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⠀⠀ ᛜ 𝗚𝗲𝗼𝗿𝗴𝗲 𝗥. 𝗥. 𝗠𝗮𝗿𝘁𝗶𝗻 𝗉𝗋𝗈𝖼𝗎𝗋𝗈𝗎 𝗅𝖾𝗋 𝗆𝗎𝗂𝗍𝗈𝗌 𝗅𝗂𝗏𝗋𝗈𝗌 𝗌𝗈𝖻𝗋𝖾 𝖺𝗌 𝖢𝗋𝗎𝗓𝖺𝖽𝖺𝗌 𝖾 𝗌𝗈𝖻𝗋𝖾 𝗀𝗎𝖾𝗋𝗋𝖺𝗌 𝖼𝗈𝗆𝗈 𝖺 𝖽𝗈𝗌 𝖢𝖾𝗆 𝖠𝗇𝗈𝗌 𝖾 𝖺 𝖽𝖺𝗌 𝖱𝗈𝗌𝖺𝗌 𝗉𝖺𝗋𝖺 𝖿𝗈𝗋𝗆𝖺𝗋 𝗎𝗆𝖺 𝗌𝗈𝖼𝗂𝖾𝖽𝖺𝖽𝖾 𝗆𝖾𝖽𝗂𝖾𝗏𝖺𝗅 𝗏𝖾𝗋𝗈𝗌𝗌𝗂́𝗆𝗂𝗅. 𝖮 𝖾𝗌𝖼𝗋𝗂𝗍𝗈𝗋 𝖺𝖿𝗂𝗋𝗆𝗈𝗎 𝗊𝗎𝖾, 𝗇𝗈 𝗉𝖺𝗌𝗌𝖺𝖽𝗈, 𝗍𝖾𝗏𝖾 𝗉𝗋𝗈𝖻𝗅𝖾𝗆𝖺𝗌 𝖼𝗈𝗆 𝖼𝖾𝗋𝗍𝗈𝗌 𝗅𝗂𝗏𝗋𝗈𝗌 𝗊𝗎𝖾 𝖾𝗌𝗍𝖺𝗏𝖺 𝗅𝖾𝗇𝖽𝗈 𝗉𝗈𝗋𝗊𝗎𝖾, 𝖺𝗉𝖾𝗌𝖺𝗋 𝖽𝖾 𝖺𝗆𝖻𝗂𝖾𝗇𝗍𝖺𝖽𝗈𝗌 𝗇𝖺 𝖨𝖽𝖺𝖽𝖾 𝖬𝖾́𝖽𝗂𝖺, 𝗇𝖾𝗇𝗁𝗎𝗆 𝖽𝖾𝗅𝖾𝗌 𝗋𝖾𝗌𝗉𝖾𝗂𝗍𝖺𝗏𝖺 𝖿𝖺𝗍𝗈𝗌 𝗂𝗆𝗉𝗈𝗋𝗍𝖺𝗇𝗍𝖾𝗌 𝖽𝖺 𝖾́𝗉𝗈𝖼𝖺, 𝖼𝗈𝗆𝗈 𝖺 𝖻𝖺𝗂𝗑𝖺 𝖾𝗑𝗉𝖾𝖼𝗍𝖺𝗍𝗂𝗏𝖺 𝖽𝖾 𝗏𝗂𝖽𝖺. 𝖯𝖺𝗋𝖺 𝖾𝗅𝖾, "𝖺𝗉𝖾𝗌𝖺𝗋 𝖽𝖾 𝗍𝖾𝗋 𝖼𝖺𝗌𝗍𝖾𝗅𝗈𝗌, 𝗉𝗋𝗂𝗇𝖼𝖾𝗌𝖺𝗌 𝖾 𝖼𝗂𝖽𝖺𝖽𝖾𝗌 𝗆𝗎𝗋𝖺𝖽𝖺𝗌", 𝖾𝗌𝗍𝖾𝗌 𝗋𝗈𝗆𝖺𝗇𝖼𝖾𝗌 𝖺𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖺𝗏𝖺𝗆 "𝖺 𝗌𝖾𝗇𝗌𝗂𝖻𝗂𝗅𝗂𝖽𝖺𝖽𝖾 𝖽𝗈𝗌 𝗇𝗈𝗋𝗍𝖾-𝖺𝗆𝖾𝗋𝗂𝖼𝖺𝗇𝗈𝗌 𝖽𝗈 𝗌𝖾́𝖼𝗎𝗅𝗈 𝖷𝖷"; 𝖾𝗅𝖾 𝗇𝖺̃𝗈 𝗍𝗂𝗇𝗁𝖺 𝗂𝗇𝗍𝖾𝗋𝖾𝗌𝗌𝖾 𝖾𝗆 𝖿𝖺𝗓𝖾𝗋 𝖺𝗅𝗀𝗈 𝖽𝖾𝗌𝗍𝖾 𝗍𝗂𝗉𝗈, 𝗆𝖺𝗌 𝗌𝗂𝗆 𝖽𝖾 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗋 𝖺 𝖼𝗈𝗆𝖻𝗂𝗇𝖺𝖼̧𝖺̃𝗈 𝖽𝗈 "𝗌𝖾𝗇𝗍𝗂𝗆𝖾𝗇𝗍𝗈 𝖽𝖾 𝖺𝖽𝗆𝗂𝗋𝖺𝖼̧𝖺̃𝗈 𝗊𝗎𝖾 𝗏𝗈𝖼𝖾̂ 𝗍𝖾𝗆 𝗇𝖺 𝗆𝖾𝗅𝗁𝗈𝗋 𝖿𝖺𝗇𝗍𝖺𝗌𝗂𝖺, 𝖼𝗈𝗆 𝗈 𝗋𝖾𝖺𝗅𝗂𝗌𝗆𝗈 𝖼𝗈𝗋𝖺𝗃𝗈𝗌𝗈 𝖽𝖺 𝗆𝖾𝗅𝗁𝗈𝗋 𝖿𝗂𝖼𝖼̧𝖺̃𝗈 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝖺". 𝖣𝖾𝗌𝗍𝖺 𝖿𝗈𝗋𝗆𝖺, 𝖺 𝗍𝗋𝖺𝗆𝖺 𝖽𝖺 𝗌𝖾́𝗋𝗂𝖾 𝗌𝖾 𝖺𝗌𝗌𝖾𝗆𝖾𝗅𝗁𝖺 𝗆𝖺𝗂𝗌 𝖺 𝗅𝗂𝗏𝗋𝗈𝗌 𝖼𝗈𝗆𝗈 𝖨𝗏𝖺𝗇𝗁𝗈𝖾́, 𝖽𝖾 𝖶𝖺𝗅𝗍𝖾𝗋 𝖲𝖼𝗈𝗍𝗍, 𝖾 𝖼𝗈𝗆 𝖺𝗌 𝗈𝖻𝗋𝖺𝗌 𝖽𝖾 𝖡𝖾𝗋𝗇𝖺𝗋𝖽 𝖢𝗈𝗋𝗇𝗐𝖾𝗅𝗅 𝖽𝗈 𝗊𝗎𝖾 𝗉𝗋𝗈𝗉𝗋𝗂𝖺𝗆𝖾𝗇𝗍𝖾 𝖼𝗈𝗆 𝗅𝗂𝗍𝖾𝗋𝖺𝗍𝗎𝗋𝖺 𝖿𝖺𝗇𝗍𝖺́𝗌𝗍𝗂𝖼𝖺.

