𝗈 𝟪 𝗇𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́ 𝖾 𝖼𝗁𝖾𝗀𝖺𝗇𝖽𝗈 𝗉𝖾𝗋𝗍𝗈 𝖽𝗈𝗌 𝗏𝗂𝗇𝗍𝖾 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈𝗌 𝗇𝗈𝗌 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌. 𝖤𝗆 𝗈𝗎𝗍𝗎𝖻𝗋𝗈, "𝖧𝗈𝗍" 𝖽𝖾𝗎 𝗉𝗋𝗈𝗀𝗋𝖾𝗌𝗌𝖺̃𝗈 𝖺 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖺𝗈 𝖽𝗂𝗌𝖼𝗈; 𝗌𝗎𝖺 𝗋𝖾𝗉𝖾𝗋𝖼𝗎𝗌𝗌𝖺̃𝗈, 𝗉𝗈𝗋𝖾́𝗆, 𝖿𝗈𝗂 𝖻𝖺𝗂𝗑𝖺, 𝖺𝗍𝗂𝗇𝗀𝗂𝗇𝖽𝗈 𝖺𝗌 𝖽𝖾𝗓 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝖺𝗉𝖾𝗇𝖺𝗌 𝗇𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́.

ㅤ𝖠𝗉𝗈́𝗌 𝗉𝗋𝗈𝗆𝗈𝗏𝖾𝗋 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖼𝗈𝗆 𝖺𝗉𝖺𝗋𝗂𝖼̧𝗈̃𝖾𝗌 𝖾𝗆 𝗉𝗋𝖾𝗆𝗂𝖺𝖼̧𝗈̃𝖾𝗌 𝖾 𝖾𝗏𝖾𝗇𝗍𝗈𝗌, 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝗍𝖾𝗅𝖾𝗏𝗂𝗌𝗂𝗏𝖺𝗌 𝖾 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈𝗌 𝗉𝗋𝗈𝗆𝗈𝖼𝗂𝗈𝗇𝖺𝗂𝗌, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖾𝗆𝖻𝖺𝗋𝖼𝗈𝗎 𝗇𝖺 𝗌𝗎𝖺 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝗆𝗎𝗇𝖽𝗂𝖺𝗅, 𝖺 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗈𝗎𝗋, 𝖾𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟢𝟪, 𝖺𝗍𝗂𝗇𝗀𝗂𝗇𝖽𝗈 𝗉𝖺𝗂́𝗌𝖾𝗌 𝖽𝖺 𝖠𝗆𝖾́𝗋𝗂𝖼𝖺 𝖽𝗈 𝖭𝗈𝗋𝗍𝖾, 𝖽𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝖾𝗇𝗍𝖾 𝖾𝗎𝗋𝗈𝗉𝖾𝗎 𝖾 𝖺𝗌𝗂𝖺́𝗍𝗂𝖼𝗈. 𝖠𝗌 𝖻𝖺𝗇𝖽𝖺𝗌 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾𝗌 𝗂𝗅𝗅𝖲𝖼𝖺𝗋𝗅𝖾𝗍𝗍 𝖾 𝖲𝗂𝗅𝗏𝖾𝗋𝗌𝗍𝖾𝗂𝗇 𝖿𝗈𝗋𝖺𝗆 𝖺𝗅𝗀𝗎𝗇𝗌 𝖽𝗈𝗌 𝖺𝗍𝗈𝗌 𝖽𝖾 𝖺𝖻𝖾𝗋𝗍𝗎𝗋𝖺, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗈𝗌 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈𝗌 𝖣𝖾𝗆𝗂 𝖫𝗈𝗏𝖺𝗍𝗈 𝖾 𝖩𝗈𝗇𝖺𝗌 𝖡𝗋𝗈𝗍𝗁𝖾𝗋𝗌 𝖺𝖻𝗋𝗂𝗋𝖺𝗆 𝗎𝗆𝖺 𝗌𝖾́𝗋𝗂𝖾 𝖽𝖾 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈𝗌 𝗇𝗈𝗌 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌. 𝖭𝖺 𝗍𝗎𝗋𝗇𝖾̂, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗆𝗈𝗌𝗍𝗋𝗈𝗎-𝗌𝖾 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾 𝖽𝖾 𝗌𝗎𝖺𝗌 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖺𝗇𝗍𝖾𝗋𝗂𝗈𝗋𝖾𝗌 𝗇𝖺̃𝗈 𝗌𝗈𝗆𝖾𝗇𝗍𝖾 𝖾𝗆 𝗌𝖾𝗎 𝗏𝗂𝗌𝗎𝖺𝗅, 𝗆𝖺𝗌 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗉𝖾𝗅𝖺𝗌 𝖼𝗈𝗋𝖾𝗈𝗀𝗋𝖺𝖿𝗂𝖺𝗌 𝖼𝗈𝗆 𝗈 𝖺𝗉𝗈𝗂𝗈 𝖽𝖾 𝖽𝖺𝗇𝖼̧𝖺𝗋𝗂𝗇𝖺𝗌. 𝖠 𝗉𝖺𝗋𝖺𝖽𝖺 𝖽𝖾 𝖺𝖻𝗋𝗂𝗅 𝗇𝗈 𝖠𝗂𝗋 𝖢𝖺𝗇𝖺𝖽𝖺 𝖢𝖾𝗇𝗍𝗋𝖾, 𝖾𝗆 𝖳𝗈𝗋𝗈𝗇𝗍𝗈, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺, 𝖾𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝗇𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝗏𝗂́𝖽𝖾𝗈 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗈𝗎𝗋 - 𝖫𝗂𝗏𝖾 𝗂𝗇 𝖳𝗈𝗋𝗈𝗇𝗍𝗈. 𝖠𝖽𝖾𝗆𝖺𝗂𝗌, 𝖺 𝖿𝖺𝗂𝗑𝖺-𝗍𝗂́𝗍𝗎𝗅𝗈 𝖿𝗈𝗂 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗎́𝗅𝗍𝗂𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝗌𝖾𝗆 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈𝗌 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝗂𝗏𝗈𝗌. 𝖮 𝗀𝗈𝗏𝖾𝗋𝗇𝗈 𝖽𝖺 𝖬𝖺𝗅𝖺́𝗌𝗂𝖺 𝗍𝖾𝗇𝗍𝗈𝗎 𝗉𝗋𝗈𝗂𝖻𝗂𝗋 𝗌𝖾𝗎 𝗌𝗁𝗈𝗐 𝖾𝗆 𝖺𝗀𝗈𝗌𝗍𝗈 𝖾𝗆 𝖪𝗎𝖺𝗅𝖺 𝖫𝗎𝗆𝗉𝗎𝗋 𝖺𝗉𝗈́𝗌 𝗉𝗋𝗈𝗍𝖾𝗌𝗍𝗈𝗌 𝖽𝖾 𝗎𝗆 𝗉𝖺𝗋𝗍𝗂𝖽𝗈 𝖼𝗈𝗇𝗌𝖾𝗋𝗏𝖺𝖽𝗈𝗋 𝗉𝖺𝗇-𝗂𝗌𝗅𝖺̂𝗆𝗂𝖼𝗈 𝗊𝗎𝖾 𝗃𝗎𝗅𝗀𝗈𝗎 𝗈𝗌 𝗆𝗈𝗏𝗂𝗆𝖾𝗇𝗍𝗈𝗌 𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖼𝗈𝗆𝗈 "𝗆𝗎𝗂𝗍𝗈 𝗌𝖾𝗇𝗌𝗎𝖺𝗂𝗌". 𝖯𝗈𝗋 𝖿𝗂𝗆, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝗂𝗎 𝖺𝗉𝗋𝗈𝗏𝖺𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝗋 𝗈 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈. 𝖠𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝗈 𝖺𝗇𝗈, 𝖾𝗅𝖺 𝖽𝖾𝗂𝗑𝗈𝗎 𝖺 𝗀𝖾𝗌𝗍𝖺̃𝗈 𝖽𝖺 𝖭𝖾𝗍𝗍𝗐𝖾𝗋𝗄, 𝗊𝗎𝖾 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗏𝖺 𝖽𝖾𝗌𝖽𝖾 𝗈 𝗂𝗇𝗂́𝖼𝗂𝗈 𝖽𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺.

ㅤ𝟐𝟎𝟎𝟕: 𝐴𝑐𝑢𝑠𝑎𝑐̧𝑜̃𝑒𝑠 𝑑𝑒 𝑝𝑙𝑎́𝑔𝑖𝑜

ㅤ𝖤𝗆 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟩, 𝖺 𝖻𝖺𝗇𝖽𝖺 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝖺 𝖳𝗁𝖾 𝖱𝗎𝖻𝗂𝗇𝗈𝗈𝗌 𝖺𝖼𝗎𝗌𝗈𝗎 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖾 𝖣𝗋. 𝖫𝗎𝗄𝖾 𝖽𝖾 𝗍𝖾𝗋𝖾𝗆 𝖼𝗈𝗉𝗂𝖺𝖽𝗈 𝗍𝗋𝖾𝖼𝗁𝗈𝗌 𝖽𝖾 𝗎𝗆𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖽𝗈 𝗀𝗋𝗎𝗉𝗈 𝖼𝗁𝖺𝗆𝖺𝖽𝖺 "𝖨 𝖶𝖺𝗇𝗇𝖺 𝖡𝖾 𝖸𝗈𝗎𝗋 𝖡𝗈𝗒𝖿𝗋𝗂𝖾𝗇𝖽" (𝟣𝟫𝟩𝟪) 𝖾 𝖺𝖽𝗂𝖼𝗂𝗈𝗇𝖺𝖽𝗈-𝗈𝗌 𝖾𝗆 "𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽". 𝖤𝗆 𝗃𝗎𝗅𝗁𝗈, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎: "[𝖮𝗌 𝖱𝗎𝖻𝗂𝗇𝗈𝗈𝗌] 𝗍𝖾̂𝗆 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖼𝗁𝖺𝗆𝖺𝖽𝖺 '𝖨 𝖶𝖺𝗇𝗇𝖺 𝖡𝖾 𝖸𝗈𝗎𝗋 𝖡𝗈𝗒𝖿𝗋𝗂𝖾𝗇𝖽' 𝗊𝗎𝖾 𝗇𝖺̃𝗈 𝗍𝖾𝗆 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝖼̧𝖺𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 𝖼𝗈𝗆 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 '𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽', 𝗊𝗎𝖾 𝖫𝗎𝗄𝖾 𝖦𝗈𝗍𝗍𝗐𝖺𝗅𝖽 [𝖣𝗋. 𝖫𝗎𝗄𝖾] 𝖾 𝖾𝗎 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗆𝗈𝗌 𝗃𝗎𝗇𝗍𝗈𝗌. 𝖤𝗅𝖾𝗌 𝖺𝗅𝖾𝗀𝖺𝗆 𝗊𝗎𝖾 𝗎𝗆𝖺 𝗉𝖾𝗊𝗎𝖾𝗇𝖺 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝗅𝖾𝗍𝗋𝖺 𝖾́ 𝗂𝗀𝗎𝖺𝗅 𝖾 𝖾𝗌𝗍𝖺̃𝗈 𝖽𝗂𝗓𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝖾𝗎 𝗈𝗌 𝖼𝗈𝗉𝗂𝖾𝗂. 𝖭𝗎𝗇𝖼𝖺 𝗍𝗂𝗇𝗁𝖺 𝗈𝗎𝗏𝗂𝖽𝗈 𝖾𝗌𝗌𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗇𝖺 𝗆𝗂𝗇𝗁𝖺 𝗏𝗂𝖽𝖺 𝖾 𝗌𝗎𝖺 𝖺𝖿𝗂𝗋𝗆𝖺𝖼̧𝖺̃𝗈 𝖾́ 𝖻𝖺𝗌𝖾𝖺𝖽𝖺 𝖾𝗆 𝖼𝗂𝗇𝖼𝗈 𝗉𝖺𝗅𝖺𝗏𝗋𝖺𝗌! 𝖳𝗈𝖽𝖺𝗌 𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝖼𝗈𝗆𝗉𝖺𝗋𝗍𝗂𝗅𝗁𝖺𝗆 𝗅𝖾𝗍𝗋𝖺𝗌 𝖾 𝖾𝗆𝗈𝖼̧𝗈̃𝖾𝗌 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝗍𝖾𝗌". 𝖮 𝖼𝖺𝗌𝗈 𝖿𝗈𝗂 𝗋𝖾𝗌𝗈𝗅𝗏𝗂𝖽𝗈 𝖽𝖾 𝖿𝗈𝗋𝗆𝖺 𝖼𝗈𝗇𝖿𝗂𝖽𝖾𝗇𝖼𝗂𝖺𝗅 𝖾𝗆 𝟤𝟢𝟢𝟪.

