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𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖿𝗈𝗂 𝖽𝖾𝗌𝖼𝗋𝗂𝗍𝖺 𝗉𝖾𝗅𝗈𝗌 𝗆𝖾𝗂𝗈𝗌 𝖽𝖾 𝖼𝗈𝗆𝗎𝗇𝗂𝖼𝖺çã𝗈 𝖼𝗈𝗆𝗈 "𝖿𝖺𝗆𝗈𝗌𝖺 𝗉𝗈𝗋 𝗌𝖾𝗋 𝖺𝖻𝖾𝗋𝗍𝖺 𝖼𝗈𝗆 𝖺 𝗆í𝖽𝗂𝖺", 𝖾𝗆𝖻𝗈𝗋𝖺 𝖾𝗅𝖺 𝗆𝖾𝗌𝗆𝖺 𝗍𝖾𝗇𝗁𝖺 𝖽𝖾𝖼𝗅𝖺𝗋𝖺𝖽𝗈 𝗈 𝖼𝗈𝗇𝗍𝗋á𝗋𝗂𝗈: "𝖤𝗎 𝗇ã𝗈 𝖿𝖺𝗅𝗈 𝗌𝗈𝖻𝗋𝖾 𝗆𝗂𝗇𝗁𝖺 𝗏𝗂𝖽𝖺 𝗉𝗋𝗂𝗏𝖺𝖽𝖺". 𝖤𝗆 𝗎𝗆𝖺 𝗉𝖾𝗌𝗊𝗎𝗂𝗌𝖺 𝖽𝖺 𝖡𝖡𝖢 𝖽𝖾 𝟤𝟢𝟢𝟦, 𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖿𝗈𝗂 𝗇𝗈𝗆𝖾𝖺𝖽𝖺 𝗎𝗆𝖺 𝖽𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗆𝖺𝗂𝗌 𝗂𝗇𝖿𝗅𝗎𝖾𝗇𝗍𝖾𝗌 𝖽𝖺 𝖼𝗎𝗅𝗍𝗎𝗋𝖺 𝖻𝗋𝗂𝗍â𝗇𝗂𝖼𝖺. 𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖿𝗈𝗂 𝗅𝗂𝗌𝗍𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝗎𝗆𝖺 𝖽𝖺𝗌 𝟣𝟢𝟢 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝗆𝖺𝗂𝗌 𝗌𝖾𝗇𝗌𝗎𝖺𝗂𝗌 𝖽𝗈 𝗆𝗎𝗇𝖽𝗈 𝗉𝖾𝗅𝖺 𝖥𝖧𝖬 𝖾𝗆 𝗏á𝗋𝗂𝖺𝗌 𝗈𝖼𝖺𝗌𝗂õ𝖾𝗌. 𝖤𝗅𝖺 𝖿𝖾𝗓 𝗌𝗎𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝖺𝗉𝖺𝗋𝗂çã𝗈 𝗇𝖺 𝗅𝗂𝗌𝗍𝖺 𝖾𝗆 𝟤𝟢𝟢𝟦 𝖾 𝖿𝗈𝗂 𝗇𝗈𝗆𝖾𝖺𝖽𝖺 𝖺 𝗇ú𝗆𝖾𝗋𝗈 𝗎𝗆 𝖾𝗆 𝟤𝟢𝟢𝟨. 𝖤𝗅𝖺 𝖿𝗈𝗂 𝗂𝗇𝖼𝗅𝗎í𝖽𝖺 𝖾𝗆 𝗍𝗈𝖽𝖺𝗌 𝖺𝗌 𝗉𝗎𝖻𝗅𝗂𝖼𝖺çõ𝖾𝗌 𝗌𝗎𝖻𝗌𝖾𝗊𝗎𝖾𝗇𝗍𝖾𝗌 𝖺𝗍é 𝟤𝟢𝟢𝟫. 𝖤𝗅𝖺 𝖿𝖾𝗓 𝗉𝖺𝗋𝗍𝖾 𝖽𝖺𝗌 𝖾𝖽𝗂çõ𝖾𝗌 𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝖺 𝖽𝖺 𝗅𝗂𝗌𝗍𝖺 𝖽𝖾 𝟤𝟢𝟢𝟦 𝗉𝖺𝗋𝖺 𝟤𝟢𝟢𝟨, 𝖾 𝗍𝖺𝗆𝖻é𝗆 𝖿𝗈𝗂 𝖼𝗈𝗅𝗈𝖼𝖺𝖽𝖺 𝗇𝗈 𝗇𝗈𝗇𝗈 𝗇𝖺 𝗅𝗂𝗌𝗍𝖺 𝖧𝗈𝗍 𝟣𝟢𝟢 𝖽𝖺 𝖬𝖺𝗑𝗂𝗆 𝖾𝗆 𝟤𝟢𝟢𝟨.

𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖾𝗋𝖺 𝖺 𝖼𝖺𝗋𝖺 𝖽𝖺 𝖼𝖾𝗅𝖾𝖻𝗋𝗂𝖽𝖺𝖽𝖾 𝗉𝖺𝗋𝖺 𝖺 𝗆𝖺𝗋𝖼𝖺 𝖽𝖾 𝗉𝗋𝗈𝖽𝗎𝗍𝗈𝗌 𝖽𝖾 𝗅𝗎𝗑𝗈 𝖠𝗌𝗉𝗋𝖾𝗒, 𝖲𝗁𝗂𝖺𝗍𝗓𝗒 𝖢𝗁𝖾𝗇, 𝖻𝖾𝗆 𝖼𝗈𝗆𝗈 𝗉𝗋𝗈𝖽𝗎𝗍𝗈𝗌 𝖽𝖾 𝖼𝖺𝖻𝖾𝗅𝗈 𝗉𝖺𝗋𝖺 𝗅𝗎𝗑 𝖾𝗆 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗂𝗌 𝖽𝖾 𝗍𝖾𝗅𝖾𝗏𝗂𝗌ã𝗈 𝗃𝖺𝗉𝗈𝗇𝖾𝗌𝖾𝗌. 𝖤𝗆 𝖺𝖻𝗋𝗂𝗅 𝖽𝖾 𝟤𝟢𝟢𝟨, 𝖾𝗅𝖺 𝖿𝗈𝗂 𝖼𝗈𝗇𝖿𝗂𝗋𝗆𝖺𝖽𝖺 𝖼𝗈𝗆𝗈 𝖺 𝗇𝗈𝗏𝖺 𝖼𝖺𝗋𝖺 𝖽𝖾 𝖼𝖾𝗅𝖾𝖻𝗋𝗂𝖽𝖺𝖽𝖾 𝖽𝗈 𝗉𝖾𝗋𝖿𝗎𝗆𝖾 𝖽𝖾 𝖢𝗁𝖺𝗇𝖾𝗅, 𝖢𝗈𝖼𝗈 𝖬𝖺𝖽𝖾𝗆𝗈𝗂𝗌𝖾𝗅𝗅𝖾, 𝖾𝗆𝖻𝗈𝗋𝖺 𝖺 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝖺 𝖿𝗈𝗍𝗈 𝖽𝖺 𝖼𝖺𝗆𝗉𝖺𝗇𝗁𝖺 𝗇ã𝗈 𝗍𝖾𝗇𝗁𝖺 𝗌𝗂𝖽𝗈 𝗅𝖺𝗇ç𝖺𝖽𝖺 𝖺𝗍é 𝗆𝖺𝗂𝗈 𝖽𝖾 𝟤𝟢𝟢𝟩. 𝖤𝗅𝖺 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝗇𝗎𝖺, 𝗃𝗎𝗇𝗍𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝖲𝖼𝖺𝗋𝗅𝖾𝗍𝗍 𝖩𝗈𝗁𝖺𝗇𝗌𝗌𝗈𝗇, 𝗇𝖺 𝖼𝖺𝗉𝖺 𝖽𝖺 𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝖵𝖺𝗇𝗂𝗍𝗒 𝖥𝖺𝗂𝗋 𝖾𝗆 𝗆𝖺𝗋ç𝗈 𝖽𝖾 𝟤𝟢𝟢𝟨 𝖰𝗎𝖾𝗌𝗍𝗂𝗈𝗇 "𝖧𝗈𝗅𝗅𝗒𝗐𝗈𝗈𝖽". 𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖺𝗉𝖺𝗋𝖾𝖼𝖾𝗎 𝖾𝗆 𝖼𝗈𝗆𝖾𝗋𝖼𝗂𝖺𝗂𝗌 𝖽𝖾 𝗍𝖾𝗅𝖾𝗏𝗂𝗌ã𝗈 𝗉𝖺𝗋𝖺 𝖺 𝖢𝗁𝖺𝗇𝖾𝗅, 𝖽𝗂𝗋𝗂𝗀𝗂𝖽𝖺 𝗉𝗈𝗋 𝖩𝗈𝖾 𝖶𝗋𝗂𝗀𝗁𝗍 𝖽𝖾𝗌𝖽𝖾 𝟤𝟢𝟢𝟩 𝖾 𝖺𝗉𝗋𝗈𝗏𝗈𝗎 𝖺 𝖼𝗈𝗅𝖾çã𝗈 𝖢𝗈𝖼𝗈𝖾𝗅 𝖢𝗋𝗎𝗌𝗁 𝖽𝖺 𝖢𝗁𝖺𝗇𝖾𝗅 𝖥𝗂𝗇𝖾 𝖩𝖾𝗐𝖾𝗅𝗋𝗒.

𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝗋𝖾𝖼𝖾𝖻𝖾𝗎 𝖺 𝖺𝗍𝖾𝗇çã𝗈 𝖽𝖺 𝗆í𝖽𝗂𝖺 𝗉𝗈𝗋 𝗌𝗎𝖺𝗌 𝗉𝖾𝗋𝗌𝗉𝖾𝖼𝗍𝗂𝗏𝖺𝗌 𝗌𝗈𝖻𝗋𝖾 𝗈 𝖿𝖾𝗆𝗂𝗇𝗂𝗌𝗆𝗈, 𝖾𝗑𝗉𝗋𝖾𝗌𝗌𝖺𝖽𝗈 𝖾𝗆 𝗎𝗆𝖺 𝖾𝗇𝗍𝗋𝖾𝗏𝗂𝗌𝗍𝖺 𝗉𝖺𝗋𝖺 𝖧𝖺𝗋𝗉𝖾𝗋'𝗌 𝖡𝖺𝗓𝖺𝖺𝗋 𝖴𝖪, 𝗉𝗎𝖻𝗅𝗂𝖼𝖺𝖽𝖺 𝗇𝖺 𝖾𝖽𝗂çã𝗈 𝖽𝖾 𝖿𝖾𝗏𝖾𝗋𝖾𝗂𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟦. 𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝖾𝗑𝗉𝗅𝗂𝖼𝗈𝗎 𝗊𝗎𝖾 𝖺𝗌 