𝖠𝗅𝖾́𝗆 𝖽𝖾𝗌𝗍𝖺𝗌 𝗀𝗎𝖾𝗋𝗋𝖺𝗌, 𝗈𝗌 𝗅𝗂𝗏𝗋𝗈𝗌 𝗌𝖺̃𝗈 𝖿𝗈𝗋𝗍𝖾𝗆𝖾𝗇𝗍𝖾 𝗂𝗇𝖿𝗅𝗎𝖾𝗇𝖼𝗂𝖺𝖽𝗈𝗌 𝗉𝖾𝗅𝗈 𝗋𝗈𝗆𝖺𝗇𝖼𝖾 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝗈 𝖿𝗋𝖺𝗇𝖼𝖾̂𝗌 𝖮𝗌 𝖱𝖾𝗂𝗌 𝖬𝖺𝗅𝖽𝗂𝗍𝗈𝗌, 𝖽𝖾 𝖬𝖺𝗎𝗋𝗂𝖼𝖾 𝖣𝗋𝗎𝗈𝗇, 𝗌𝗂𝗍𝗎𝖺𝖽𝗈 𝗇𝗈𝗌 𝗌𝖾́𝖼𝗎𝗅𝗈𝗌 𝖷𝖨𝖨𝖨 𝖾 𝖷𝖨𝖵; 𝗉𝗈𝗌𝗍𝖾𝗋𝗂𝗈𝗋𝗆𝖾𝗇𝗍𝖾 𝖬𝖺𝗋𝗍𝗂𝗇 𝖾𝗌𝖼𝗋𝖾𝗏𝖾𝗎 𝗎𝗆𝖺 𝗂𝗇𝗍𝗋𝗈𝖽𝗎𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝖺 𝗍𝗋𝖺𝖽𝗎𝖼̧𝖺̃𝗈 𝗂𝗇𝗀𝗅𝖾𝗌𝖺 𝖽𝖺𝗌 𝗌𝖾́𝗋𝗂𝖾𝗌, 𝖽𝗂𝗓𝖾𝗇𝖽𝗈: "𝖮𝗌 𝖱𝖾𝗂𝗌 𝖬𝖺𝗅𝖽𝗂𝗍𝗈𝗌 𝗍𝖾𝗆 𝗍𝗎𝖽𝗈 𝗂𝗌𝗌𝗈. 𝖠𝖼𝗋𝖾𝖽𝗂𝗍𝖾𝗆-𝗆𝖾, 𝗈𝗌 𝖲𝗍𝖺𝗋𝗄𝗌 𝖾 𝗈𝗌 𝖫𝖺𝗇𝗇𝗂𝗌𝗍𝖾𝗋𝗌 𝗇𝖺̃𝗈 𝗍𝖾𝗆 𝗇𝖺𝖽𝖺 𝖼𝗈𝗆𝗉𝖺𝗋𝖺𝖽𝗈 𝖺𝗈𝗌 𝖢𝖺𝗉𝖾𝗍𝗈𝗌 𝖾 𝗈𝗌 𝖯𝗅𝖺𝗇𝗍𝖺𝗀𝖾𝗇𝖾𝗍𝖺𝗌. 𝖤́ 𝗈 𝗃𝗈𝗀𝗈 𝖽𝗈𝗌 𝗍𝗋𝗈𝗇𝗈𝗌 𝗈𝗋𝗂𝗀𝗂𝗇𝖺𝗅."