ㅤ𝖭𝗈 𝗆𝖾̂𝗌 𝗌𝖾𝗀𝗎𝗂𝗇𝗍𝖾, 𝖢𝗁𝖺𝗇𝗍𝖺𝗅 𝖪𝗋𝖾𝗏𝗂𝖺𝗓𝗎𝗄 𝗍𝖺𝗆𝖻𝖾́𝗆 𝖺𝖼𝗎𝗌𝗈𝗎 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝖽𝖾 𝖼𝗋𝖾́𝖽𝗂𝗍𝗈𝗌 𝖽𝖾 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖽𝗎𝗏𝗂𝖽𝗈𝗌𝖺, 𝖺𝗅𝖾𝗀𝖺𝗇𝖽𝗈 𝗊𝗎𝖾 𝖾𝗇𝗏𝗂𝗈𝗎 𝖺 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗎𝗆𝖺 𝗏𝖾𝗋𝗌𝖺̃𝗈 𝖽𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 "𝖢𝗈𝗇𝗍𝖺𝗀𝗂𝗈𝗎𝗌" 𝖽𝗈𝗂𝗌 𝖺𝗇𝗈𝗌 𝖺𝗇𝗍𝖾𝗌 𝖽𝖾 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗋 𝖾𝗆 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗁𝗂𝗇𝗀 𝗌𝖾𝗆 𝖽𝖺𝗋 𝖺 𝖾𝗅𝖺 𝖼𝗋𝖾́𝖽𝗂𝗍𝗈. 𝖠𝗏𝗋𝗂𝗅 𝖽𝖾𝖿𝖾𝗇𝖽𝖾𝗎-𝗌𝖾: "𝖯𝖺𝗋𝖺 𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖾𝗎 𝖾𝗌𝖼𝗋𝖾𝗏𝗂 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖼𝗈𝗆 𝖤𝗏𝖺𝗇 𝖳𝖺𝗎𝖻𝖾𝗇𝖿𝖾𝗅𝖽 𝗊𝗎𝖾 𝖼𝗈𝗂𝗇𝖼𝗂𝖽𝖾𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗍𝖾𝗆 𝗈 𝗆𝖾𝗌𝗆𝗈 𝗍𝗂́𝗍𝗎𝗅𝗈 𝖽𝖾 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗊𝗎𝖾 𝖢𝗁𝖺𝗇𝗍𝖺𝗅 𝗆𝖾 𝖾𝗇𝗏𝗂𝗈𝗎 𝖺𝗅𝗀𝗎𝗇𝗌 𝖺𝗇𝗈𝗌 𝖺𝗍𝗋𝖺́𝗌. 𝖭𝗈𝗌𝗌𝖺𝗌 𝗆𝗎́𝗌𝗂𝖼𝖺𝗌 𝗇𝖺̃𝗈 𝗍𝖾̂𝗆 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝖼̧𝖺𝗌 𝖾 [𝗍𝖾̂𝗆] 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝖼𝖺𝖽𝗈𝗌 𝗈𝗉𝗈𝗌𝗍𝗈𝗌, 𝗈𝗎 𝗌𝖾𝗃𝖺, 𝗅𝖾𝗍𝗋𝖺𝗌 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾𝗌, 𝗆𝖾𝗅𝗈𝖽𝗂𝖺𝗌 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾𝗌, 𝗀𝖾̂𝗇𝖾𝗋𝗈𝗌 𝖽𝗂𝖿𝖾𝗋𝖾𝗇𝗍𝖾𝗌". 𝖯𝗈𝗌𝗍𝖾𝗋𝗂𝗈𝗋𝗆𝖾𝗇𝗍𝖾, 𝖪𝗋𝖾𝗏𝗂𝖺𝗓𝗎𝗄 𝗉𝖾𝖽𝗂𝗎 𝖽𝖾𝗌𝖼𝗎𝗅𝗉𝖺𝗌 𝗉𝖾𝗅𝗈 𝖾𝗊𝗎𝗂́𝗏𝗈𝖼𝗈.

ㅤ𝟐𝟎𝟎𝟗 – 𝟐𝟎𝟏𝟐: 𝐺𝑜𝑜𝑑𝑏𝑦𝑒 𝐿𝑢𝑙𝑙𝑎𝑏𝑦 𝑒 𝑞𝑢𝑒𝑑𝑎 𝑛𝑎 𝑝𝑜𝑝𝑢𝑙𝑎𝑟𝑖𝑑𝑎𝑑𝑒

ㅤ𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝗀𝗋𝖺𝗏𝖺𝗋 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅 𝗂𝗇𝖾́𝖽𝗂𝗍𝗈 𝗉𝖺𝗋𝖺 𝗌𝖾𝗎 𝗊𝗎𝖺𝗋𝗍𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖾𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟪, 𝗎𝗆 𝗆𝖾̂𝗌 𝖺𝗉𝗈́𝗌 𝗈 𝖿𝗂𝗆 𝖽𝖺 𝖳𝗁𝖾 𝖡𝖾𝗌𝗍 𝖣𝖺𝗆𝗇 𝖳𝗈𝗎𝗋. 𝖤𝗌𝗌𝖺𝗌 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝗌𝖾𝗌𝗌𝗈̃𝖾𝗌 𝖽𝖾𝖼𝗈𝗋𝗋𝖾𝗋𝖺𝗆 𝖾𝗆 𝗉𝖺𝗋𝖼𝖾𝗂𝗋𝖺 𝖼𝗈𝗆 𝗌𝖾𝗎 𝖾𝗇𝗍𝖺̃𝗈 𝗆𝖺𝗋𝗂𝖽𝗈 𝖣𝖾𝗋𝗒𝖼𝗄 𝖶𝗁𝗂𝖻𝗅𝖾𝗒 𝗇𝗎𝗆 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈 𝖼𝖺𝗌𝖾𝗂𝗋𝗈 𝗈𝗇𝖽𝖾 𝖾𝗅𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝗎 𝗈𝗂𝗍𝗈 𝖿𝖺𝗂𝗑𝖺𝗌 𝗉𝖺𝗋𝖺 𝗈 𝖺́𝗅𝖻𝗎𝗆. 𝖴𝗆𝖺 𝖽𝖺𝗌 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 𝗀𝗋𝖺𝗏𝖺𝖽𝖺𝗌, "𝖡𝗅𝖺𝖼𝗄 𝖲𝗍𝖺𝗋" 𝗌𝖾𝗋𝗏𝗂𝗎 𝖼𝗈𝗆𝗈 𝖿𝗈𝗋𝗆𝖺 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝗈 𝗉𝖾𝗋𝖿𝗎𝗆𝖾 𝖽𝖾 𝗆𝖾𝗌𝗆𝗈 𝗇𝗈𝗆𝖾 𝖽𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺, 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖽𝗈 𝗉𝖾𝗅𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗏𝖾𝗓 𝖾𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟢𝟫.