𝖺𝗋𝗍𝗂𝗌𝗍𝖺𝗌 𝖿𝖾𝗆𝗂𝗇𝗂𝗇𝖺𝗌 𝖾𝗇𝖿𝗋𝖾𝗇𝗍𝖺𝗆 𝗆𝖺𝗂𝗈𝗋𝖾𝗌 𝗈𝖻𝗌𝗍á𝖼𝗎𝗅𝗈𝗌 𝗇𝗈 𝗌𝖾𝗍𝗈𝗋 𝖼𝗂𝗇𝖾𝗆𝖺𝗍𝗈𝗀𝗋á𝖿𝗂𝖼𝗈 𝖾𝗆 𝖼𝗈𝗆𝗉𝖺𝗋𝖺çã𝗈 𝖼𝗈𝗆 𝗈𝗌 𝗁𝗈𝗆ó𝗅𝗈𝗀𝗈𝗌 𝗆𝖺𝗌𝖼𝗎𝗅𝗂𝗇𝗈𝗌, 𝖾 𝗍𝖺𝗆𝖻é𝗆 𝗋𝖾𝗏𝖾𝗅𝖺𝗋𝖺𝗆 𝗊𝗎𝖾 𝖾𝗅𝖺 𝖾𝗌𝗍𝖺𝗏𝖺 𝗉𝖾𝗋𝗉𝗅𝖾𝗑𝖺 𝖼𝗈𝗆 𝗈 𝗎𝗌𝗈 𝖽𝖾 "𝖿𝖾𝗆𝗂𝗇𝗂𝗌𝗍𝖺𝗌" 𝖾𝗆 𝗎𝗆 𝗌𝖾𝗇𝗍𝗂𝖽𝗈 𝖽𝖾𝗉𝗋𝖾𝖼𝗂𝖺𝗍𝗂𝗏𝗈: "𝖣𝖾 𝖺𝗅𝗀𝗎𝗆𝖺 𝖿𝗈𝗋𝗆𝖺, 𝗈 [𝖿𝖾𝗆𝗂𝗇𝗂𝗌𝗆𝗈] 𝗍𝗈𝗋𝗇𝗈𝗎-𝗌𝖾 𝗎𝗆𝖺 𝗉𝖺𝗅𝖺𝗏𝗋𝖺 𝗂𝗅𝖾𝗀𝖺𝗅. 𝖯𝖾𝗇𝗌𝖾𝗂 𝗊𝗎𝖾 𝖾𝗋𝖺 𝗆𝗎𝗂𝗍𝗈 𝖾𝗌𝗍𝗋𝖺𝗇𝗁𝗈 𝗉𝗈𝗋 𝗎𝗆 𝗅𝗈𝗇𝗀𝗈 𝗍𝖾𝗆𝗉𝗈, 𝖾 𝖺𝖼𝗁𝗈 ó𝖻𝗏𝗂𝗈 𝗊𝗎𝖾 𝖾𝗌𝗍𝖺𝗆𝗈𝗌 𝗌𝖺𝗂𝗇𝖽𝗈 𝖽𝗂𝗌𝗌𝗈 ". 𝖪𝗇𝗂𝗀𝗁𝗍𝗅𝖾𝗒 𝗉𝗈𝗌𝗈𝗎 𝖾𝗆 𝗍𝗈𝗉𝗅𝖾𝗌𝗌 𝗉𝖺𝗋𝖺 𝖺 𝖾𝖽𝗂çã𝗈 𝖽𝖾 𝗌𝖾𝗍𝖾𝗆𝖻𝗋𝗈 𝖽𝖾 𝟤𝟢𝟣𝟦 𝖽𝖾 𝖤𝗇𝗍𝗋𝖾𝗏𝗂𝗌𝗍𝖺, 𝗇𝖺 𝖼𝗈𝗇𝖽𝗂çã𝗈 𝖽𝖾 𝗇ã𝗈 𝗌𝖾𝗋 𝖿𝗈𝗍𝗈𝗀𝗋𝖺𝖿𝖺𝖽𝖺, 𝗉𝖺𝗋𝖺 𝖼𝗁𝖺𝗆𝖺𝗋 𝖺 𝖺𝗍𝖾𝗇çã𝗈 𝗉𝖺𝗋𝖺 𝖼𝗈𝗆𝗈 "𝗈𝗌 𝖼𝗈𝗋𝗉𝗈𝗌 𝖽𝖺𝗌 𝗆𝗎𝗅𝗁𝖾𝗋𝖾𝗌 𝗌ã𝗈 𝗎𝗆 𝖼𝖺𝗆𝗉𝗈 𝖽𝖾 𝖻𝖺𝗍𝖺𝗅𝗁𝖺 𝖾 𝖺 𝖿𝗈𝗍𝗈𝗀𝗋𝖺𝖿𝗂𝖺 é 𝖾𝗆 𝗉𝖺𝗋𝗍𝖾 𝖼𝗎𝗅𝗉𝖺𝖽𝖺''.
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