𝖮𝗌 𝗅𝗂𝗏𝗋𝗈𝗌 𝗍𝗋𝖺𝗓𝖾𝗆 𝖽𝗂𝗏𝖾𝗋𝗌𝖺𝗌 𝗂𝗇𝗍𝗋𝗂𝗀𝖺𝗌 𝗉𝗈𝗅𝗂́𝗍𝗂𝖼𝖺𝗌, 𝗈𝗇𝖽𝖾 𝗏𝖺́𝗋𝗂𝖺𝗌 𝖿𝖺𝖼𝖼̧𝗈̃𝖾𝗌 𝗅𝗎𝗍𝖺𝗆 𝗉𝖾𝗅𝗈 𝗉𝗈𝖽𝖾𝗋 𝖾𝗆 𝗆𝖾𝗂𝗈 𝖺𝗈 𝖼𝖺𝗈𝗌 𝗊𝗎𝖾 𝗌𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗈𝗎 𝗇𝗈𝗌 𝖲𝖾𝗍𝖾 𝖱𝖾𝗂𝗇𝗈𝗌. 𝖣𝖾 𝖺𝖼𝗈𝗋𝖽𝗈 𝖼𝗈𝗆 𝖬𝖺𝗋𝗍𝗂𝗇, 𝖾𝗌𝗍𝖾 𝖾́ 𝗈 𝗉𝗋𝗂𝗇𝖼𝗂𝗉𝖺𝗅 𝗍𝖾𝗆𝖺 𝖽𝖺 𝗌𝖾́𝗋𝗂𝖾; 𝖾𝗅𝖾 𝖽𝗂𝗌𝗌𝖾: "𝖳𝖾𝗆𝖺𝗍𝗂𝖼𝖺𝗆𝖾𝗇𝗍𝖾, 𝗈 𝗉𝗈𝖽𝖾𝗋 𝖾𝗌𝗍𝖺́ 𝗇𝗈 𝖼𝖾𝗇𝗍𝗋𝗈 𝖽𝖾𝗌𝗍𝖾 𝗌𝗂𝗌𝗍𝖾𝗆𝖺 — 𝗈 𝗎𝗌𝗈 𝖽𝗈 𝗉𝗈𝖽𝖾𝗋, 𝖽𝖺𝗌 𝗂𝗇𝖿𝗅𝗎𝖾̂𝗇𝖼𝗂𝖺𝗌 𝖼𝗈𝗋𝗋𝗎𝗉𝗍𝗈𝗋𝖺𝗌 𝖽𝗈 𝗉𝗈𝖽𝖾𝗋, 𝗈 𝗊𝗎𝖾 𝖺𝗌 𝗉𝖾𝗌𝗌𝗈𝖺𝗌 𝗏𝖺̃𝗈 𝖿𝖺𝗓𝖾𝗋 𝗉𝖺𝗋𝖺 𝗈𝖻𝗍𝖾𝗋 𝗈 𝗉𝗈𝖽𝖾𝗋 𝖾 𝗈 𝗊𝗎𝖾 𝗈 𝗉𝗈𝖽𝖾𝗋 𝗏𝖺𝗂 𝖿𝖺𝗓𝖾𝗋 𝖼𝗈𝗆 𝖾𝗅𝖾𝗌". 𝖢𝗋𝗂́𝗍𝗂𝖼𝗈𝗌 𝖾 𝗃𝗈𝗋𝗇𝖺𝗅𝗂𝗌𝗍𝖺𝗌 𝖽𝖾𝗌𝖾𝗇𝗏𝗈𝗅𝗏𝖾𝗋𝖺𝗆 𝗈𝗎𝗍𝗋𝖺𝗌 𝗂𝗇𝗍𝖾𝗋𝗉𝗋𝖾𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖽𝖺 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖺 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾 𝗇𝗈𝗌 𝗋𝗈𝗆𝖺𝗇𝖼𝖾𝗌, 𝖺𝗇𝖺𝗅𝗂𝗌𝖺𝗇𝖽𝗈-𝖺 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗉𝗈𝗋 𝗌𝖾𝗎 𝗎𝗌𝗈 𝖽𝖾 𝖺𝗅𝖾𝗀𝗈𝗋𝗂𝖺𝗌. 𝖠 𝗆𝖺𝗂𝗌 𝗇𝗈𝗍𝗈́𝗋𝗂𝖺 𝖽𝖾𝗅𝖺𝗌 𝗌𝖾𝗋𝗂𝖺 𝖺 𝗌𝖾𝗆𝖾𝗅𝗁𝖺𝗇𝖼̧𝖺 𝖽𝖾 𝖶𝖾𝗌𝗍𝖾𝗋𝗈𝗌 𝖼𝗈𝗆 𝖺 𝖤𝗎𝗋𝗈𝗉𝖺 𝖮𝖼𝗂𝖽𝖾𝗇𝗍𝖺𝗅 𝖾 𝖽𝖾 𝖤𝗌𝗌𝗈𝗌 𝖼𝗈𝗆 𝖺 𝖠́𝗌𝗂𝖺 𝖾 𝗈 𝖮𝗋𝗂𝖾𝗇𝗍𝖾 𝖬𝖾́𝖽𝗂𝗈. 𝖯𝖺𝗋𝖺 𝖬𝖺𝗋𝗍𝗂𝗇, 𝗌𝗎𝖺 𝗌𝖺𝗀𝖺 𝗇𝖺̃𝗈 𝗍𝗋𝖺𝗓 𝗇𝖾𝗇𝗁𝗎𝗆𝖺 𝗆𝖾𝗍𝖺́𝖿𝗈𝗋𝖺 𝖼𝗈𝗇𝗌𝖼𝗂𝖾𝗇𝗍𝖾𝗆𝖾𝗇𝗍𝖾, 𝗉𝗈𝗋𝖾́𝗆 𝗈 𝖾𝗌𝖼𝗋𝗂𝗍𝗈𝗋 𝗋𝖾𝗌𝗌𝖺𝗅𝗍𝖺 𝗊𝗎𝖾 𝖼𝖾𝗋𝗍𝗈𝗌 𝗉𝖾𝗋𝗂́𝗈𝖽𝗈𝗌 𝗉𝖾𝗅𝗈𝗌 𝗊𝗎𝖺𝗂𝗌 𝗈𝗌 𝖤𝗌𝗍𝖺𝖽𝗈𝗌 𝖴𝗇𝗂𝖽𝗈𝗌 𝗉𝖺𝗌𝗌𝖺𝗆 — 𝖼𝗈𝗆𝗈 𝗈 𝗀𝗈𝗏𝖾𝗋𝗇𝗈 𝖽𝖾 𝖦𝖾𝗈𝗋𝗀𝖾 𝖶. 𝖡𝗎𝗌𝗁 — 𝗉𝗈𝖽𝖾𝗆, 𝗂𝗇𝖾𝗏𝗂𝗍𝖺𝗏𝖾𝗅𝗆𝖾𝗇𝗍𝖾, 𝗍𝖾̂-𝗅𝗈 𝗂𝗇𝖿𝗅𝗎𝖾𝗇𝖼𝗂𝖺𝖽𝗈.

𝖮𝗎𝗍𝗋𝗈 𝖿𝖺𝗍𝗈 𝗈𝖻𝗌𝖾𝗋𝗏𝖺𝖽𝗈 𝖿𝗈𝗂 𝗊𝗎𝖾 𝖾𝗆 𝖶𝖾𝗌𝗍𝖾𝗋𝗈𝗌 𝖼𝖺𝖽𝖺 𝖾𝗌𝗍𝖺𝖼̧𝖺̃𝗈 𝗉𝗈𝖽𝖾 𝖽𝗎𝗋𝖺𝗋 𝖺𝗇𝗈𝗌. 