ㅤ𝖤𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟢, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗇𝗈𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝗋𝖾𝗍𝗈𝗋𝗇𝗈𝗎 𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝗉𝗈𝗋 𝗆𝖾𝗂𝗈 𝖽𝖾 𝗎𝗆𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝗍𝖾𝗆𝖺́𝗍𝗂𝖼𝖺: "𝖠𝗅𝗂𝖼𝖾" 𝖿𝗈𝗂 𝗍𝗈𝖼𝖺𝖽𝖺 𝗇𝗈𝗌 𝖼𝗋𝖾́𝖽𝗂𝗍𝗈𝗌 𝖿𝗂𝗇𝖺𝗂𝗌 𝖽𝖾 𝖠𝗅𝗂𝖼𝖾 𝗇𝗈 𝖯𝖺𝗂́𝗌 𝖽𝖺𝗌 𝖬𝖺𝗋𝖺𝗏𝗂𝗅𝗁𝖺𝗌, 𝖽𝖾 𝖳𝗂𝗆 𝖡𝗎𝗋𝗍𝗈𝗇, 𝖾 𝗌𝖾𝗋𝗏𝗂𝗎 𝖼𝗈𝗆𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖺 𝗍𝗋𝗂𝗅𝗁𝖺 𝗌𝗈𝗇𝗈𝗋𝖺 𝖽𝗈 𝖿𝗂𝗅𝗆𝖾, 𝖠𝗅𝗆𝗈𝗌𝗍 𝖠𝗅𝗂𝖼𝖾. 𝖭𝗈𝗌 𝖩𝗈𝗀𝗈𝗌 𝖮𝗅𝗂́𝗆𝗉𝗂𝖼𝗈𝗌 𝖽𝖾 𝖨𝗇𝗏𝖾𝗋𝗇𝗈 𝖽𝖾 𝟤𝟢𝟣𝟢, 𝗊𝗎𝖾 𝗌𝗎𝖼𝖾𝖽𝖾𝗋𝖺𝗆 𝗇𝖺 𝖼𝗂𝖽𝖺𝖽𝖾 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾 𝖽𝖾 𝖵𝖺𝗇𝖼𝗈𝗎𝗏𝖾𝗋, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗏𝗈𝗅𝗍𝗈𝗎 𝖺 𝖿𝖺𝗓𝖾𝗋 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺𝗌 𝖼𝖾𝗋𝗂𝗆𝗈̂𝗇𝗂𝖺𝗌 𝖽𝖾 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝖺𝗌 𝗈𝗅𝗂𝗆𝗉𝗂́𝖺𝖽𝖺𝗌, 𝖾𝗆 𝟤𝟪 𝖽𝖾 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈, 𝗇𝗈 𝖡𝖢 𝖯𝗅𝖺𝖼𝖾 𝖲𝗍𝖺𝖽𝗂𝗎𝗆, 𝖼𝗈𝗆 𝗎𝗆𝖺 𝗉𝗅𝖺𝗍𝖾𝗂𝖺 𝖽𝖾 𝗆𝖺𝗂𝗌 𝟧𝟧 𝗆𝗂𝗅 𝗉𝖾𝗌𝗌𝗈𝖺𝗌. 𝖤𝗅𝖺 𝖼𝖺𝗇𝗍𝗈𝗎 𝗃𝗎𝗇𝗍𝗈 𝖼𝗈𝗆 𝗌𝗎𝖺 𝖻𝖺𝗇𝖽𝖺 𝖺𝗌 𝖼𝖺𝗇𝖼̧𝗈̃𝖾𝗌 "𝖬𝗒 𝖧𝖺𝗉𝗉𝗒 𝖤𝗇𝖽𝗂𝗇𝗀" 𝖾 "𝖦𝗂𝗋𝗅𝖿𝗋𝗂𝖾𝗇𝖽", 𝗎𝗌𝖺𝗇𝖽𝗈 𝗎𝗆 𝗏𝖾𝗌𝗍𝗂𝖽𝗈 𝗏𝖾𝗋𝗆𝖾𝗅𝗁𝗈, 𝖾𝗆 𝗁𝗈𝗆𝖾𝗇𝖺𝗀𝖾𝗆 𝖺𝗈 𝗌𝖾𝗎 𝗉𝖺𝗂́𝗌. 𝖭𝖺 𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝗂𝖺 𝖽𝖾 𝗎𝗆𝖺 𝗌𝖾́𝗋𝗂𝖾 𝖽𝖾 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾𝗌, 𝖼𝗋𝖾𝖽𝗂𝗍𝖺𝖽𝗈𝗌 𝖼𝗈𝗆𝗈 𝖸𝗈𝗎𝗇𝗀 𝖠𝗋𝗍𝗂𝗌𝗍𝗌 𝖿𝗈𝗋 𝖧𝖺𝗂𝗍𝗂, 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝗈𝗎 𝗈 𝗍𝖾𝗆𝖺 "𝖶𝖺𝗏𝗂𝗇' 𝖥𝗅𝖺𝗀" — 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖽𝗈 𝗌𝗈𝗆𝖺𝗅𝗂𝖺𝗇𝗈 𝖪'𝗇𝖺𝖺𝗇 —, 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖼𝗈𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝖼𝖺𝗋𝗂𝖽𝖺𝖽𝖾 𝖾 𝖼𝗎𝗃𝗈𝗌 𝗋𝖾𝗇𝖽𝗂𝗆𝖾𝗇𝗍𝗈𝗌 𝖿𝗈𝗋𝖺𝗆 𝖽𝖾𝗌𝗍𝗂𝗇𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝖺𝗌 𝗏𝗂́𝗍𝗂𝗆𝖺𝗌 𝖽𝗈 𝗌𝗂𝗌𝗆𝗈 𝗈𝖼𝗈𝗋𝗋𝗂𝖽𝗈 𝗇𝗈 𝖧𝖺𝗂𝗍𝗂 𝗇𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈. 𝖤𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖺 𝖼𝗈𝗆𝗉𝗂𝗅𝖺𝖼̧𝖺̃𝗈 𝖤𝗌𝗌𝖾𝗇𝗍𝗂𝖺𝗅 𝖬𝗂𝗑𝖾𝗌, 𝖼𝗈𝗇𝗍𝖾𝗇𝖽𝗈 𝗋𝖾𝗆𝗂𝗑𝖾𝗌 𝖾 𝗏𝖾𝗋𝗌𝗈̃𝖾𝗌 𝖺𝖼𝗎́𝗌𝗍𝗂𝖼𝖺𝗌 𝖽𝖾 𝖺𝗅𝗀𝗎𝗆𝖺𝗌 𝖽𝖾 𝗌𝗎𝖺𝗌 𝖿𝖺𝗂𝗑𝖺𝗌-𝖺𝗌𝗌𝗂𝗇𝖺𝗍𝗎𝗋𝖺. 𝖤𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈, 𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖫𝗈𝗎𝖽, 𝖽𝖺 𝖻𝖺𝗋𝖻𝖺𝖽𝖾𝗇𝗌𝖾 𝖱𝗂𝗁𝖺𝗇𝗇𝖺, 𝗌𝖺𝗂𝗎 𝖺̀𝗌 𝗏𝖾𝗇𝖽𝖺𝗌 𝖼𝗈𝗆 𝗎𝗆𝖺 𝖽𝖾 𝗌𝗎𝖺𝗌 𝖿𝖺𝗂𝗑𝖺𝗌, "𝖢𝗁𝖾𝖾𝗋𝗌 (𝖣𝗋𝗂𝗇𝗄 𝗍𝗈 𝖳𝗁𝖺𝗍)", 𝗂𝗇𝗍𝖾𝗋𝗉𝗈𝗅𝖺𝗇𝖽𝗈 𝗍𝗋𝖾𝖼𝗁𝗈𝗌 𝖽𝖾 "𝖨'𝗆 𝗐𝗂𝗍𝗁 𝖸𝗈𝗎". 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖿𝖾𝗓 𝗎𝗆𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝖼̧𝖺̃𝗈 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅 𝗇𝗈 𝗏𝗂́𝖽𝖾𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗊𝗎𝖺𝗇𝖽𝗈 𝖺 𝖿𝖺𝗂𝗑𝖺 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝗇𝗈 𝖺𝗇𝗈 𝗌𝖾𝗀𝗎𝗂𝗇𝗍𝖾.

ㅤ𝖬𝖾𝗌𝗆𝗈 𝗊𝗎𝖾 𝗆𝖺𝗂𝗌 𝖽𝖺 𝗆𝖾𝗍𝖺𝖽𝖾 𝖽𝗈 𝗋𝖾𝗀𝗂𝗌𝗍𝗋𝗈 𝖾𝗌𝗍𝗂𝗏𝖾𝗌𝗌𝖾 𝖿𝗂𝗇𝖺𝗅𝗂𝗓𝖺𝖽𝖺, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗌𝖾 𝖽𝖾𝗌𝗅𝗈𝖼𝗈𝗎 𝗉𝖺𝗋𝖺 𝖺 𝖲𝗎𝖾́𝖼𝗂𝖺 𝖼𝗈𝗆 𝗈 𝗉𝗋𝗈𝗉𝗈́𝗌𝗂𝗍𝗈 𝖽𝖾 𝗍𝗋𝖺𝖻𝖺𝗅𝗁𝖺𝗋 𝖼𝗈𝗆 𝖬𝖺𝗑 𝖬𝖺𝗋𝗍𝗂𝗇 𝖾 𝖲𝗁𝖾𝗅𝗅𝖻𝖺𝖼𝗄, 𝗊𝗎𝖾 𝖼𝗈-𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗋𝖺𝗆 𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝗋𝖺𝗆 𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, "𝖶𝗁𝖺𝗍 𝗍𝗁𝖾 𝖧𝖾𝗅𝗅". 𝖠 𝖿𝖺𝗂𝗑𝖺 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖾𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟣 𝖾 𝗅𝗈𝗀𝗋𝗈𝗎 𝖺 𝟤.ª 𝖼𝗈𝗅𝗈𝖼𝖺𝖼̧𝖺̃𝗈 𝗇𝖺 𝖩𝖺𝗉𝖺𝗇 𝖧𝗈𝗍 𝟣𝟢𝟢 𝖾 𝟪.ª 𝗇𝖺 𝖢𝖺𝗇𝖺𝖽𝗂𝖺𝗇 𝖧𝗈𝗍 𝟣𝟢𝟢. 𝖤𝗆 𝗍𝖾𝗋𝗋𝗂𝗍𝗈́𝗋𝗂𝗈 𝖻𝗋𝗂𝗍𝖺̂𝗇𝗂𝖼𝗈 𝖾 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈, 𝗉𝗈𝗌𝗂𝖼𝗂𝗈𝗇𝗈𝗎-𝗌𝖾 𝗇𝗈𝗌 𝗏𝗂𝗇𝗍𝖾 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈𝗌 𝗉𝗈𝗌𝗍𝗈𝗌. 𝖣𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝗎𝗆𝖺 𝖾𝗌𝗉𝖾𝗋𝖺 𝖽𝖾 𝗊𝗎𝖺𝗌𝖾 𝗍𝗋𝖾̂𝗌 𝖺𝗇𝗈𝗌, 𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖽𝖾 𝗍𝗂́𝗍𝗎𝗅𝗈 𝖦𝗈𝗈𝖽𝖻𝗒𝖾 𝖫𝗎𝗅𝗅𝖺𝖻𝗒, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝖾𝗆 𝟤 𝖽𝖾 𝗆𝖺𝗋𝖼̧𝗈; 𝗌𝗎𝖺 𝖽𝖺𝗍𝖺 𝗂𝗇𝗂𝖼𝗂𝖺𝗅 𝖾𝗌𝗍𝖺𝗏𝖺 𝗉𝗋𝗈𝗀𝗋𝖺𝗆𝖺𝖽𝖺 𝗉𝖺𝗋𝖺 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟢𝟫, 𝗆𝖺𝗌 𝖿𝗈𝗂 𝖺𝖽𝗂𝖺𝖽𝖺 𝗏𝖺́𝗋𝗂𝖺𝗌 𝗏𝖾𝗓𝖾𝗌 𝗉𝗈𝗋 𝖽𝖾𝖼𝗂𝗌𝖺̃𝗈 𝖽𝖺 𝖱𝖢𝖠, 𝗎𝗆𝖺 𝗏𝖾𝗓 𝗊𝗎𝖾 𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 𝗇𝖺̃𝗈 𝗈 𝖼𝗈𝗇𝗌𝗂𝖽𝖾𝗋𝖺𝗏𝖺 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖺𝗉𝗍𝗈. 𝖠𝗅𝗀𝗎𝗇𝗌 𝖿𝖺𝗂𝗑𝖺𝗌 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝗌 𝗇𝗈 𝖺𝗅𝗂𝗇𝗁𝖺𝗆𝖾𝗇𝗍𝗈 𝖿𝗈𝗋𝖺𝗆 𝖼𝗈𝗆𝗉𝗈𝗌𝗍𝖺𝗌 𝖾 𝗉𝗋𝗈𝖽𝗎𝗓𝗂𝖽𝖺𝗌 𝗌𝗈𝗆𝖾𝗇𝗍𝖾 𝗉𝗈𝗋 𝖠𝗏𝗋𝗂𝗅 — 𝗉𝖾𝗅𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝗏𝖾𝗓 𝗉𝗋𝗈𝖽𝗎𝗍𝗋𝗂𝗓 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝖽𝖾 𝗎𝗆 𝗌𝖾𝗎𝗌 𝖽𝗂𝗌𝖼𝗈𝗌.

ㅤ𝖮 𝖺́𝗅𝖻𝗎𝗆 𝖿𝗈𝗂 𝗋𝖾𝖼𝖾𝖻𝗂𝖽𝗈 𝖼𝗈𝗆 𝖺𝗆𝖻𝗂𝗀𝗎𝗂𝖽𝖺𝖽𝖾 𝗉𝖾𝗅𝗈𝗌 𝖼𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌, 𝗊𝗎𝖾 𝗋𝖾𝖼𝗈𝗇𝗁𝖾𝖼𝖾𝗋𝖺𝗆 𝗌𝗎𝖺 𝗇𝖺𝗍𝗎𝗋𝖾𝗓𝖺 𝗂𝗇𝗍𝗂𝗆𝗂𝗌𝗍𝖺, 𝗆𝖺𝗌 𝗈𝖻𝗌𝖾𝗋𝗏𝖺𝗋𝖺𝗆 𝖺 𝖽𝗂𝖿𝗂𝖼𝗎𝗅𝖽𝖺𝖽𝖾 𝖽𝖺 𝗂𝗇𝗍𝖾́𝗋𝗉𝗋𝖾𝗍𝖾 𝖾𝗆 𝗍𝗋𝖺𝗇𝗌𝗆𝗂𝗍𝗂𝗋 𝖾𝗆𝗈𝖼̧𝗈̃𝖾𝗌 𝗀𝖾𝗇𝗎𝗂́𝗇𝖺𝗌 𝖾𝗆 𝗌𝗎𝖺𝗌 𝗅𝖾𝗍𝗋𝖺𝗌. 𝖠 𝗇𝗂́𝗏𝖾𝗅 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅, 𝖾𝗌𝗍𝗋𝖾𝗈𝗎 𝖾𝗆 𝟦.º 𝗅𝗎𝗀𝖺𝗋 𝗇𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢 𝖾 𝗇𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝟤 𝗇𝗈 𝖢𝖺𝗇𝖺𝖽𝖺́, 𝗈𝗌 𝗆𝖾𝗇𝗈𝗋𝖾𝗌 𝗉𝗂𝖼𝗈𝗌 𝖽𝖾 𝗌𝗎𝖺 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 𝖾𝗆 𝖺𝗆𝖻𝗈𝗌 𝗈𝗌 𝗉𝖺𝗂́𝗌𝖾𝗌 𝖺𝗍𝖾́ 𝖾𝗇𝗍𝖺̃𝗈. 𝖤𝗆 𝖼𝗈𝗇𝗍𝗋𝖺𝗉𝖺𝗋𝗍𝗂𝖽𝖺, 𝖽𝖾𝖻𝗎𝗍𝗈𝗎 𝗇𝗈 𝗍𝗈𝗉𝗈 𝖽𝖺 𝖺𝗎𝗌𝗍𝗋𝖺𝗅𝗂𝖺𝗇𝖺 𝖠𝖱𝖨𝖠 𝖢𝗁𝖺𝗋𝗍𝗌 𝖾 𝖽𝖺 𝗉𝖺𝗋𝖺𝖽𝖺 𝗃𝖺𝗉𝗈𝗇𝖾𝗌𝖺 𝗋𝖾𝖺𝗅𝗂𝗓𝖺𝖽𝖺 𝗉𝖾𝗅𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽. 𝖢𝗈𝗇𝗍𝖺𝖻𝗂𝗅𝗂𝗓𝗈𝗎 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟥𝟥𝟨 𝗆𝗂𝗅 𝖼𝗈́𝗉𝗂𝖺𝗌 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈 𝖺𝗍𝖾́ 𝗃𝗎𝗇𝗁𝗈, 𝗈 𝗊𝗎𝖾 𝖼𝗈𝗅𝗈𝖼𝗈𝗎 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗇𝖺 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝖾𝗇𝗍𝗋𝖾 𝗈𝗌 𝗈𝖼𝗂𝖽𝖾𝗇𝗍𝖺𝗂𝗌 𝖼𝗈𝗆 𝗏𝖾𝗇𝖽𝖺𝗌 𝗆𝖺𝗂𝗌 𝖺𝗅𝗍𝖺𝗌 𝗇𝗈 𝗉𝖺𝗂́𝗌 𝗇𝖺𝗊𝗎𝖾𝗅𝖾 𝖺𝗇𝗈.

ㅤ𝖠𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝗎𝖺𝗋 𝖺 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖦𝗈𝗈𝖽𝖻𝗒𝖾 𝖫𝗎𝗅𝗅𝖺𝖻𝗒, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖿𝗈𝗂 𝗇𝗈𝗏𝖺𝗆𝖾𝗇𝗍𝖾 𝖺𝖿𝖾𝗍𝖺𝖽𝖺 𝗉𝗈𝗋 𝗌𝗎𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺, 𝗊𝗎𝖾 𝖺𝗇𝗎𝗇𝖼𝗂𝗈𝗎 "𝖲𝗆𝗂𝗅𝖾" 𝖼𝗈𝗆𝗈 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖾𝗆 𝗏𝖾𝗓 𝖽𝖾 "𝖯𝗎𝗌𝗁", 𝖺 𝗊𝗎𝖺𝗅 𝖾𝗋𝖺 𝖺 𝗌𝗎𝖺 𝗌𝗎𝗀𝖾𝗌𝗍𝖺̃𝗈. 𝖠 𝖼𝖺𝗇𝖼̧𝖺̃𝗈, 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖾𝗆 𝖺𝖻𝗋𝗂𝗅, 𝗆𝗈𝗌𝗍𝗋𝗈𝗎-𝗌𝖾 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗂𝗇𝖿𝖾𝗋𝗂𝗈𝗋 𝖺 "𝖶𝗁𝖺𝗍 𝗍𝗁𝖾 𝖧𝖾𝗅𝗅", 𝖿𝗂𝖼𝖺𝗇𝖽𝗈 𝖿𝗈𝗋𝖺 𝖽𝖺𝗌 𝗊𝗎𝖺𝗋𝖾𝗇𝗍𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌 𝗍𝖺𝗇𝗍𝗈 𝖽𝖺 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅 𝗉𝖺𝗋𝖺𝖽𝖺 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾 𝖼𝗈𝗆𝗈 𝖽𝖺 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝖺. 𝖠𝗈 𝖿𝗂𝗇𝖺𝗅 𝖽𝗈 𝗆𝖾̂𝗌, 𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝖾𝗆 𝗉𝗋𝗈𝗆𝗈𝖼̧𝖺̃𝗈 𝖺𝗈 𝖽𝗂𝗌𝖼𝗈, 𝖺 𝖳𝗁𝖾 𝖡𝗅𝖺𝖼𝗄 𝖲𝗍𝖺𝗋 𝖳𝗈𝗎𝗋, 𝖿𝗈𝗂 𝗂𝗇𝗂𝖼𝗂𝖺𝖽𝖺, 𝖼𝗈𝗆𝖾𝖼̧𝖺𝗇𝖽𝗈 𝗉𝗈𝗋 𝗉𝖺𝗂́𝗌𝖾𝗌 𝖺𝗌𝗂𝖺́𝗍𝗂𝖼𝗈𝗌, 𝗆𝖺𝗌, 𝗉𝗈𝗋 𝖼𝖺𝗎𝗌𝖺 𝖽𝗈𝗌 𝖽𝖾𝗌𝖺𝗌𝗍𝗋𝖾𝗌 𝖼𝖺𝗎𝗌𝖺𝖽𝗈𝗌 𝗉𝖾𝗅𝗈 𝗌𝗂𝗌𝗆𝗈 𝖾 𝗍𝗌𝗎𝗇𝖺𝗆𝗂 𝖾𝗆 𝖳𝗈𝗁𝗈𝗄𝗎, 𝖼𝖺𝗇𝖼𝖾𝗅𝖺𝗋𝖺𝗆-𝗌𝖾 𝗈𝗌 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈𝗌 𝖺𝗀𝖾𝗇𝖽𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝗆𝖺𝗂𝗈 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝗈𝗌 𝗊𝗎𝖺𝗂𝗌 𝖿𝗈𝗋𝖺𝗆 𝗋𝖾𝗆𝖺𝗋𝖼𝖺𝖽𝗈𝗌 𝗉𝖺𝗋𝖺 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟣𝟤. 𝖤𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, "𝖶𝗂𝗌𝗁 𝖸𝗈𝗎 𝖶𝖾𝗋𝖾 𝖧𝖾𝗋𝖾" 𝗌𝖺𝗂𝗎 𝖼𝗈𝗆𝗈 𝗍𝖾𝗋𝖼𝖾𝗂𝗋𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈, 𝗈𝖻𝗍𝖾𝗇𝖽𝗈 𝗎𝗆 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝗆𝗈𝖽𝖾𝗋𝖺𝖽𝗈. 𝖤𝗆 𝗈𝗎𝗍𝗎𝖻𝗋𝗈, 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝖾𝗆 "𝖡𝖾𝗌𝗍 𝖸𝖾𝖺𝗋𝗌 𝖮𝖿 𝖮𝗎𝗋 𝖫𝗂𝗏𝖾𝗌", 𝖽𝗎𝖾𝗍𝗈 𝖼𝗈𝗆 𝖳𝖺𝗎𝖻𝖾𝗇𝖿𝖾𝗅𝖽. 𝖤𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈, 𝖠𝗏𝗋𝗂𝗅 𝖺𝗇𝗎𝗇𝖼𝗂𝗈𝗎 𝗌𝗎𝖺 𝗌𝖺𝗂́𝖽𝖺 𝖽𝖺 𝖱𝖢𝖠 𝖱𝖾𝖼𝗈𝗋𝖽𝗌 𝖾 𝖺𝗌𝗌𝗂𝗇𝖺𝗍𝗎𝗋𝖺 𝖼𝗈𝗆 𝖺 𝖤𝗉𝗂𝖼 𝖱𝖾𝖼𝗈𝗋𝖽𝗌, 𝗌𝗈𝖻 𝖺 𝗉𝗋𝖾𝗌𝗂𝖽𝖾̂𝗇𝖼𝗂𝖺 𝖽𝖾 𝖫.𝖠 𝖱𝖾𝗂𝖽, 𝗌𝖾𝗇𝖽𝗈 𝗊𝗎𝖾, 𝖺𝗉𝖾𝗌𝖺𝗋 𝖽𝗂𝗌𝗌𝗈, 𝖺𝗂𝗇𝖽𝖺 𝗉𝖾𝗋𝗆𝖺𝗇𝖾𝖼𝖾𝗎 𝗌𝗈𝖻 𝗈 𝗌𝖾𝗅𝗈 𝖽𝖺 𝖲𝗈𝗇𝗒 𝖬𝗎𝗌𝗂𝖼, 𝖽𝖺 𝗊𝗎𝖺𝗅 𝖺 𝖤𝗉𝗂𝖼 𝖿𝖺𝗓 𝗉𝖺𝗋𝗍𝖾. 𝖤𝗅𝖺 𝖽𝗂𝗌𝗌𝖾 𝖺𝗈 𝗃𝗈𝗋𝗇𝖺𝗅 𝖳𝗁𝖾 𝖦𝗅𝗈𝖻𝖾 𝖺𝗇𝖽 𝖬𝖺𝗂𝗅 𝖺̀ 𝖾́𝗉𝗈𝖼𝖺: "[𝖮𝗌 𝖾𝗑𝖾𝖼𝗎𝗍𝗂𝗏𝗈𝗌 𝖽𝖺 𝖱𝖢𝖠] 𝗋𝖾𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗇𝖺̃𝗈 𝗍𝖾𝗇𝗍𝖺𝗋𝖺𝗆 𝗆𝖾 𝖾𝗇𝗍𝖾𝗇𝖽𝖾𝗋. 𝖤𝗋𝖺𝗆 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝖽𝖾 𝗇𝖾𝗀𝗈́𝖼𝗂𝗈𝗌 𝗍𝖾𝗇𝗍𝖺𝗇𝖽𝗈 𝗆𝖾 𝖽𝖾𝗌𝖾𝗇𝖼𝗈𝗋𝖺𝗃𝖺𝗋". 𝖯𝖺𝗋𝖺 𝖾𝗇𝖼𝖾𝗋𝗋𝖺𝗋 𝖺 𝗍𝗎𝗋𝗇𝖾̂ 𝖾 𝖺𝗀𝗋𝖺𝖽𝖾𝖼𝖾𝗋 𝖺𝗈𝗌 𝖿𝖺̃𝗌 𝗉𝖾𝗅𝗈 𝖼𝖺𝗋𝗂𝗇𝗁𝗈, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗀𝗋𝖺𝗏𝗈𝗎 𝗎𝗆 𝗏𝗂́𝖽𝖾𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗉𝖺𝗋𝖺 𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 "𝖦𝗈𝗈𝖽𝖻𝗒𝖾", 𝗈 𝗊𝗎𝖺𝗅 𝖿𝗈𝗂 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖽𝗈 𝖾𝗆 𝗆𝖺𝗋𝖼̧𝗈 𝖽𝖾 𝟤𝟢𝟣𝟤. 𝖬𝖺𝗂𝗌 𝗍𝖺𝗋𝖽𝖾, 𝖾𝗅𝖺 𝖼𝗈𝗇𝗍𝗋𝗂𝖻𝗎𝗂𝗎 𝖼𝗈𝗆 𝖽𝗎𝖺𝗌 𝗋𝖾𝗀𝗋𝖺𝗏𝖺𝖼̧𝗈̃𝖾𝗌 𝗉𝖺𝗋𝖺 𝖺 𝗍𝗋𝗂𝗅𝗁𝖺 𝗌𝗈𝗇𝗈𝗋𝖺 𝖽𝗈 𝖿𝗂𝗅𝗆𝖾 𝖮𝗇𝖾 𝖯𝗂𝖾𝖼𝖾 𝖥𝗂𝗅𝗆: 𝖹: "𝖧𝗈𝗐 𝖸𝗈𝗎 𝖱𝖾𝗆𝗂𝗇𝖽 𝖬𝖾" (𝟤𝟢𝟢𝟣), 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖽𝗈 𝖭𝗂𝖼𝗄𝖾𝗅𝖻𝖺𝖼𝗄, 𝖾 "𝖡𝖺𝖽 𝖱𝖾𝗉𝗎𝗍𝖺𝗍𝗂𝗈𝗇" (𝟣𝟫𝟪𝟣), 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅 𝖽𝖾 𝖩𝗈𝖺𝗇 𝖩𝖾𝗍𝗍.