𝖭𝗈 𝖽𝖾𝖼𝗈𝗋𝗋𝖾𝗋 𝖽𝗈 𝗉𝗋𝗂𝗆𝖾𝗂𝗋𝗈 𝗅𝗂𝗏𝗋𝗈, 𝗈𝗌 𝖲𝖾𝗍𝖾 𝖱𝖾𝗂𝗇𝗈𝗌 𝗉𝖺𝗌𝗌𝖺𝗆 𝗉𝗈𝗋 𝗎𝗆 𝗏𝖾𝗋𝖺̃𝗈 𝖽𝖾 𝗊𝗎𝖺𝗌𝖾 𝗎𝗆𝖺 𝖽𝖾́𝖼𝖺𝖽𝖺, 𝖾 𝖺𝗅𝗀𝗎𝗆𝖺𝗌 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗀𝖾𝗇𝗌 𝗌𝖾 𝗉𝗋𝖾𝗈𝖼𝗎𝗉𝖺𝗆 𝖼𝗈𝗆 𝗈 𝖿𝖺𝗍𝗈 𝖽𝖾 𝗊𝗎𝖾 𝗈 𝗂𝗇𝗏𝖾𝗋𝗇𝗈 𝗉𝗈𝗌𝗌𝖺 𝖽𝗎𝗋𝖺𝗋 𝗆𝖺𝗂𝗌 𝖽𝗈 𝗊𝗎𝖾 𝗂𝗌𝗌𝗈. 𝖲𝗈𝖻𝗋𝖾 𝖾𝗌𝗍𝖾 𝖺𝗌𝗉𝖾𝖼𝗍𝗈, 𝖬𝖺𝗋𝗍𝗂𝗇 𝖺𝖽𝗆𝗂𝗍𝖾 𝗊𝗎𝖾 𝗉𝗋𝗈𝖼𝗎𝗋𝗈𝗎 𝖽𝗈𝗍𝖺𝗋 𝗈 𝗅𝗈𝗇𝗀𝗈 𝗉𝖾𝗋𝗂́𝗈𝖽𝗈 𝖽𝖾 𝖽𝗎𝗋𝖺𝖼̧𝖺̃𝗈 𝖽𝖺𝗌 𝖾𝗌𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖼𝗈𝗆 𝖺𝗅𝗀𝗎𝗇𝗌 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝖼𝖺𝖽𝗈𝗌; 𝗈 𝗋𝗈𝗍𝖾𝗂𝗋𝗂𝗌𝗍𝖺 𝖾𝗑𝗉𝗅𝗂𝖼𝗈𝗎: "𝖨𝗇𝗏𝖾𝗋𝗇𝗈 𝖾 𝗏𝖾𝗋𝖺̃𝗈. [...] 𝖳𝗈𝖽𝗈𝗌 𝗍𝖾𝗆𝗈𝗌 𝗈𝗌 𝗂𝗇𝗏𝖾𝗋𝗇𝗈𝗌 𝖾𝗆 𝗇𝗈𝗌𝗌𝖺𝗌 𝗏𝗂𝖽𝖺𝗌 𝖾 𝗇𝖺̃𝗈 𝗌𝗂𝗀𝗇𝗂𝖿𝗂𝖼𝖺 𝖺𝗉𝖾𝗇𝖺𝗌 𝖺𝗌 𝖾𝗌𝗍𝖺𝖼̧𝗈̃𝖾𝗌 𝖿𝗋𝗂𝖺𝗌. 𝖮 𝗏𝖾𝗋𝖺̃𝗈 𝖾́ 𝗎𝗆𝖺 𝖾́𝗉𝗈𝖼𝖺 𝖽𝖾 𝖼𝗋𝖾𝗌𝖼𝗂𝗆𝖾𝗇𝗍𝗈, 𝖺𝖻𝗎𝗇𝖽𝖺̂𝗇𝖼𝗂𝖺 𝖾 𝖺𝗅𝖾𝗀𝗋𝗂𝖺. 𝖤 𝗈 𝗂𝗇𝗏𝖾𝗋𝗇𝗈 𝖾́ 𝗎𝗆 𝗉𝖾𝗋𝗂́𝗈𝖽𝗈 𝗇𝖾𝗀𝗋𝗈, 𝗈𝗇𝖽𝖾 𝗏𝗈𝖼𝖾̂ 𝗍𝖾𝗆 𝗊𝗎𝖾 𝗅𝗎𝗍𝖺𝗋 𝗉𝖾𝗅𝖺 𝗌𝗈𝖻𝗋𝖾𝗏𝗂𝗏𝖾̂𝗇𝖼𝗂𝖺". 