ㅤ𝟐𝟎𝟏𝟑 – 𝟐𝟎𝟏𝟓: 𝐴𝑣𝑟𝑖𝑙 𝐿𝑎𝑣𝑖𝑔𝑛𝑒 𝑒 𝑑𝑜𝑒𝑛𝑐̧𝑎 𝑑𝑒 𝐿𝑦𝑚𝑒

ㅤ𝖭𝗈 𝖼𝗈𝗆𝖾𝖼̧𝗈 𝖽𝖾 𝖺𝖻𝗋𝗂𝗅 𝖽𝖾 𝟤𝟢𝟣𝟥, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝗋𝖾𝗏𝖾𝗅𝗈𝗎 𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝖺𝗏𝖺𝗇𝖼̧𝗈 𝖽𝖾 𝗌𝖾𝗎 𝗊𝗎𝗂𝗇𝗍𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖽𝖾 𝖾𝗌𝗍𝗎́𝖽𝗂𝗈. 𝖮 𝗍𝖾𝗆𝖺, 𝗇𝗈𝗆𝖾𝖺𝖽𝗈 "𝖧𝖾𝗋𝖾'𝗌 𝗍𝗈 𝖭𝖾𝗏𝖾𝗋 𝖦𝗋𝗈𝗐𝗂𝗇𝗀 𝖴𝗉", 𝖺𝗅𝖼𝖺𝗇𝖼̧𝗈𝗎 𝗈 𝗍𝗈𝗉𝗈 𝖽𝖺 𝗍𝖺𝖻𝖾𝗅𝖺 𝖽𝖾 𝖳𝖺𝗂𝗐𝖺𝗇, 𝖺 𝗈𝗂𝗍𝖺𝗏𝖺 𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝖾 𝖺𝗌 𝗏𝗂𝗇𝗍𝖾 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝖼𝗈𝗅𝗈𝖼𝖺𝖼̧𝗈̃𝖾𝗌 𝖾𝗆 𝗋𝖾𝗀𝗂𝗈̃𝖾𝗌 𝖼𝗈𝗆𝗈 𝖠𝗎𝗌𝗍𝗋𝖺́𝗅𝗂𝖺, 𝖢𝖺𝗇𝖺𝖽𝖺́, 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌 𝖾 𝖱𝖾𝗂𝗇𝗈 𝖴𝗇𝗂𝖽𝗈. 𝖤𝗆 𝖺𝗀𝗈𝗌𝗍𝗈, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝗌𝖾𝗀𝗎𝗂𝗇𝗍𝖾, "𝖱𝗈𝖼𝗄 𝖭 𝖱𝗈𝗅𝗅", 𝗊𝗎𝖾 𝗈𝖻𝗍𝖾𝗏𝖾 𝗇𝗎́𝗆𝖾𝗋𝗈𝗌 𝗂𝗇𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝗂𝗏𝗈𝗌 𝖺̀ 𝖾𝗑𝖼𝖾𝖼̧𝖺̃𝗈 𝖽𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝗈𝗇𝖽𝖾 𝗅𝗈𝗀𝗋𝗈𝗎 𝖺 𝟧.ª 𝗉𝗈𝗌𝗂𝖼̧𝖺̃𝗈. 𝖤𝗆 𝗈𝗎𝗍𝗎𝖻𝗋𝗈, 𝖿𝗈𝗂 𝖽𝖾𝖼𝗂𝖽𝗂𝖽𝗈 𝗊𝗎𝖾 𝗌𝖺𝗂𝗋𝗂𝖺 𝗆𝖺𝗂𝗌 𝗎𝗆𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖺𝗇𝗍𝖾𝗌 𝖽𝗈 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆. 𝖣𝖾𝗌𝗌𝖺 𝗏𝖾𝗓, 𝖿𝗈𝗂 "𝖫𝖾𝗍 𝖬𝖾 𝖦𝗈", 𝖽𝗎𝖾𝗍𝗈 𝖼𝗈𝗆 𝖢𝗁𝖺𝖽 𝖪𝗋𝗈𝖾𝗀𝖾𝗋, 𝗊𝗎𝖾 𝖼𝗈𝗇𝗌𝖾𝗀𝗎𝗂𝗎 𝗎𝗆 𝖻𝗈𝗆 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝗇𝖺𝗌 𝖾𝗌𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖺𝖽𝗎𝗅𝗍 𝖼𝗈𝗇𝗍𝖾𝗆𝗉𝗈𝗋𝖺𝗋𝗒 𝖼𝖺𝗇𝖺𝖽𝖾𝗇𝗌𝖾𝗌. 𝖮 𝖽𝗂𝗌𝖼𝗈, 𝗂𝗇𝗍𝗂𝗍𝗎𝗅𝖺𝖽𝗈 𝖼𝗈𝗆 𝗈 𝗌𝖾𝗎 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈 𝗇𝗈𝗆𝖾, 𝗍𝖾𝗏𝖾 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝖾𝗆 𝟧 𝖽𝖾 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈 𝖾 𝖽𝗂𝖿𝖾𝗋𝖾-𝗌𝖾 𝖽𝗈 𝖺𝗇𝗍𝖾𝖼𝖾𝗌𝗌𝗈𝗋, 𝗉𝗈𝗂𝗌 𝗂𝗇𝖼𝗈𝗋𝗉𝗈𝗋𝖺 𝗎𝗆𝖺 𝗉𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝗆𝖺𝗂𝗌 𝖾𝗅𝖺𝖻𝗈𝗋𝖺𝖽𝖺 𝖾 𝗍𝖾𝗆𝖺𝗌 𝖼𝗈𝗆𝗈 𝗋𝖾𝖻𝖾𝗅𝖽𝗂𝖺 𝖾 𝗃𝗎𝗏𝖾𝗇𝗍𝗎𝖽𝖾. 𝖮 𝗆𝖺𝗍𝖾𝗋𝗂𝖺𝗅, 𝗊𝗎𝖾 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝗌𝖾𝗋 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝗂𝖽𝗈 𝗍𝗋𝖾̂𝗌 𝗆𝖾𝗌𝖾𝗌 𝖺𝗉𝗈́𝗌 𝖺 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖦𝗈𝗈𝖽𝖻𝗒𝖾 𝖫𝗎𝗅𝗅𝖺𝖻𝗒, 𝖼𝗈𝗇𝗍𝗈𝗎 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝖺 𝖼𝗈𝗅𝖺𝖻𝗈𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝖪𝗋𝗈𝖾𝗀𝖾𝗋, 𝖣𝖺𝗏𝗂𝖽 𝖧𝗈𝖽𝗀𝖾𝗌 𝖾 𝖬𝖺𝗋𝗍𝗂𝗇 𝖩𝗈𝗁𝗇𝗌𝗈𝗇, 𝖺𝗅𝖾́𝗆 𝖽𝖾 𝗍𝖾𝗋 𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝖼̧𝖺̃𝗈 𝗏𝗈𝖼𝖺𝗅 𝖽𝗈 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈 𝖬𝖺𝗋𝗂𝗅𝗒𝗇 𝖬𝖺𝗇𝗌𝗈𝗇 𝗇𝖺 𝖿𝖺𝗂𝗑𝖺 "𝖡𝖺𝖽 𝖦𝗂𝗋𝗅".

ㅤ𝖱𝖾𝖼𝖾𝖻𝗂𝖽𝗈 𝖼𝗈𝗆 𝗈𝗉𝗂𝗇𝗂𝗈̃𝖾𝗌, 𝖾𝗆 𝗀𝖾𝗋𝖺𝗅, 𝗉𝗈𝗌𝗂𝗍𝗂𝗏𝖺𝗌 𝖽𝖾 𝖺𝗇𝖺𝗅𝗂𝗌𝗍𝖺𝗌, 𝖠𝗏𝗋𝗂𝗅 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝗈𝗎-𝗌𝖾 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝗆𝗈𝖽𝖾𝗋𝖺𝖽𝗈, 𝖾𝗌𝗍𝗋𝖾𝖺𝗇𝖽𝗈 𝗇𝗈 𝗇𝗎́𝗆𝖾𝗋𝗈 𝟧 𝖽𝖺 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽 𝟤𝟢𝟢, 𝖼𝗈𝗆 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟦𝟦 𝗆𝗂𝗅 𝖼𝗈́𝗉𝗂𝖺𝗌, 𝗌𝖾𝗎 𝗉𝗂𝖼𝗈 𝖽𝖾 𝗏𝖾𝗇𝖽𝖺𝗌 𝗆𝖺𝗂𝗌 𝖻𝖺𝗂𝗑𝗈 𝖺𝗍𝖾́ 𝖺𝗊𝗎𝖾𝗅𝖾 𝗆𝗈𝗆𝖾𝗇𝗍𝗈. 𝖮 𝗆𝖾𝗌𝗆𝗈 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈 𝖽𝖾𝖼𝗈𝗋𝗋𝖾𝗎 𝗇𝗈 𝗉𝖺𝗂́𝗌 𝗇𝖺𝗍𝖺𝗅 𝖽𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺, 𝗈𝗇𝖽𝖾 𝖾𝗌𝗍𝗋𝖾𝗈𝗎 𝗇𝖺 𝟦.ª 𝖼𝗈𝗅𝗈𝖼𝖺𝖼̧𝖺̃𝗈, 𝖼𝗈𝗆 𝗏𝖾𝗇𝖽𝖺𝗌 𝖽𝖾 𝟪.𝟧 𝗆𝗂𝗅 𝖼𝗈́𝗉𝗂𝖺𝗌, 𝖾 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗇𝗈 𝖱𝖾𝗂𝗇𝗈 𝖴𝗇𝗂𝖽𝗈, 𝗇𝗈 𝗊𝗎𝖺𝗅 𝗈 𝖽𝖾𝖻𝗎𝗍𝖾 𝖿𝗈𝗂 𝖿𝗈𝗋𝖺 𝖽𝗈𝗌 𝖽𝖾𝗓 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈𝗌 𝗉𝗈𝗌𝗍𝗈𝗌 𝖽𝖺 𝖴𝖪 𝖠𝗅𝖻𝗎𝗆𝗌 𝖢𝗁𝖺𝗋𝗍, 𝗌𝖺𝗂𝗇𝖽𝗈 𝖽𝗈 𝗀𝗋𝖺́𝖿𝗂𝖼𝗈 𝖺𝗉𝗈́𝗌 𝗆𝖺𝗂𝗌 𝖽𝗎𝖺𝗌 𝗌𝖾𝗆𝖺𝗇𝖺𝗌. 𝖤𝗇𝗍𝗋𝖾𝗍𝖺𝗇𝗍𝗈, 𝖺𝗍𝗂𝗇𝗀𝗂𝗎 𝖻𝗈𝗇𝗌 𝗂́𝗇𝖽𝗂𝖼𝖾𝗌 𝗇𝗈 𝖼𝗈𝗇𝗍𝗂𝗇𝖾𝗇𝗍𝖾 𝖺𝗌𝗂𝖺́𝗍𝗂𝖼𝗈, 𝖺 𝖾𝗑𝖾𝗆𝗉𝗅𝗈 𝖽𝗈 𝖩𝖺𝗉𝖺̃𝗈, 𝗈𝗇𝖽𝖾 𝖺 𝖱𝖾𝖼𝗈𝗋𝖽𝗂𝗇𝗀 𝖨𝗇𝖽𝗎𝗌𝗍𝗋𝗒 𝖠𝗌𝗌𝗈𝖼𝗂𝖺𝗍𝗂𝗈𝗇 𝗈𝖿 𝖩𝖺𝗉𝖺𝗇 (𝖱𝖨𝖠𝖩) 𝖼𝖾𝗋𝗍𝗂𝖿𝗂𝖼𝗈𝗎-𝗈, 𝖺𝗂𝗇𝖽𝖺 𝖾𝗆 𝗇𝗈𝗏𝖾𝗆𝖻𝗋𝗈, 𝖼𝗈𝗆 𝖽𝗂𝗌𝖼𝗈 𝖽𝖾 𝗈𝗎𝗋𝗈. 𝖠𝗅𝖾́𝗆 𝖽𝗂𝗌𝗌𝗈, 𝖺𝗅𝖼𝖺𝗇𝖼̧𝗈𝗎 𝗈 𝖼𝗎𝗆𝖾 𝗇𝖺 𝖢𝗁𝗂𝗇𝖺 𝖾 𝖾𝗆 𝖳𝖺𝗂𝗐𝖺𝗇; 𝗇𝖾𝗌𝗍𝖾 𝗎́𝗅𝗍𝗂𝗆𝗈, 𝖿𝗈𝗂 𝗈 𝟫.º 𝖺́𝗅𝖻𝗎𝗆 𝗆𝖺𝗂𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝗈 𝖽𝖾 𝟤𝟢𝟣𝟥, 𝖼𝗈𝗆 𝗆𝖺𝗂𝗌 𝖽𝖾 𝟥𝟨 𝗆𝗂𝗅 𝗎𝗇𝗂𝖽𝖺𝖽𝖾𝗌 𝗏𝖾𝗇𝖽𝗂𝖽𝖺𝗌, 𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖿𝗈𝗂 𝖺 𝗎́𝗇𝗂𝖼𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗈𝖼𝗂𝖽𝖾𝗇𝗍𝖺𝗅 𝖽𝗈 𝗌𝖾𝗑𝗈 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝗈 𝖺 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗋 𝗇𝖺𝗌 𝖽𝖾𝗓 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺𝗌 𝗉𝗈𝗌𝗂𝖼̧𝗈̃𝖾𝗌.

ㅤ𝖢𝗈𝗆𝗈 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗏𝗂𝗌𝗂𝗍𝗈𝗎 𝗉𝖺𝗂́𝗌𝖾𝗌 𝖺𝗌𝗂𝖺́𝗍𝗂𝖼𝗈𝗌 𝖼𝗈𝗆 𝖺 𝖳𝗁𝖾 𝖠𝗏𝗋𝗂𝗅 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖳𝗈𝗎𝗋, 𝗂𝗇𝗂𝖼𝗂𝖺𝖽𝖺 𝖾𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟦. 𝖠 𝗌𝗎𝖺 𝗉𝖺𝗌𝗌𝖺𝗀𝖾𝗆, 𝖾𝗆 𝖺𝖻𝗋𝗂𝗅, 𝗉𝗈𝗋 𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝖻𝗋𝖺𝗌𝗂𝗅𝖾𝗂𝗋𝖺𝗌 𝗋𝖾𝗉𝖾𝗋𝖼𝗎𝗍𝗂𝗎 𝗇𝖺 𝗂𝗆𝗉𝗋𝖾𝗇𝗌𝖺, 𝗎𝗆𝖺 𝗏𝖾𝗓 𝗊𝗎𝖾 𝗈𝗌 𝖿𝖺̃𝗌 𝖿𝗈𝗋𝖺𝗆 𝗉𝗋𝗈𝗂𝖻𝗂𝖽𝗈𝗌 𝖽𝖾 𝗍𝗈𝖼𝖺́-𝗅𝖺 𝗈𝗎 𝖺𝖻𝗋𝖺𝖼̧𝖺́-𝗅𝖺 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝗈 𝖬𝖾𝖾𝗍 & 𝖦𝗋𝖾𝖾𝗍. 𝖣𝖾𝗉𝗈𝗂𝗌 𝗌𝖾 𝗌𝖾𝗋 𝖺𝗅𝗏𝗈 𝖽𝖾 𝖽𝗂𝗏𝖾𝗋𝗌𝖺𝗌 𝖼𝗋𝗂́𝗍𝗂𝖼𝖺𝗌, 𝖾𝗅𝖺 𝗉𝗎𝖻𝗅𝗂𝖼𝗈𝗎 𝗎𝗆𝖺 𝗆𝗈𝗇𝗍𝖺𝗀𝖾𝗆 𝖼𝗈𝗆 𝗏𝖺́𝗋𝗂𝖺𝗌 𝖿𝗈𝗍𝗈𝗌 𝖼𝗈𝗆 𝗈𝗌 𝖿𝖺̃𝗌 𝖾𝗆 𝗌𝖾𝗎 𝖳𝗐𝗂𝗍𝗍𝖾𝗋, 𝗆𝖺𝗌 𝗏𝗈𝗅𝗍𝗈𝗎 𝖺 𝗀𝖾𝗋𝖺𝗋 𝗉𝗈𝗅𝖾̂𝗆𝗂𝖼𝖺 𝖽𝖾𝗏𝗂𝖽𝗈 𝖺𝗈 𝗎𝗌𝗈 𝖽𝖾 𝖾𝖽𝗂𝖼̧𝖺̃𝗈 𝖽𝗂𝗀𝗂𝗍𝖺𝗅. 𝖤𝗆 𝗆𝖺𝗂𝗈, "𝖧𝖾𝗅𝗅𝗈 𝖪𝗂𝗍𝗍𝗒" 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈 𝖺𝗉𝖾𝗇𝖺𝗌. 𝖠 𝖿𝖺𝗂𝗑𝖺, 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖽𝖺 𝗇𝗈 𝖩-𝗉𝗈𝗉 𝖾 𝖤𝖣𝖬, 𝖿𝗈𝗂 𝖺𝗆𝗉𝗅𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗋𝗂𝗍𝗂𝖼𝖺𝖽𝖺, 𝖾𝗇𝗊𝗎𝖺𝗇𝗍𝗈 𝗈 𝗏𝗂𝖽𝖾𝗈𝖼𝗅𝗂𝗉𝖾 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝗇𝗍𝖾 𝖿𝗈𝗂 𝖼𝗋𝗂𝗍𝗂𝖼𝖺𝖽𝗈 𝗉𝖾𝗅𝖺 𝗂𝗆𝗉𝗋𝖾𝗇𝗌𝖺 𝗈𝖼𝗂𝖽𝖾𝗇𝗍𝖺𝗅, 𝗉𝗈𝗋 𝗌𝗎𝖺 𝗋𝖾𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝖺̃𝗈 𝖾𝗌𝗍𝖾𝗋𝖾𝗈𝗍𝗂𝗉𝖺𝖽𝖺 𝖽𝖺 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝗃𝖺𝗉𝗈𝗇𝖾𝗌𝖺. 𝖣𝖾 𝗆𝗈𝖽𝗈 𝖼𝗈𝗇𝗍𝗋𝖺́𝗋𝗂𝗈, 𝗈𝗌 𝖿𝖺̃𝗌 𝗃𝖺𝗉𝗈𝗇𝖾𝗌𝖾𝗌 𝖽𝖾𝗆𝗈𝗇𝗌𝗍𝗋𝖺𝗋𝖺𝗆 𝖺𝗉𝗋𝖾𝖼̧𝗈 𝗉𝖾𝗅𝗈 𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈. 𝖠̀ 𝗆𝖾𝗌𝗆𝖺 𝖾́𝗉𝗈𝖼𝖺, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖺𝖻𝗋𝗂𝗎 𝖼𝗈𝗇𝖼𝖾𝗋𝗍𝗈𝗌 𝖽𝗈 𝖡𝖺𝖼𝗄𝗌𝗍𝗋𝖾𝖾𝗍 𝖡𝗈𝗒𝗌 𝗉𝖾𝗅𝖺 𝗌𝗎𝖺 𝖨𝗇 𝖺 𝖶𝗈𝗋𝗅𝖽 𝖫𝗂𝗄𝖾 𝖳𝗁𝗂𝗌 𝖳𝗈𝗎𝗋. 𝖣𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝗍𝖾𝗋 𝖿𝗂𝗇𝖺𝗅𝗂𝗓𝖺𝖽𝗈 𝖺 𝖳𝗁𝖾 𝖠𝗏𝗋𝗂𝗅 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖳𝗈𝗎𝗋 𝖼𝗈𝗆 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝗇𝗈 𝖩𝖺𝗉𝖺̃𝗈 𝖾𝗆 𝖺𝗀𝗈𝗌𝗍𝗈, 𝖾𝗅𝖺 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝗌𝖾𝗇𝗍𝗂𝗋-𝗌𝖾 𝖼𝗈𝗇𝗌𝗍𝖺𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝖾𝗑𝖺𝗎𝗌𝗍𝖺. 𝖤𝗆 𝖽𝖾𝗓𝖾𝗆𝖻𝗋𝗈, 𝖽𝖾𝗎-𝗌𝖾 𝖺 𝖼𝗈𝗇𝗁𝖾𝖼𝖾𝗋 𝗊𝗎𝖾 𝗌𝖾 𝖾𝗇𝖼𝗈𝗇𝗍𝗋𝖺𝗏𝖺 𝖼𝗈𝗆 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺𝗌 𝖽𝖾 𝗌𝖺𝗎́𝖽𝖾. 𝖠𝗉𝗈́𝗌 𝗂𝗌𝗌𝗈, 𝗌𝗎𝗋𝗀𝗂𝗋𝖺𝗆 𝗋𝗎𝗆𝗈𝗋𝖾𝗌 𝖽𝖾 𝗊𝗎𝖾 𝖾𝗌𝗍𝖺𝗋𝗂𝖺 𝖾𝗆 𝗋𝖾𝖺𝖻𝗂𝗅𝗂𝗍𝖺𝖼̧𝖺̃𝗈, 𝗈 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗇𝖾𝗀𝖺𝖽𝗈 𝖾𝗆 𝗌𝖾𝗎 𝖳𝗐𝗂𝗍𝗍𝖾𝗋.