𝖠𝗅𝖾́𝗆 𝖽𝖾 𝖿𝖺𝗍𝗈𝗌 𝗁𝗂𝗌𝗍𝗈́𝗋𝗂𝖼𝗈𝗌, 𝗈𝗎𝗍𝗋𝗈𝗌 𝖾𝗅𝖾𝗆𝖾𝗇𝗍𝗈𝗌 𝗋𝖾𝖺𝗂𝗌 𝗍𝖺𝗆𝖻𝖾́𝗆 𝗌𝖾𝗋𝗏𝗂𝗋𝖺𝗆 𝖽𝖾 𝗂𝗇𝗌𝗉𝗂𝗋𝖺𝖼̧𝖺̃𝗈 𝗉𝖺𝗋𝖺 𝖠𝗌 𝖢𝗋𝗈̂𝗇𝗂𝖼𝖺𝗌 𝖽𝖾 𝖦𝖾𝗅𝗈 𝖾 𝖥𝗈𝗀𝗈. 𝖠 𝗂𝖽𝖾𝗂𝖺 𝗉𝖺𝗋𝖺 𝖺 𝖼𝗋𝗂𝖺𝖼̧𝖺̃𝗈 𝖽𝖺 𝗆𝗎𝗋𝖺𝗅𝗁𝖺 𝖽𝖾 𝗀𝖾𝗅𝗈 𝗊𝗎𝖾 𝗉𝗋𝗈𝗍𝖾𝗀𝖾 𝖶𝖾𝗌𝗍𝖾𝗋𝗈𝗌 𝖽𝖺𝗌 𝖼𝗋𝗂𝖺𝗍𝗎𝗋𝖺𝗌 𝗌𝗈𝖻𝗋𝖾𝗇𝖺𝗍𝗎𝗋𝖺𝗂𝗌 𝗏𝖾𝗂𝗈 𝖽𝖾 𝗎𝗆𝖺 𝗏𝗂𝖺𝗀𝖾𝗆 𝗊𝗎𝖾 𝖬𝖺𝗋𝗍𝗂𝗇 𝖿𝖾𝗓 𝖾𝗆 𝟣𝟫𝟪𝟢 𝗉𝖾𝗅𝖺 𝖤𝗌𝖼𝗈́𝖼𝗂𝖺, 𝗈𝗇𝖽𝖾 𝗈 𝗋𝗈𝗍𝖾𝗂𝗋𝗂𝗌𝗍𝖺 𝖼𝗈𝗇𝗁𝖾𝖼𝖾𝗎 𝗈 𝖬𝗎𝗋𝗈 𝖽𝖾 𝖠𝖽𝗋𝗂𝖺𝗇𝗈 — 𝗎𝗆𝖺 𝖿𝗈𝗋𝗍𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖼𝗈𝗇𝗌𝗍𝗋𝗎𝗂́𝖽𝖺 𝗉𝖾𝗅𝗈 𝗂𝗆𝗉𝖾𝗋𝖺𝖽𝗈𝗋 𝗋𝗈𝗆𝖺𝗇𝗈 𝗉𝖺𝗋𝖺 𝗉𝗋𝗈𝗍𝖾𝗀𝖾𝗋 𝗈 "𝗆𝗎𝗇𝖽𝗈 𝖼𝗂𝗏𝗂𝗅𝗂𝗓𝖺𝖽𝗈" 𝖽𝗈𝗌 "𝖻𝖺́𝗋𝖻𝖺𝗋𝗈𝗌" 𝗊𝗎𝖾 𝗏𝗂𝗏𝗂𝖺𝗆 𝗇𝗈 𝗇𝗈𝗋𝗍𝖾. 𝖯𝖺𝗋𝖺 𝖺 𝗌𝗎𝖺 𝗌𝖾́𝗋𝗂𝖾, 𝖬𝖺𝗋𝗍𝗂𝗇 𝗍𝗋𝖺𝗇𝗌𝗆𝗎𝗍𝗈𝗎 𝖺𝗌 𝗋𝗎𝗂́𝗇𝖺𝗌 𝖾𝗆 𝗎𝗆𝖺 𝖾𝖽𝗂𝖿𝗂𝖼𝖺𝖼̧𝖺̃𝗈 𝖽𝖾 𝗀𝖾𝗅𝗈 𝖼𝗈𝗆 𝖼𝖾𝗇𝗍𝖾𝗇𝖺𝗌 𝖽𝖾 𝗆𝖾𝗍𝗋𝗈𝗌 𝖽𝖾 𝖺𝗅𝗍𝗎𝗋𝖺.
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