ㅤ𝖤𝗆 𝖺𝖻𝗋𝗂𝗅 𝖽𝖾 𝟤𝟢𝟣𝟧, 𝖺𝗉𝗈́𝗌 𝖼𝗂𝗇𝖼𝗈 𝗆𝖾𝗌𝖾𝗌 𝖺𝖼𝖺𝗆𝖺𝖽𝖺 𝖾 𝖽𝗂𝗌𝗍𝖺𝗇𝗍𝖾 𝖽𝖺 𝗏𝗂𝖽𝖺 𝗉𝗎́𝖻𝗅𝗂𝖼𝖺, 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖽𝖾𝖼𝗅𝖺𝗋𝗈𝗎, 𝗉𝗈𝗋 𝗆𝖾𝗂𝗈 𝖽𝖾 𝗎𝗆𝖺 𝖾𝗇𝗍𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖼𝗈𝗆 𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖯𝖾𝗈𝗉𝗅𝖾, 𝗊𝗎𝖾 𝖼𝗈𝗇𝗍𝗋𝖺𝗂́𝗋𝖺 𝖫𝗒𝗆𝖾. 𝖨𝗇𝗂𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝗈𝗌 𝗆𝖾́𝖽𝗂𝖼𝗈𝗌 𝗊𝗎𝖾 𝗏𝗂𝗌𝗂𝗍𝖺𝗋𝖺 𝗌𝗎𝗀𝖾𝗋𝗂𝗋𝖺𝗆 𝗊𝗎𝖾 𝖾𝗌𝗍𝗂𝗏𝖾𝗌𝗌𝖾 𝖼𝗈𝗆 𝗌𝗂́𝗇𝖽𝗋𝗈𝗆𝖾 𝖽𝖺 𝖿𝖺𝖽𝗂𝗀𝖺 𝖼𝗋𝗈̂𝗇𝗂𝖼𝖺 𝗈𝗎 𝖺𝗇𝗌𝗂𝖾𝖽𝖺𝖽𝖾. 𝖢𝗈𝗆 𝗈 𝖽𝗂𝖺𝗀𝗇𝗈́𝗌𝗍𝗂𝖼𝗈 𝖼𝗈𝗋𝗋𝖾𝗍𝗈 — 𝖿𝖾𝗂𝗍𝗈 𝖽𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝗉𝖺𝗌𝗌𝖺𝗋 𝗆𝖺𝗅 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝗎𝗆𝖺 𝗏𝗂𝖺𝗀𝖾𝗆, 𝖾𝗆 𝗈𝗎𝗍𝗎𝖻𝗋𝗈 𝖽𝗈 𝖺𝗇𝗈 𝗉𝖺𝗌𝗌𝖺𝖽𝗈, 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆𝖾𝗆𝗈𝗋𝖺𝗋 𝗈 𝗌𝖾𝗎 𝖺𝗇𝗂𝗏𝖾𝗋𝗌𝖺́𝗋𝗂𝗈 𝖾𝗆 𝖫𝖺𝗌 𝖵𝖾𝗀𝖺𝗌 —, 𝖾𝗅𝖺 𝗉𝖺𝗌𝗌𝗈𝗎 𝖺 𝗍𝗋𝖺𝗍𝖺𝗋-𝗌𝖾 𝖼𝗈𝗆 𝖺𝗇𝗍𝗂𝖻𝗂𝗈́𝗍𝗂𝖼𝗈𝗌 𝖾 𝖺 𝗋𝖾𝗉𝗈𝗎𝗌𝖺𝗋. 𝖤𝗆 𝟣𝟨 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈 𝗆𝖾̂𝗌, "𝖥𝗅𝗒", 𝗎𝗆𝖺 𝗌𝗈𝖻𝗋𝖺 𝖽𝖺𝗌 𝗌𝖾𝗌𝗌𝗈̃𝖾𝗌 𝖽𝖾 𝖠𝗏𝗋𝗂𝗅 𝖫𝖺𝗏𝗂𝗀𝗇𝖾, 𝗌𝖺𝗂𝗎 𝖽𝗂𝗀𝗂𝗍𝖺𝗅𝗆𝖾𝗇𝗍𝖾, 𝖾 𝗈𝗌 𝗅𝗎𝖼𝗋𝗈𝗌 𝖽𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝗌𝖾𝗋𝗏𝗂𝗋𝖺𝗆 𝖽𝖾 𝖺𝗉𝗈𝗂𝗈 𝖺𝗈𝗌 𝖩𝗈𝗀𝗈𝗌 𝖬𝗎𝗇𝖽𝗂𝖺𝗂𝗌 𝖽𝖾 𝖵𝖾𝗋𝖺̃𝗈 𝖽𝖺𝗌 𝖮𝗅𝗂𝗆𝗉𝗂́𝖺𝖽𝖺𝗌 𝖤𝗌𝗉𝖾𝖼𝗂𝖺𝗂𝗌 𝖽𝖾 𝟤𝟢𝟣𝟧. 𝖠𝗈 𝗆𝖾𝗌𝗆𝗈 𝗍𝖾𝗆𝗉𝗈, 𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗋𝖾𝗏𝖾𝗅𝗈𝗎 𝗈 𝖽𝖾𝗌𝖾𝗃𝗈 𝖽𝖾 𝗀𝗋𝖺𝗏𝖺𝗋 𝗎𝗆 𝖺́𝗅𝖻𝗎𝗆 𝗇𝖺𝗍𝖺𝗅𝗂𝗇𝗈. 𝖤𝗅𝖺 𝖼𝖺𝗇𝗍𝗈𝗎 𝖺 𝖿𝖺𝗂𝗑𝖺 𝗇𝖺 𝖼𝖾𝗋𝗂𝗆𝗈̂𝗇𝗂𝖺 𝖽𝖾 𝖺𝖻𝖾𝗋𝗍𝗎𝗋𝖺 𝖽𝗈 𝖾𝗏𝖾𝗇𝗍𝗈, 𝗊𝗎𝖾 𝗈𝖼𝗈𝗋𝗋𝖾𝗎 𝖾𝗆 𝖫𝗈𝗌 𝖠𝗇𝗀𝖾𝗅𝖾𝗌 𝖾𝗆 𝟤𝟧 𝖽𝖾 𝗃𝗎𝗅𝗁𝗈. 𝖤𝗆 𝖺𝗀𝗈𝗌𝗍𝗈, 𝗃𝗎𝗇𝗍𝗈𝗎-𝗌𝖾 𝖺 𝖳𝖺𝗒𝗅𝗈𝗋 𝖲𝗐𝗂𝖿𝗍 𝗇𝗈 𝗉𝖺𝗅𝖼𝗈 𝖽𝖺 𝗉𝖺𝗋𝖺𝖽𝖺 𝖽𝖺 𝖳𝗁𝖾 𝟣𝟫𝟪𝟫 𝖶𝗈𝗋𝗅𝖽 𝖳𝗈𝗎𝗋 𝖾𝗆 𝖲𝖺𝗇 𝖣𝗂𝖾𝗀𝗈, 𝗈𝗇𝖽𝖾 𝖾𝗅𝖺𝗌 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝖺𝗋𝖺𝗆 "𝖢𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽", 𝗈 𝗊𝗎𝖾 𝖿𝗈𝗂 𝗏𝗂𝗌𝗍𝗈 𝖼𝗈𝗆𝗈 𝗎𝗆 𝗉𝗈𝗇𝗍𝗈 𝖿𝗂𝗇𝖺𝗅 𝗉𝖺𝗋𝖺 𝗈 𝗆𝖺𝗅-𝖾𝗇𝗍𝖾𝗇𝖽𝗂𝖽𝗈 𝗈𝖼𝗈𝗋𝗋𝗂𝖽𝗈 𝖾𝗇𝗍𝗋𝖾 𝖺𝗌 𝖽𝗎𝖺𝗌 𝗊𝗎𝖺𝗇𝖽𝗈 𝖲𝗐𝗂𝖿𝗍 𝖼𝗎𝗋𝗍𝗂𝗎 𝗎𝗆𝖺 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝗇𝗈 𝖳𝗎𝗆𝖻𝗅𝗋 𝗊𝗎𝖾 𝖽𝖾𝗌𝖿𝖺𝗏𝗈𝗋𝖺𝗏𝖾𝗅𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆𝗉𝖺𝗋𝗈𝗎 𝗌𝖾𝗎𝗌 𝗉𝗋𝗈́𝗉𝗋𝗂𝗈𝗌 𝖼𝗎𝗆𝗉𝗋𝗂𝗆𝖾𝗇𝗍𝗈𝗌 𝖺̀𝗌 𝖿𝗈𝗍𝗈𝗌 𝖽𝖾 𝖫𝖺𝗏𝗂𝗀𝗇𝖾 𝖼𝗈𝗆 𝗈𝗌 𝖿𝖺̃𝗌 𝖻𝗋𝖺𝗌𝗂𝗅𝖾𝗂𝗋𝗈𝗌.

ㅤ𝟐𝟎𝟏𝟔 – 𝑷𝒓𝒆𝒔𝒆𝒏𝒕𝒆: 𝐻𝑒𝑎𝑑 𝐴𝑏𝑜𝑣𝑒 𝑊𝑎𝑡𝑒𝑟

ㅤ𝖭𝗈 𝖺𝗇𝗈 𝖽𝖾 𝟤𝟢𝟣𝟨, 𝖺 𝖼𝖺𝗇𝗍𝗈𝗋𝖺 𝗇𝖺̃𝗈 𝗌𝖾 𝖽𝖾𝖽𝗂𝖼𝗈𝗎 𝖺̀ 𝖼𝖺𝗋𝗋𝖾𝗂𝗋𝖺 𝗍𝖺𝗆𝗉𝗈𝗎𝖼𝗈 𝗋𝖾𝖺𝗅𝗂𝗓𝗈𝗎 𝖺𝗉𝖺𝗋𝗂𝖼̧𝗈̃𝖾𝗌 𝗉𝗎́𝖻𝗅𝗂𝖼𝖺𝗌 𝖾𝗆 𝖾𝗏𝖾𝗇𝗍𝗈𝗌, 𝖼𝗈𝗆 𝖾𝗑𝖼𝖾𝖼̧𝖺̃𝗈 𝖽𝖾 𝗊𝗎𝖺𝗇𝖽𝗈 𝖼𝗈𝗆𝗉𝖺𝗋𝖾𝖼𝖾𝗎, 𝖾𝗆 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈, 𝗇𝖺 𝖿𝖾𝗌𝗍𝖺 𝗊𝗎𝖾 𝖺𝗇𝗍𝖾𝖼𝖾𝖽𝖾𝗎 𝖺 𝖼𝖾𝗋𝗂𝗆𝗈̂𝗇𝗂𝖺 𝖽𝗈 𝖦𝗋𝖺𝗆𝗆𝗒 𝖾 𝖽𝗎𝗋𝖺𝗇𝗍𝖾 𝗈𝗌 𝗉𝗋𝖾̂𝗆𝗂𝗈𝗌 𝖩𝗎𝗇𝗈 𝖾𝗆 𝖺𝖻𝗋𝗂𝗅; 𝖾𝗆 𝖺𝗆𝖻𝗈𝗌, 𝖺𝖼𝗈𝗆𝗉𝖺𝗇𝗁𝖺𝖽𝖺 𝖽𝖾 𝗌𝖾𝗎 𝖾𝗑-𝗆𝖺𝗋𝗂𝖽𝗈, 𝖢𝗁𝖺𝖽 𝖪𝗋𝗈𝖾𝗀𝖾𝗋. 𝖣𝖾𝗉𝗈𝗂𝗌 𝖽𝖾 𝖽𝗈𝗂𝗌 𝖺𝗇𝗈𝗌 𝖽𝖾 𝗍𝗋𝖺𝗍𝖺𝗆𝖾𝗇𝗍𝗈, 𝗇𝗈𝗌 𝗊𝗎𝖺𝗂𝗌 𝗉𝖺𝗌𝗌𝗈𝗎 𝗆𝗎𝗂𝗍𝗈𝗌 𝖽𝗂𝖺𝗌 𝖺𝖼𝖺𝗆𝖺𝖽𝖺, 𝖠𝗏𝗋𝗂𝗅 𝖼𝗈𝗆𝖾𝖼̧𝗈𝗎 𝖺 𝖼𝗋𝗂𝖺𝗋 𝗎𝗆 𝗇𝗈𝗏𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝖼𝗈𝗆𝗉𝗈𝗇𝖽𝗈 𝗂𝗇𝗂𝖼𝗂𝖺𝗅𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗈 𝖺𝗉𝗈𝗂𝗈 𝖽𝖾 𝗎𝗆 𝗏𝗂𝗈𝗅𝖺̃𝗈 𝖺𝗂𝗇𝖽𝖺 𝖾𝗆 𝗌𝗎𝖺 𝖼𝖺𝗆𝖺 𝖾, 𝖽𝖾𝗉𝗈𝗂𝗌, 𝖺𝗈 𝗋𝖾𝖼𝗎𝗉𝖾𝗋𝖺𝗋 𝗎𝗆 𝗉𝗈𝗎𝖼𝗈 𝖽𝖾 𝖿𝗈𝗋𝖼̧𝖺, 𝗇𝗈 𝗉𝗂𝖺𝗇𝗈. 𝖤𝗆 𝗃𝖺𝗇𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟩, 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝗇𝖺 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 "𝖫𝗂𝗌𝗍𝖾𝗇", 𝗂𝗇𝖼𝗅𝗎𝗂́𝖽𝖺 𝗇𝗈 𝖺́𝗅𝖻𝗎𝗆 𝖠𝗆𝖻𝗂𝗍𝗂𝗈𝗇𝗌, 𝖽𝖺 𝖻𝖺𝗇𝖽𝖺 𝖽𝖾 𝗋𝗈𝖼𝗄 𝗃𝖺𝗉𝗈𝗇𝖾𝗌𝖺 𝖮𝗇𝖾 𝖮𝗄 𝖱𝗈𝖼𝗄. 𝖤𝗆 𝗆𝖺𝗋𝖼̧𝗈, 𝗌𝗎𝖺 𝖺𝗌𝗌𝗂𝗇𝖺𝗍𝗎𝗋𝖺 𝖼𝗈𝗆 𝖺 𝗀𝗋𝖺𝗏𝖺𝖽𝗈𝗋𝖺 𝖡𝖬𝖦 𝖿𝗈𝗂 𝖺𝗇𝗎𝗇𝖼𝗂𝖺𝖽𝖺, 𝗌𝖾𝗇𝖽𝗈 𝗊𝗎𝖾 𝗈 𝖼𝗈𝗇𝗍𝗋𝖺𝗍𝗈 𝖼𝗈𝗅𝗈𝖼𝗈𝗎-𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝖺𝗋𝗍𝗂𝗌𝗍𝖺 𝗅𝖾𝗀𝖺𝖽𝖺, 𝖼𝗈𝗆 𝖺 𝗇𝖾𝖼𝖾𝗌𝗌𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝗌𝗎𝖼𝖾𝗌𝗌𝗈 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗅 𝖾𝗆 𝗌𝖾𝗀𝗎𝗇𝖽𝗈 𝗉𝗅𝖺𝗇𝗈. 𝖤𝗆 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝗌𝖾𝗎𝗌 𝗏𝗈𝖼𝖺𝗂𝗌, 𝖾𝗆 𝖼𝗈𝗇𝗃𝗎𝗇𝗍𝗈 𝖼𝗈𝗆 𝗈𝗌 𝖽𝖾 𝖠𝗇𝗍𝗁𝗈𝗇𝗒 𝖦𝗋𝖾𝖾𝗇, 𝖿𝗈𝗋𝖺𝗆 𝖼𝗋𝖾𝖽𝗂𝗍𝖺𝖽𝗈𝗌 𝖾𝗆 "𝖶𝗂𝗇𝗀𝗌 𝖢𝗅𝗂𝗉𝗉𝖾𝖽", 𝖿𝖺𝗂𝗑𝖺 𝖽𝗈 𝖽𝗎𝗈 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈 𝖽𝖾 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖾𝗅𝖾𝗍𝗋𝗈̂𝗇𝗂𝖼𝖺 𝖦𝗋𝖾𝗒 𝗊𝗎𝖾 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝗇𝗈 𝖤𝖯 𝖢𝗁𝖺𝗆𝖾𝗅𝖾𝗈𝗇. 𝖤𝗆 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟪, 𝖾𝗅𝖺 𝖼𝗈𝗆𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝖺𝗈 𝖶𝗈𝗆𝖾𝗇 𝖨𝗇 𝖧𝖺𝗋𝗆𝗈𝗇𝗒, 𝗎𝗆 𝗃𝖺𝗇𝗍𝖺𝗋 𝗈𝗋𝗀𝖺𝗇𝗂𝗓𝖺𝖽𝗈 𝗉𝗈𝗋 𝖡𝖾𝖻𝖾 𝖱𝖾𝗑𝗁𝖺 𝗊𝗎𝖾 𝗋𝖾𝗎𝗇𝗂𝗎 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝗆𝗎𝗌𝗂𝖼𝖺𝗂𝗌 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝖺𝗌. "𝖤́ 𝖾𝗇𝖼𝗈𝗋𝖺𝗃𝖺𝖽𝗈𝗋 𝖾𝗌𝗍𝖺𝗋 𝗉𝖾𝗋𝗍𝗈 𝖽𝖾 𝗈𝗎𝗍𝗋𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖾𝗆 𝗀𝖾𝗋𝖺𝗅 𝖾 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝗈𝗋𝖺𝗌", 𝖽𝗂𝗌𝗌𝖾 𝖺̀ 𝖡𝗂𝗅𝗅𝖻𝗈𝖺𝗋𝖽. 𝖠 𝗍𝗋𝗂𝗅𝗁𝖺 𝗌𝗈𝗇𝗈𝗋𝖺 𝖽𝗈 𝖿𝗂𝗅𝗆𝖾 𝖽𝖾 𝖺𝗇𝗂𝗆𝖺𝖼̧𝖺̃𝗈 𝖢𝗁𝖺𝗋𝗆𝗂𝗇𝗀 (𝟤𝟢𝟣𝟪) 𝗂𝗇𝖼𝗅𝗎𝗂𝗎 "𝖳𝗋𝗈𝗉𝗁𝗒 𝖡𝗈𝗒", 𝖼𝖺𝗇𝗍𝖺𝖽𝖺 𝗉𝗈𝗋 𝖠𝗏𝗋𝗂𝗅 𝗃𝗎𝗇𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝖫𝗈𝗏𝖺𝗍𝗈 𝖾 𝖠𝗌𝗁𝗅𝖾𝗒 𝖳𝗂𝗌𝖽𝖺𝗅𝖾.

ㅤ𝖤𝗆 𝟣𝟫 𝖽𝖾 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈, 𝖿𝗈𝗂 𝗅𝖺𝗇𝖼̧𝖺𝖽𝗈 "𝖧𝖾𝖺𝖽 𝖠𝖻𝗈𝗏𝖾 𝖶𝖺𝗍𝖾𝗋", 𝗈 𝗌𝖾𝗎 𝗌𝗂𝗇𝗀𝗅𝖾 𝖽𝖾 𝗋𝖾𝗍𝗈𝗋𝗇𝗈 𝖺𝗉𝗈́𝗌 𝗆𝖺𝗂𝗌 𝖽𝖾 𝗍𝗋𝖾̂𝗌 𝖺𝗇𝗈𝗌 𝖺𝖿𝖺𝗌𝗍𝖺𝖽𝖺 𝖽𝗈 𝖼𝖾𝗇𝖺́𝗋𝗂𝗈 𝗆𝗎𝗌𝗂𝖼𝖺𝗅. 𝖠 𝖼𝖺𝗇𝖼̧𝖺̃𝗈 𝖼𝗈𝗇𝗊𝗎𝗂𝗌𝗍𝗈𝗎 𝗋𝖾𝗌𝗎𝗅𝗍𝖺𝖽𝗈𝗌 𝗂𝗇𝗍𝖾𝗋𝗆𝖾𝖽𝗂𝖺́𝗋𝗂𝗈𝗌, 𝗇𝗈 𝖾𝗇𝗍𝖺𝗇𝗍𝗈, 𝖽𝖾𝗌𝖾𝗆𝗉𝖾𝗇𝗁𝗈𝗎-𝗌𝖾 𝖻𝖾𝗆 𝗇𝖺 𝗍𝖺𝖻𝖾𝗅𝖺 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝖺 𝖧𝗈𝗍 𝖢𝗁𝗋𝗂𝗌𝗍𝗂𝖺𝗇 𝖲𝗈𝗇𝗀𝗌 𝖾 𝗇𝖺 𝖢𝖺𝗇𝖺𝖽𝖺 𝖠𝖢. 𝖫𝖺𝗇𝖼̧𝖺𝖽𝖺 𝖾𝗆 𝟣𝟤 𝖽𝖾 𝖽𝖾𝗓𝖾𝗆𝖻𝗋𝗈, "𝖳𝖾𝗅𝗅 𝖬𝖾 𝖨𝗍'𝗌 𝖮𝗏𝖾𝗋" 𝗌𝖾𝗋𝗏𝗂𝗎 𝖼𝗈𝗆𝗈 𝗌𝖾𝗀𝗎𝗇𝖽𝖺 𝗆𝗎́𝗌𝗂𝖼𝖺 𝖽𝖾 𝖽𝗂𝗏𝗎𝗅𝗀𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 𝖽𝗂𝗌𝖼𝗈. "𝖣𝗎𝗆𝖻 𝖡𝗅𝗈𝗇𝖽𝖾", 𝖼𝗈𝗆 𝖺 𝗉𝖺𝗋𝗍𝗂𝖼𝗂𝗉𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗋𝖺𝗉𝗉𝖾𝗋 𝖭𝗂𝖼𝗄𝗂 𝖬𝗂𝗇𝖺𝗃, 𝖿𝗈𝗂 𝗅𝗂𝖻𝖾𝗋𝖺𝖽𝖺 𝖾𝗆 𝟣𝟤 𝖽𝖾 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟫 𝖼𝗈𝗆𝗈 𝗎́𝗅𝗍𝗂𝗆𝗈 𝗌𝗂𝗇𝗀𝗅𝖾 𝖺𝗇𝗍𝖾𝖼𝖾𝖽𝖾𝗇𝗍𝖾 𝖺𝗈 𝖺́𝗅𝖻𝗎𝗆, 𝗇𝗈𝗆𝖾𝖺𝖽𝗈 𝖧𝖾𝖺𝖽 𝖠𝖻𝗈𝗏𝖾 𝖶𝖺𝗍𝖾𝗋, 𝖼𝗎𝗃𝗈 𝗅𝖺𝗇𝖼̧𝖺𝗆𝖾𝗇𝗍𝗈 𝗈𝖼𝗈𝗋𝗋𝖾𝗎 𝖾𝗆 𝟣𝟧 𝖽𝗈 𝗆𝖾𝗌𝗆𝗈 𝗆𝖾̂𝗌.